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Entries in Tom McCarthy (2)

Thursday
Jan062022

Almost There: Peter Dinklage in "The Station Agent"

by Cláudio Alves

With Cyrano in cinemas at the end of the month, Peter Dinklage is on the hunt for his first Oscar nomination. Playing a musicalized version of the classic role, the actor can capitalize on his stardom, which has been steadily growing over the past decade. After years of being ignored, Dinklage's stint in Game of Thrones made him a household name, beloved by the industry and with a slew of trophies to show for it. Will an Oscar nomination be next? It's the second time he's seeking Hollywood's most coveted statuette, having also been a contender back in 2003. Tom McCarthy's The Station Agent was Dinklage's breakthrough, an indie gem with incredible acting across the board…

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Thursday
Jul082021

Cannes at Home: Day 3 

by Cláudio Alves

The third day of this year's Cannes Film Festival was a busy one. First, there were two premieres for films in the main competition, Joachim Trier's The Worst Person in the World and Mahamat-Saleh Haroun's Lingui. The response to the latter was so effusive, some are already calling it a contender for the Palme d'Or. Then, in the Un Certain Regard section, Kogonada's sophomore feature, After Yang, took its bow. Other premieres from prominent directors included Andrea Arnold's Cow and Tom McCarthy's Stillwater. Our Cannes at Home program is made up of past films from this illustrious quintet, encompassing a meditation on loss, an allegory of civil war, love songs for architecture, and more.

OSLO, AUGUST 31ST (2011)
From dawn to dawn, a young man ponders the end. Joachim Trier gives a premise fit for po-faced European miserabilism a fresh face in Oslo, August 31st. While not treading new ground, the tale of potential death is all about life, approaching the material with a form that rarely overstates the idea with either in-your-face vitality or florid nihilism...

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