Judy by the Numbers: "Americana"

Anne Marie here with one of the foundational building blocks of the legend that is Judy. This week it's the story you've probably heard: young Judy Garland sings in a two-reel with another mostly-unknown MGM child actor named Deanna Durbin. Mayer sees the short and decides to dump one of the girls. Which he chooses and why is up for debate, but the practical fallout turns one girl into a big star at a small studio, and puts the other on the road towards a mythmaking career.

The Movie: "Every Sunday" (MGM, 1936)

The Songwriter: Roger Eden

The Players: Judy Garland and Deanna Durbin directed by Felix E. Feist

The Story: When young Judy had signed with MGM, she had done so without a screentest. The powers that be decided to rectify that in 1936, casting Judy with Deanna Durbin, another girl singer whose classical style contrasted nicely with Judy's big, swingtime voice. Durbin's option at MGM was about to expire, and the studio decided not to renew it. Durbin was rapidly scooped up by Universal, cast in Three Smart Girls, and became a nearly overnight sensation. These are the facts as we know them.

Many variations on this storyfeature heavily in the Judy Garland myth. In some versions, Mayer tells an underling to "get rid of the fat one," and the studio mistakenly lets go Durbin. In others, Arthur Freed recognizes young Garland's talents and intercedes on her behalf. Whatever the real reason was, this story remains the most romanticized near-miss in Hollywood musical history. It's a story of foils: Classical Deanna vs Brassy Judy, the flashpan sensation vs the undying star, the nonegenarian vs the talent gone too soon. Every good myth needs an origin story, and this moment, when Judy's career nearly stopped before it began, serves neatly as the genesis for Judy Garland, Child Star.

15 Best LGBT Characters of '15

We promised a grand total of 15 "Best of "2015" Lists (apart from the awards -- yeah, we're overplanning crazy) so here's the second to last. Diversity is the hot topic of the week and regardless of any one particularity (like an Oscar nominee list) thing are getting better on television (obviously) and at the movies, too, though you have to look a little bit harder. Still, if you go to a lot of movies and attempt to draw up lists like this you'll find you're spoilt for choice. There are so many more films these days directed by women, for gay audiences, for people of the color and the like. You just have to look beyond Big Hollywood and keep your eyes open for intriguing surprises if you do regularly hit the all wide releases multiplex.

Since 15 is a finite number (damn you math) not every film with an LGBT character can make the list. Some I didn't see only because you can't see everything (Legend, Duke of Burgundy, Cut Snake, Eastern Boys) and some just didn't make this particular list (Tom at the Farm, Saint Laurent, Gerontophilia, Ricki and the Flash, Mr Holmes, The New Girlfriend, Boulevard, Stonewall, Match, and The Danish Girl) though that shouldn't reflect on the film itself because that group has everything from terrible to great movies within it. The most high profile miss is Lili Elbe (Eddie Redmaybe) but that's mostly because The Danish Girl needed to be queerer and because there are several women that were far more fetching on this list.

Without further ado...

15 Best LGBT Characters of The Movies of '15
from Nasty Baby through Star Wars (???) and on up to Carol

15 Freddy (Sebastián Silva) in Nasty Baby
Silva, one of Chile's best known filmmakers, doesn't usually star in his own movies, but this time out he gifts himself the lead role. Freddy, an artist working haphazardly on a new project involving adults pretending to be babies, desperately wants to be a dad and is continually trying to make it happen between his boyfriend (Tunde Adebimpe from Rachel Getting Married) and his best friend (Kristen Wiig). Silva's a fluid filmmaker when it comes to gender, ethnicity, and genre and Nasty Baby is a fluid movie, freely hopping from genre to genre without much warning:  drama, comedy, character study, art world satire, and even thriller. (Bonus points for the cat-loving.)

more after the jump

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Idris Elba on Imagination & Diversity

You know you can carve out 32 minutes for Idris Elba. My favorite part of this speech he recently gave in the UK about the television industry, other than its wide grasp of diversity being about much more than skin color (the frequent references to how women are marginalized is most welcome), is the acknowledgement and gratitude to the people behind the scenes, especially casting directors, who've helped actors like himself break out of stereotypes and industry-prescribed boxes. The key, he wisely stresses, is imagination. [More...]

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Rachel McAdams is Flawless

Chris here, to curb your naysaying. I've heard plenty of "she doesn't even go here" comments about Rachel McAdams's Best Supporting Actress nomination, from even my delightful Team Experience colleagues. So here's a quick reminder (with help from this year's nominees)...

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Team Experience Awards ... with love to Carol, Ex Machina, Girlhood, and more

Amir here, to welcome you to the 4th annual Team Experience Awards, bestowed on the year’s best in film by the Film Experience community (you can read about us here) – sans Nathaniel, our host; you can follow his personal awards here. In the past three installments, we honoured Leos Carax’s Holy Motors (France/Germany), Steve McQueen’s 12 Years a Slave (USA/UK) and Jonathan Glazer’s Under the Skin (UK/USA/Switzerland) as our Best Pictures.

Perhaps it won’t surprise you that the awards below, particularly in the craft categories, are more or less dominated by a couple of films that we have all been championing throughout the year, but the usual caveats of all our team posts apply to this one as well. Though the final results might be not be shocking, there were bloodbaths in most categories with many strong contenders for each prize. The best actress category’s contenders, for example, were separated by a hair, rather fittingly, given the winner and and the runner-up.

Some of these behind the scenes details are listed in the trivia section, but without further ado, here are the winners of 2015’s Team Experience Awards:

BEST PICTURE
Carol Runner-up: Brooklyn

BEST UNRELEASED FILM
The Lobster Runner-up: Chevalier

foreign film, acting prizes, and craft achievements after the jump...

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