Honorary Oscars to Jackie Chan, Frederick Wiseman, Lynn Stalmaster, and Anne V Coates

The Board of Governors from AMPAS have finally announced their selections for this year's Honorary Oscars. This year they're not giving out the Thalberg (for Producing) or the Hersholt (for Huminatarian efforts) but just the regular ol' Honorary Oscars. If such a thing can be deemed "regular" since they're so hard to come by. Consider that James Ivory still doesn't have one despite being a masterful oft imitated but never duplicated director behind three major Best Picture contenders (and many other beautiful films) and never having won an an Oscar and being 88 years old. Nathaniel wept. Oscar remains remarkably stingy with the gays but at least they've noticed the need for diversity in other ways.

Congratulations to this year's esteemed recipients! 

Jackie Chan's starmaking hit The Legend of Drunken Master (1978)

SUPERSTAR JACKIE CHAN
He's a famous actor, producer, and director and his filmography is just enormous with well over 100 films under his belt. What's more he's a major figure in Asian cinema which is about the last place Oscar ever looks to hand honors so good on them. He's only 62 which is young for an Honorary prize but Spike Lee got his while still in his late 50s recently so they appear to be loosening up with their age restrictions. 

EDITOR ANNE V COATES
Though The Film Experience is against Oscar's strange practice of giving Honorary Statues to people who've already won (like Coates) there's no denying that she's one of the best editors the cinema has ever seen. And in truth they've been a bit stingy with her with only 5 nominations and a win (Out of Sight, In the Line of Fire, The Elephant Man, Becket, and her winning film Lawrence of Arabia when she was still in her 30s). I was personally horrified when she was not nominated for her vigorous artful editing on Erin Brockovich (2000). At 91 she doesn't work much anymore but she did edit Fifty Shades of Grey (2015) recently. 

DOCUMENTARIAN FREDERICK WISEMAN
The Academy has been egregiously stingy with this 86 year old. He's never been nominated despite being considered one of the all time greatest documentarians. He has made nearly 40 documentaries including such well regarded titles as Titicut Follies (1967), High School (1968), Hospital (1970), Welfare (1975), Domestic Violence (2001), and At Berkeley (2013)

Lynn Stalmaster at the TCM FestivalCASTING DIRECTOR LYNN STALMASTER
Since AMPAS does not have a category for casting this is a great use of the Honorary award. Lynn Stalmaster is 88 years old and a legend in his field. Within his first three years as a casting director he already had a Best Actress winning film under his belt (I Want to Live!, 1958). Among his many films there are quite a few examples of situations where the perfect actors for that particular project where chosen including: In the Heat of the Night (1967), The Thomas Crown Affair (1968), They Shoot Horses Don't They (1969), Harold and Maude (1971), Deliverance (1972), Tootsie (1982), The Right Stuff (1983), Nine and a Half Weeks (1986) and many more. I adore that he had such a thing for Faye Dunaway though maybe she regrets how frequently he cast her since Mommie Dearest (1981) and Supergirl (1984) were towards the end of it. 

The non-televised Governors Awards will be held on November 12th. As usual we'll be doing some posting on these four careers in the lead up to their honors so we have quite a range of films to choose from. Any requests?

Best Acting. New Oscar Predictions

Having just taken a trip back to 1984 for the Smackdown and memory sufficiently jogged about how dense the acting branch can sometimes be (the discernment skills vary so much annually it can feel like invasion of the AMPAS body snatchers in some calender years) I'm finding myself in the odd position of defending my more extreme hunches from my more cynical side.

Huppert is amazing... and (more importantly) Huppert-esque in ELLEBEST ACTRESS
Whenever you make a call here suggesting that so & so in some non-Oscary film actually has a shot at an acting nomination, people are prone to scoff. But each year's Oscar races have so many intangibles in the acting categories that it's best to keep an open mind. The four acting categories are arguably the categories that are least beholden to the actual movies since a famous actor doesn't need a strong picture to generate buzz nor do they (in some cases) even need for people to actually like their movie they're in or, in fact, see it. And then you have the vaguely opposite case where a particular movie, whether or not people actually warm to it as a whole, can remind the world how fabulous a particular actor or actress always has been...

