Tues Top Ten: The Year in Dance Scenes

Michael C. here. Over at Serious Film I've been handing out awards for 2012, but when I tried to name the dance scene of the year I realized 2012 was too packed with great contenders to choose only a single champion. So here is a more comprehensive list of the best scenes where characters couldn't fight their dancing feet.

Honorable Mentions

I consider Holy Motor's accordion scene more parade than dance otherwise it would surely top this list. Likewise I don't know quite how to classify Philip Seymour Hoffman's disturbing performance during The Master's nude party fantasy although it certainly impossible to forget. As for Magic Mike all the movie's dance scenes blended together in my memory, so maybe some Ladies of Tampa can enlighten me in the comments as to which one was the standout. 

 Top 10 Dance Scenes of 2012 

10. Take This Waltz 
I wasn’t as in love with this infidelity drama as many were, but it had a handful of great scenes where I could see what everybody else was so excited about. The finest was a house party where the secret life of Michelle Williams’ character threatens to spill out into public view on the dance floor to the tune of Feist’s terrific cover of Leonard Cohen’s Closing Time. 

9. Silver Linings Playbook (and 8 more films after the jump)

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Best of 2012: Nathaniel's Honorable Mentions

We're reached the End of Watch. No, not the movie of that title though we'll soon get to it. But the invisible line I have to draw on my movie calendar between Now and Then. I've squeezed more screenings in this past month than I probably should have for a clear head but I must finally cut myself off. Now is the time to take stock and share favorites. The Film Bitch Awards have begun with my choices for Best Screenplays now posted. "But, wait, where's the top ten?" you ask. We're getting there. But first we start right here...

Have I Told You Lately That I Love You? (In No Particular Order)
No movie seemed more in my personal wheelhouse this year that Joe Wright's sumptuous ANNA KARENINA but in truth it divided me. lots more movie-lovin' after the jump...

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Favorite Trios! Three Days...

...until Oscar nominations arrive. So let's celebrate with our three favorite threesomes trios this year.

3. The Crown Princes in Brave 
I love Hamish, Hubert & Harris primarily because I share their weaknesses for pastries. If I had seen the pastry before them I would have been doomed to a life of furry hibernation. Cast a spell on a pastry and I will be magically defeated. Actually, even without a spell, a pastry will defeat me. Bonus points: we need more ginger characters in the movies. Apparently redheads are going to be gone in 60-75 years time, genetically speaking, so stock up on them now!

2. Royals + 1  in A Royal Affair
King (Mikkel Boe Følsgaard), Queen (Alicia Vikander) and Their Personal Physician (Mads Mikkelsen)
Doctor Streunsee bills himself as the royal's personal physician but he's really more of a political adviser with a pinch of therapist / gynecologist when it comes to this royal marriage. This movie is good. See it.

1. "The B Faces" in Bachelorette Regan (Kirsten Dunst), Gena (Lizzy Caplan), and Katie (Isla Fisher) are
coke-snorting, bed-hopping, mean girls and though they're cruel to each other and especially to their fourth wheel Becky (Rebel Wilson), the one who is no longer a bachelorette, they're actually friends with shared messy history and statis problems. That's an uncomfortable sometime truth of long-term friendships that you don't often see dramatized in movies. Anyway, we can't get enough of them. Or at least we suspect we can't. Doesn't it seem like the type of movie we'll all know by heart in ten years time? 

Year in Review: Movies You Should Have Invested In

Some alarmists might consider the seemingly mandatory media coverage of weekend box office to be the true death of vital film culture, more money meaning nothing other than, well, more money. (See: Cosmopolis). Even for the sites that do it well, the figures are only good for so much. Generally speaking the most gargantuan hits of any year cost a lot to make so even when they're as big as everyone involves hopes they'll be (like Bond or the superhero epics they generally only return $4 bucks or so for every $1 they cost -- at least in their original window of money-making opportunity. Merchandising and sequels are obviously a reason for the gamble and will make you much much more later on). So I read through all the charts on Thompson in Hollywood's blockbuster box office wrap specifically with profit in mind. So here's what I've gleaned as the most profitable pictures of the year based on total global gross versus their budgets... Just for kicks I substracted $25 million of profits for promotional costs though as the article states that is on the low end of the typical scale. 

the biggest hit of the year everywhere but THE AVENGERS was also super expensive to make / market which cuts into your profit margins

But this approximate interpreted list by me still gives us a smudgy window view into which films really returned on investment for those who backed them. 

