Oscar's VFX Finalists: Lightsabers and Robots and Bears, oh my!

Usually when the Academy releases the finalists for their Visual Effects category, the list is so short that we can spend time bemoaning the lost chances of great movies. We were all ready to despair about Ex Machina being cut since films where the visual effects are genius but "supporting", as it were, are rarely if ever the ones they honor.

But lo and behold a much bigger list than usual with Ex Machina on it (yes!) as well as the practical effects wonderment that is Mad Max: Fury Road.

• Ant-Man
• Avengers: Age of Ultron
• Bridge of Spies
• Chappie
• Everest
• Ex Machina
• Furious 7
• The Hunger Games: Mockingjay – Part 2
• In the Heart of the Sea
• Jupiter Ascending
• Jurassic World
• Mad Max: Fury Road
• The Martian
• Mission: Impossible – Rogue Nation
• The Revenant
• Spectre
• Star Wars: The Force Awakens
• Terminator Genisys
• Tomorrowland
• The Walk

Which 5 of these finalists will you be rooting for?

P.S. Now we'll just have to puzzle out what was CGI in Bridge of Spies and speculate about how many prizes "Judy" the bear from The Revenant can wrack up this year? Leonardo DiCaprio tasted just like Oscar and she's hungry for more.

P. P.S. Does this mean the Executive Committee of AMPAS vfx branch were given a private screening of Star Wars or did they just give it a placeholder break?

P.P.S. I refuse to be ashamed that I saw Avengers: Age of Ultron three times and it deserves the nomination for The Vision alone... let alone the rest of its spectacle. But since it's popular to hate on now, will the Academy skip it? Your theories are welcome in the comments.

Will Mockingjay Part 2 Change The Hunger Games' Disappointing Oscar History

If next January comes around and brings no Oscar nominations for The Hunger Games: Mockingjay – Part 2 then it will have the unenviable tally of zero nominations from four films. Only The Twilight Saga, Mission: Impossible and Fast and the Furious franchises can claim such a strike rate. There was a time when every film that made over $200 at the American box-office could claim at least one nomination - even Austin Powers: The Spy Who Shagged Me! But since Mission: Impossible II in 2000, that has no longer been the case. Still, for Lionsgate’s hugely successful Hunger Games to bow out with nary a single nomination to its name is genuinely surprising.

What’s more, these films are hardly wanting for acclaim and nomination-worthy elements. Salute (or click) for more!

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Stop Hiding Toby Kebbel's Face!

Why won't Hollywood let us see it?!  

He keeps getting all these big movie jobs wherein you can't see his face. First there was all that hair as Agenor in Wrath of the Titans. Then the motion capture villain Koba in Dawn of the Planet of the Apes. He's in theaters right now (well, not for much longer) as Doctor Doom (presumably scarred and metal-masked) in Fantastic Four. He's in the Warcraft movie soon and there are a ton of CG characters in that though I know nothing about that video game so perhaps his character is human?

Toby talking about motion capture acting last yearAnd now he's joined the cast of the King Kong related movie Skull Island. No word yet on his role but if he's invisible via motion capture again, imma be pissed! Stop hiding him, filmmakers. This is vaguely like when people pretend that Toni Collette or Jamie Bell are bit players or that we don't like to look at their faces by hiding them in the background or making them play second fiddle to lesser actors or in Jamie's case, burying that mug under rock man CGI. 

Toby gets to act with his face finally in the Messala role in Ben-Hur. That's the gay part Stephen Boyd so memorably played in the 1959 Best Picture winner. No word yet on whether this version will be as conservative as Charlton Heston thought the original was. He was famously unaware that Boyd and the director William Wyler had teamed up to amp up the homo subtext in their scenes. 

Let's start a petition to unleash Toby Kebbel's face in the movies. No more masks or CGI. 

Miscellania: Mad Munn Mortal Minority Musicians

Newsweek Before Straight Outta Compton: race and the black musician biopic
Awards Daily makes a great case for why Mad Men should win the Drama Emmy
MNPP playing lumberjack with Patrick Wilson
Vanity Fair Katey and Richard survey the summer movie season, get nostalgic for Mad Max Fury Road already
The Envelope talks to Lily Tomlin on her great year "If one looks at years that way."
Instagram Olivia Munn wire training for her superheroic antics as the X-Men's Psylocke. Physicality is getting to be so essential in the CG action age that I hope aspiring actors are taking gymnastic and dance courses

Vox why The Chronicles of Prydain is the best literary fantasy series (when do you suppose they'll try to film it after Disney's 80s botch job?) 
Interiors Film Journal looks at the dance scene in Tom at the Farm
THR looks back at unlikely hit Mortal Kombat when videogame movies were ridiculed
Towleroad Trans bodybuilder Aydian Dowling now a top 5 finalist for Men's Health "Ultimate Guy" cover contest
Self Styled Siren on an old book about a possibly violent but definitely tumultous John Barrymore marriage
i09 gets excited for the Minority Report tv show
Film Stage deleted scenes from Mad Max Fury Road
Starf*cker Matthew Rettenmund's (Encylopedia Madonnica, Boy Culture) new book is available for pre-order 

Today's Watch
On baffling uses of CGI... I didn't know this about 50 Shades of Grey or John Wick and definitely blocked out the "pear" from Star Wars. Repressed memory!  

Review: Pixels

Tim here. There's a good movie to be made out of Pixels, and it would be the easiest thing in the world to get there. First, keep all of the visual effects setpieces from the movie as it exists, for they are surprisingly beautiful and convincing considering how much lower the film's budget than the usual summer tentpole. Second, make exactly the opposite choices that the filmmakers actually did, because there's literally not one thing about the plot, characters, tone, morality, or basic comprehensibility about Pixels in this form that works.

The film began life in 2010 as a lovely little conceptual short by French filmmaker Patrick Jean (which you can watch here, and have a far more enjoyable 2.5 minutes than anything in the lugubrious 105 minutes of the feature), whence it was almost immediately nabbed by Adam Sandler, who wanted to transform it into a feature. And that's really sad, because of all the changes that would have clearly benefit Pixels at some stage in its development "don't make it an Adam Sandler vehicle" is unquestionably at the top of the list. [More...]

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