The Worst of The Worst Summer Seasons?

Tim here. Oscar Season is about ready to officially kick off, with the first Gurus of Gold listing landing today, and the massively important Venice, Telluride , and Toronto film festivals all starting within the next week or two, but before we move into the last phase of the movie calendar year, I’d like to spend one more moment eulogizing the year that has been, nodding one last time in the direction of the summer that, just about everybody agrees, has been the absolute pits.

We’ve already gone over that, so instead of belaboring a point, I’d like to ask the question, was summer, 2013, really the worst ever? I’m pretty confident that the answer to that is no, and to prove it, I’d like to offer up three possibilities for the title of Worst Summer Movie Season of All Time that put 2013 to shame. Or, y’know, make it look good. Whichever way you want to put it.

Three terrible summers after the jump

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The summer blockbuster is dying? Thank goodness

Hi, it's Tim. It’s not typically the Done Thing for us members of Team Experience to respond to each other, but Michael C’s Burning Question yesterday got me thinking especially hard, and coupled with Nathaniel’s mention of my own “why did this summer suck so hard?” jeremiad in his link round-up, it seemed impossible not to address what has suddenly become a hot topic: the death of the great American blockbuster, although with Iron Man 3 striding past $400 million, reports of the death of tentpole filmmaking are perhaps exaggerated.

That said, there’s clearly a problem, and as somebody who still hasn’t grown out of the desire to see robots punching explosions into bigger explosions, or what have you, I count myself among the aggrieved that big-budget Hollywood movies have been steadily turning into such paint-by-numbers, flavorless affairs, too finely-tuned for international consumption to have any real personality. But that’s not what I want to talk about – there’s been enough talk about that. I want to talk about the happy flip side of things, which is that for all that the impressive flops and under-performers, it’s hardly been a dolorous wasteland at the multiplex. In fact, I take the story of this summer to be a hopeful one: the future seems to be taking shape right in front of us, and it’s exactly the opposite of the panicked “Cinema is dying!” rants delivered by such men as the Stevens, Soderbergh & Spielberg, recently.

If I were to pick the single most impressive box-office story of the summer, it wouldn’t be Iron Man 3 hitting a figure that is, however large, not that big a deal for a movie with its kind of budget, especially one serving as de facto sequel to a film that destroyed very nearly every record that exists. I’d go with either The Great Gatsby or The Conjuring. [MORE...]

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July. It's a Wrap.

Despite the absolutely sweltering heat in July this summer in New York City I've survived to see another month. It's a miracle. The blog is Made in Air Conditioning. So let's book back on the monthwith highlights in case you melted through them. 

Personalize Your DVD Collection - Meet Nick's guest room
Women Who Deserve an Honorary Oscar - Team Experience gives AMPAS some suggestions since they invariably choose men for the honor
Shot in Chicago - Tim selects the movies that best represent the Windy City 
Cory Monteith (RIP) - Glee loses one of its originals
Goodbye Bunheads - Andrew eulogizes the unique ballet charmer, gone from the TV landscape too soon 

The Halfway Mark - best of the year January to June
Cinematic Swimwear - TFE launches its first clothing line. Which swimsuit did you buy?
Posterized: Almodóvar - His 19 films. How many have you seen?
Natalie on 34th Street - Tim remembers one of the all time great child performances 
A Jolly Holiday with Mary Poppins -best shots from Disney magical nanny masterwork

COMING IN AUGUST
Short Term 12, Blue Jasmine, The Spectacular Now, Alfred Hitchcock listing, more swimwear (any requests?), back to school goodies, the return of the Supporting Actress Smackdown via 1952 and oldies but goodies like: Shadow of a Doubt, The Color Purple, Singin' in the Rain, The Bad and the Beautiful, and more.

The Halfway Mark Pt 2. Actors & Actresses

I assume that the entire time you were reading the Halfway Mark Best Screenplays & Pictures you were thinking "get to the actors already!" because, damn you're predictable and also so am I and I love to pay homage to great performances. So, here they are in six categories for your perusal and debate and "I guess I'd better watch that" list-making pleasure.

Best Actor in a Limited or Cameo Role (THUS FAR): Lior Ashkenazi (of Late Marriage fame) temporarily energizes the unfortunately bland Yossi by temporarily attempting to to rub off on and up against Yossi himself with pushy sleaze; James Badge Dale, who also won a nomination in this category at 2012's Film Bitch Awards for Flight, is in every big movie now (World War Z, The Lone Ranger, Iron Man 3) and pretty much great in all of them though the roles are growing exponentially and he's already too large for this category!; Kyle Chandler memorably flips his 'clear eyes, full hearts' image on its head as an absent father in The Spectacular Now; Cheyenne Jackson is robbed of his signature voice entirely in Behind the Candelabra as a disgruntled employee/protege/lover but it turns out he doesnt need it absolutely nailing every tiny gesture and facial expression; and finally, I liked Jamie Sheridan's conflicted big business father in The East.

Best Actress in a Limited or Cameo Role: Hillary Baack, is moving in a key brief role as The East's hearing impaired member; Zoe Kazan wins best in show for a group acting exercize masquerading as a movie called Some Girl(s) with an agonizing backstory; Debbie Reynolds, is a real hoot and unrecognizable in the Liberace flick Behind the Candelabra; Orly Silbersatz Banai adds wonderful depth and shading to her history of denial in Yossi; And in a fine cast in Stoker, Jacki Weaver, makes the most of her tense few scenes as the deservedly worried unannounced visitor Aunt Ginny; and my apologies to Grace Gummer in Frances Ha who I didn't quite have room for but I liked her prickly Ivy League alumna

4 More Acting Category "Bests" after the jump

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The Halfway Mark Pt 1: Pictures & Screenplays

We're halfway through the calendar, if not the film year exactly given the backloaded release schedule. So, let's take stock as to where we've been. Herewith my choices for Best thus far... which means I'm hoping that AMPAS and all awards groups will give them a try before the mad traffic jam of year-end Oscar vehicles.

Disclaimer: But first of all... did I miss anything? Sure. You can't see everything though I see my share (full list). My biggest 'oops' for 2013 is definitely Stories We Tell, Sarah Polley's docudrama about her family history which most people I trust at least like and some love. But I also wish I'd seen the Israeli Oscar submission Fill the Void which didn't compete for the foreign film Oscar but did win a release and great reviews.

BEST OF THE YEAR... THUS FAR

Original Screenplay

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