Ten Most Profitable?
01 The Devil Inside grossed 76 times its budget
02 Paranormal 4 grossed 23 times its budget
03 Magic Mike grossed 20 times its budget
04 The Best Exotic Marigold Hotel grossed 11 times its budget
05 Ted grossed 9 times its budget 
06 Ice Age Continental Drift grossed 9 times its budget
07 Hunger Games grossed 8 times its budget
08 Taken 2 grossed 8 times its budget
09 Chronicle grossed 8 times its budget
10 Sinister grossed 8 times its budget 

Channing Tatum's 2012 filmography grossed $587 million around the world

Best Lesson Learned: keep your costs low and your stars well cast (Magic Mike & Ted & Marigold Hotel & Taken 2)

No-Duh Lesson: low budget genre movies are, historically, a strong financial bet (Devil, Paranormal, Chronicle) which is why so many actors and directs get their start in them

Soul-Crushing Lesson We Learned Again: Keep delivering what people already like (Ice Age, Taken 2, Paranormal 4, Devil Inside... not part of an official franchise but there are a bajillion possession movies and people always pay money to see them)

the #1 global top grosser that was in no way a franchise (unless you view Pixar as one continuous franchise10 Biggest Global Hits of 2012
01 The Avengers ($1.51 billion)
02 The Dark Knight Rises ($1.08 billion)
03 Skyfall ($1.02 billion)
04 The Hobbit: An Unexpected Journey ($.8 billion) -- this is why we will get a lot more padding so movies can be divvied up for even more profit. Soon 2 hours of story will make 4 or 5 films (pt 1)
05 Ice Age Continental Drift ($.8 billion)
06 Twilight Saga: Breaking Dawn Part 2 ($.8 billion)  -- this is why we will get a lot more padding so movies can be divvied up  for even more profit. Soon 2 hours of story will make 4 or 5 films (pt 2) 
07 Spider-Man ($.7 billion) --  this is why we will get a lot more instant reboots of big hits. *sigh*
08 Madagascar 3: Europe's Most Wanted ($.7 billion)
09 Hunger Games ($.6 billion)
10 Men in Black 3 ($.6 billion)

runner up: Brave ($.535 billion)

* I think it's worth noting that Prometheus, which earned $402 million globally, and is therefore not too far outside this list is a much bigger hit than people have assumed based on media coverage of it as a "disappointment" and "flop". When something underperforms in the US, people assume it was a flop. It wasn't.

Did you support all of these economies? Which of these movies would you have invested in if someone had asked you?  Don't all say Magic Mike at once. 

Previously on 'Year in Review' 
Water-Logged - major flooding at theaters
Michael's 10 - Moonrise, Django, etc
Beau's 10 -Cabin in the Woods, Bachelorette, etc
Interviewlapalooza -from Kidman to Cumming
LGBT Characters - from "Mitch" to "Silva" 
James Bond Mania -Bond Girl Reader Rank
Snow White the apple muching fairest of all
Overrated Amy Adams, superheroes, film critics
Nathaniel's Worst Cloud Atlas, Spider-Man
Summer Crushes Pt. 1 and Pt. 2

Best of the Blog from...
January, February, March, April, May, June, July, August, September, October and November

Michael's Best of 2012

Before Nathaniel's Top Ten drops over the next few days he has invited TFE correspondents to share their own best of 2012 lists. I confess up front that I have not yet managed to catch Tabu, Oslo August 31 or Middle of Nowhere, but then all lists are a work in progress, aren't they?

Honorable Mentions...
Richard Linklater's Bernie featured the enduringly weird paring of Shirley MacLaine and Jack Black in addition to a unceasingly funny peanuts gallery of small town Texans arguing that murder really isn't all that bad. Lauren Greenfield's Queen of Versailles is the perfect film for the moment with subjects that make the cast of Marie Antoinette seem admirably self-aware and thrifty. Walter Salles's On the Road is a bracing jolt of life that is being seriously undersold by critics. Looper does the sci-fi genre proud with its thoroughly imagined script that piles on the surprises well beyond the big hook. And finally, Amour should rightly be near the top of this list based strictly on filmmaking skill, but there was something about its unremmiting bleakness that felt incomplete to me. I can't help asking "Is that all there is?" even as the film itself calmly repeated that "Yes. It is." over and over. 

10 9 8 7 6 5 4 3 2 1 ... after the jump

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