50th Anniversary: Two for the Road

Tim here. This week marks the fiftieth anniversary of one of the tiny gems in the careers of Audrey Hepburn, Albert Finney, and director Stanley Donen: Two for the Road. It's a British film that picked up a handful of important awards nominations – writer Frederic Raphael at both the Oscars and BAFTAS, Hepburn at the Golden Globes, Donen with the DGA – and went on to be largely overlooked in the following five decades.

That's understandable; it's not a film primed to appeal to the fandom that it seems like it should have. Donen in the director's seat and Hepburn as the top-billed lead both suggest certain kinds of films, if not necessarily the same kind of film: bubbly comedies in his case, elegant Continental romances in hers (splitting the difference, four years earlier they collaborated on Charade, a bubbly Continental comedy). Two for the Road isn't devoid of humor, but it's not primarily a comedy. Instead, it's a serious depiction of a marriage of some ten years or more, long enough for comfortable familiarity to have settled into tetchy boredom.

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Some love mother! Some don't.

by Murtada

The studio behind mother! has pivoted their second week marketing towards the bad word of mouth that the film has been receiving from moviegoers. They stopped selling it as a home invasion horror thriller and instead decided to embrace how polarizing it is.

Some people love it......some people don’t

It’s a bold move and we like it. What they don’t do though, is mention the F cinemascore that the film recieved. CinemaScore is a company that exit polls moviegoers’ opinions on opening night. They have been storing data since 1986, and in that time only 11 other films received the infamous F. Those so honored include Steven Soderbergh's Solaris (2002) and Andrew Dominik's Killing Them Softly (2012). And make no mistake Darren Aronofsky thinks it's an honor, he told The Frame:

What's interesting about that is, like, how if you walk out of this movie are you not going to give it an F? It's a punch. It's a total punch. And I realize that we were excited by that. We wanted to make a punk movie and come at you.

Did you enjoy Aronofsky punk move? Where do you stand on the mother! conversation?

A Beautiful Trailer for "Isle of Dogs"

Chris here. I'm one of those oddball folks that considers Fantastic Mr. Fox as Wes Anderson's best film, so next year's Isle of Dogs has me very excited for the auteur to take another dive into the stop motion pool. And by the looks of the first trailer, Dogs will be very aligned to Fox's humor and visual aesthetic but with the added unexpected intrigue of its Japanese setting. The potential troublesome optics and use of language here gives me some pause, but we'll wait until the film arrives to access. Let's hope Anderson doesn't end up in the cinematic doghouse by delivering our worst fears here.

As you can tell from the poster, Anderson has assembled a massive cast even by his standards. Regular players like Edward Norton and Bill Murray are back, but can you believe this is his first collaboration with Scarlett Johansson and Greta Gerwig? Yoko Ono is also in the lineup if you aren't already fascinated enough.

But what a visual treat, even if it looks like it will be Anderson's most muted color palate. On the other hand: doesn't this trailer just remind you how thin this year's Best Animated Feature race is?

Three can't-miss movies directed by women on the festival circuit

our continuing adventures at TIFF with a little NYFF thrown in.

This year I made a conscious effort to see films directed by women at the Toronto International Film Festival. Nearly half of the films I screened had women behind the camera! Even though a few of them were unsatisfying, a handful were gems so praise be to TIFF that there were so many to choose from. Other festivals haven't been as inclusive. We've already discussed the tragic romance of Mary Shelley, the visually stunning The Breadwinner, the what-were-they-thinking Kings, the confounding but admirably crafted Zama, the dramatic misfire of Euphoria, and Hungary's strange and totally involving Oscar submission On Body and Soul.

I saved the three best for last. If you get a chance to see Western (playing at NYFF September 30th and October 1st), the Austrian costume drama Mademoiselle Paradis, or a hard to describe miracle from Indonesia called The Seen and the Unseen please take it. Unfortunately none currently have US release dates (though Western does apparently have some sort of stateside distribution planned for 2018). We'll take them alphabetically after the jump...

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The Power of Pamela on "Better Things"

By Spencer Coile 

With the abundance of film festivals and the impending Oscar season, television may be sitting on the back burner for many. But with the Emmys coming and going (spectacularly, I might add), many favorite shows are on the way back.

One show has come back for its second season, stronger than ever. Created by Pamela Adlon and Louis C.K., Better Things is a semi-autobiograpical story of Adlon's career as working actress and single mother of three.

Sound like a well tread path? Fear not, because Adlon spices in very real, very intimate, very comical moments that help jettison Better Things into something incredibly complicated, but equally rewarding... 

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