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More Early Looks at "Beauty And The Beast"

Chris here with more early looks at next year's live action Beauty and the Beast revamp.

While we've only had the briefest of glimpses at what's in store for Disney's next reimagining/bastardization (potato, potahto) of a favorite, we have already been given enough to incite both excitement and dread. However, what the trailer was missing was any kind of hint of how the characters might visually borrow or differ from the original animated masterpiece. Now it looks like we'll be getting a little of both...

Yep, that's Dan Stevens as the transformed Beast in human form giving a very literal interpretation of the open-chested flowy frock of the original. But the design of Lumiere and Cogsworth (voiced by Ewan McGregor and Ian McKellen) is, shall we say... certainly different - any concerns of reliance on CGI will not be abated by this reveal. Whether the film will take the approach of "more is more" (Cogsworth is walking filigris) or "less is less" (human Beast wasn't so modest, Mr. Stevens) is still to come.

What do you think of the character design? Would you rather see the characters close to the original or an entire new take?

Stream This: Young Adult, Saved!, Weiner-Dog, and more...

It's that time again. Let's look at what's new to streaming on Amazon Prime this month, by random screengrabs wherever the scrolling bar drops us in the movie...

Oh Mary, please don't tell me you're a lesbian."

Saved! (2004)
I've never seen this Christian high school movie but given how often its devout fans bring it up or quote it perhaps I should? 

Please help us...

Interview with the Vampire (1994)
Don't do it, Brad! Kiki is BIG TROUBLE even though she comes in a tiny cute package. 

six more movies after the jump...

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Derek Cianfrance: the Now and the Next

by Josh Forward

Derek Cianfrance, the man who made cinema fans everyway sit bolt upright with excitement at his stunning debut Blue Valentine is about to release his third feature The Light Between Oceans. Both films, and his second, the multi-generation epic The Place Beyond the Pines, show his preoccupation with the dark intricacies of doomed romances and families pouring out into gripping cinema. His talent with actors is evident again: Reviews are mixed to positive for the film overall, but leads Michael Fassbender and Alicia Vikander, along with supporting player Rachel Weisz are all solidly praised.

Opening wide and based on a popular novel, this is Cianfrance's first dalliance with what could be considered a "mainstream" film. As much as his cinematic fascination with the mucky and the unflinching darkness in human nature can be mainstream at least. But it does have a more traditional narrative and sweeping landscapes to match. The words "sentimental" and "soap opera" are even being bandied around.

His next project, announced this week, may prove a progression of this trajectory. It's another literary adaptation, this time of S.C. Gwynne’s “Empire of the Summer Moon: Quanah Parker and the Rise and Fall of the Comanches, the Most Powerful Indian Tribe in American History". The scale of the story is epic, and it could be his biggest movie yet. Although this is a story without tortured lovers (at least as its driving force), when Cianfrance discusses it, it still sounds firmly in his wheelhouse...

The passing of the torch, passing of pain, and decisions, and the ripple effect of decisions".

The same quote could easily be said about The Place Beyond the Pines.

This film has taken a long journey to screen. A screenplay based on the same book was developed in 2010 by Diana Ossana and Larry McMurtry, the Oscar winning screenwriters of Brokeback Mountain. This would have been their first film since that masterpiece in 2005, but this adaptation appears to have nothing to do with this development, with the script written by Cianfrance himself with his Pines co-writer Darius Marder over the last three years. It's a shame we won't see another script yet from current one hit wonders McMurty and Ossana, but Cianfrance has certainly earned his auteur stripes and screenwriting chops. 

No actors have been attached yet, but cross all fingers and toes that some great Native American actors find representation on our screens.