Adieu Chérie: Danielle Darrieux

by Salim Garami
The longevity of Danielle Darrieux's life - reaching up until the golden age of 100 as she passed Tuesday on 17 October - parallels the longevity of Darrieux's storied career. To know her path is to essentially map out the development of French cinema in a cursory sense: Beginning as a child in the very dawn of the French sound era within the musical comedy Le Bal in 1931 until a star-making turn in Anatole Litvak's Mayerling, taking a detour at the cusp of her fame to Hollywood like many beautiful French stars would, returning to her homeland right through the Left Bank faction of the French New Wave working with the likes of Claude Chabrol and Jacques Demy, finding her way to the Broadway stage with Coco as Coco Chanel, and taking a moment to work with directors of the Cahiers du Cinema second generation and the Cinema du Corps until her final screen appearance in 2010.
As far as she went, her sophisticated presence gave a sense of class and dignity to most roles she embodied - whether from the wisdom of the grandmother in her voiceover role in Persepolis or the conflicted Louise in The Earrings of Madame de..., possibly her most popular role and among her favorite collaborators director Max Ophuls - without shedding the youthful spontaniety that made her an early entry into the canon of French actresses. Her range in projects and roles was never diluted by her distinct recognizable stature as an actress and singer.