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Entries in White Building (2)

Monday
Sep132021

Oscar's "Best International Feature Film" race begins

by Nathaniel R

The 94th Oscars are six months away but we now know seven of the contenders for the next Best International Feature Film race (so it's time to start updating/building the Oscar charts). In the past couple of years this category has been on absolute fire with the double whammy of extremely enthusiastic critical acclaim and crowd-pleasing entertainments via South Korea's Parasite (2019) and Denmark's Another Round (2020). For the first time that we can recall the window of eligibility this season follows the exact calendar year (usually international film contenders calendar runs October to September but last year f***ed with everyone's calendar) so as long as a movie opens in its home country sometime in 2021 it is theoretically eligible for submission. Each country can only send one film, though, as per always.

Here are the first seven contenders announced. If we've reviewed them there's a link...

Click to read more ...

Friday
Sep102021

Nathaniel in Venice: "L'Evenement" and "Mother Lode" are gems.

Nathaniel reporting from Venice

This is my final review batch post from Venice. This weekend we'll talk Cambodia's Oscar submission (decided it deserved its own post!), and I'll sound off on "jury of one" stuff after the official winners have sunk in to underline my own 'best' of; You know how we love a list here at TFE and the neat thing about festivals is that everyone designs or ends up with their own program within the larger programs! And yes after all that (aka Monday) we'll be updating each Oscar chart. I am now safely ensconced back in NYC and thanks to Chris for holding down the fort on my travel day. As you read this I am undoubtedly snuggling with the boyfriend’s cat who is very clingy and filled with “missed you” purrs -- heaven! This post will probably contain no movies you’ve yet heard of but don’t run away! Festivals are also about discovering films from all over the world.

Here are the last four films I screened at Venice in ascending order of pleasure...

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