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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Thursday
Jan122017

Interview: Denis Villeneuve on "Arrival" and his Future with Sci-Fi

by Nathaniel R

Though awards season is a roller coaster of emotion each year, one of its purely happiest annual trends is the sudden recognition of talent that have been doing consistently fine work all along. This year's "it's about time!" contender is surely 49 year old French-Canadian director Denis Villeneuve. A famous director at home with six wins at Canada's own Oscars, "the Genies," people are still learning his name in Hollywood and beyond. His international breakthrough was Incendies (2010) about twin siblings journeying to the war torn Middle East. It was nominated for the BAFTA and the Oscar for Best Foreign Language film. Since that breakthrough his profile in Hollywood has steadily risen and he's shown a gift for directing movie stars, versatility with genre, and a particularly refined skill at building and maintaining tension at feature length which has provided thrilling moments in all of his recent films from Prisoners (2013), Enemy (2013), Sicario (2015), and on to his current biggest hit yet  Arrival (2016).

Today he received a DGA nomination for Best Director, the surest awards season sign that a movie will be a Best Picture contender at the Oscars. Our conversation follows...

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Thursday
Jan122017

FYC: Best Original Screenplay, Toni Erdmann

by Daniel Crooke

While you will find ancient cities, hairy beasts, and moments of jaw-dropping audacity steering the rudder of its staggering runtime, you won’t hear a film score in Maren Ade’s Toni Erdmann – an epic of the heart and soul that depends on its screenplay to direct emotional payoffs the way many films depend on their orchestra. Set against the backdrop of a rapidly globalizing yet regionally fractured Europe, the central couple in Toni Erdmann is not a pair of battle-scarred lovers or unlikely allies in combat but an estranged father and daughter, torn apart by generational attitudes in the culture war.

This central reconciliation resonates thematically now more than ever, at a time when capitalist societies across the Western world forgo compassion and human consequence in pursuit of a more profitable bottom line. In her hysterical, observant comedy, Ade crafts a squirrely, screwy rebuke to anesthetized corporate cold-heartedness but – more importantly – champions a disappearing social fabric by weaving together the frayed ends of a family unit...

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Thursday
Jan122017

Instagram Battles: Armie, Helen, or Arianne?

Would you rather?

...shave Armie Hammer's chest

...draw a bath for Dame Helen Mirren 

...or fill out an Oscar costume design ballot with Arianne Phillips? 

...help Chris Pratt with his hair and makeup? 

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Thursday
Jan122017

FYC: Best Adapted Screenplay, Love & Friendship

By Tim

Over the course of 21 years and four features, Whit Stillman's dominant themes as a storyteller have remained steady: an affectionate contempt for the economically and intellectually well-off and their aspirations to become even better; and a love of using language as a dueling weapon, with characters using dialogue as a means of asserting superiority and dominance. In both of these respects, we might say that he's always been making Jane Austen movies. For what are Austen's books, if not loving but merciless dissections of the social codes of the upper-middle-class of her own world?

The marriage of Stillman and Austen was thus as inevitable as it proves to be welcome with Love & Friendship, which nobody could recklessly call "the best" Austen adaptation ever. But it might be the most Austen-esque...

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Thursday
Jan122017

DGA Nominations: Lion, La La, Manchester, Moonlight, and Arrival

The Directors Guild of America announcement was once the single most crucial nomination in understanding the Oscars to come. It famously meant "these films will be nominated for Best Picture"... more than it even meant "these films will be nominated for Best Director" statistically speaking. In ye olden times that would mean that your five strongest best picture contenders, given today's DGA nominations were La La Land, Moonlight, Lion, Manchester by the Sea and Arrival.

But that was in the days of 5 nominations. Times are different now and have been since 2009...

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