Trailers for Short Oscar finalists

AMPAS has selected 10 documentary shorts from their undoubtedly long (unpublished that we know of) eligibility list to compete for the 5 nominations in the category. For those who are unaware the short film race at the Oscars each year can be a hodgepodge of years (no release dates apply obviously) because the shorts qualify for the competition by winning prizes at Oscar-qualifying festivals around the world. (The short film categories are often as international as the Foreign Language Film Award.) And the festival journey can be a long one for tiny low profile films. 

Doc trailers after the jump and a few Animated shorts, too...

Click to read more ...

Morning Truth Tell: Tom Hanks...

Tom Hanks is giving way better performances recently (Captain Phillips, Bridge of Spies) than the ones he used to win Oscars for. 

Mad Max & Fashionable Kate lead the 'Australian Oscar' nominations

The AACTA Awards, essentially the Australian Oscars, are in their 5th year. But the "5th" business they're promoting is misleading. It's the fifth year under their new name, AACTA, but they've actually been giving out prizes since 1958 when they were called AFI Awards... not to be confused with the AFI events across the Pacific, America and Australia both starting with "A" and both having Film Institutes. But they're obviously promoting a reboot mentality since they consider the 2011 AACTAs the "inaugural" awards.

Leading the pack this year are Kate Winslet's fashionista revenge comedy The Dressmaker (still awaiting news on a US release) and the critically beloved Max Mad Fury Road with 12 and 11 nominations respectively. George Miller's action masterpiece could even win since AACTA doesn't have the genre bias Oscar does -- Australia's industry is to small to have such silly biases! -- giving Best Film to The Babadook last year. If Mad Max Fury Road could repeat this trick at the American Oscars -- 11 nominations (!) -- 95% of cinephiles would experience the rapture and never be heard from again.

The film nominees are after the jump...

Click to read more ...

Tim's Toons review: Last Days of Coney Island

Tim here. One of the most important events in animation in all of 2015 happened this week; it is important to stress that this doesn't mean it's also one of the best things. But the first new piece of animation from living legend Ralph Bakshi in almost 20 years is certainly worth spending a moment with, though now that I've seen the 22-minute Last Days of Coney Island – currently available for rental on Vimeo, where it just had its world premiere – I can't really claim that I want to stretch that moment out too long.

The film finds Bakshi, whose 77th birthday was October 29, returning to the territory of his most characteristic works from the early 1970s, including Heavy Traffic, the infamous race relations fable Coonskin, and his groundbreaking debut, Fritz the Cat. That is, it's a story about the New York City of Bakshi's battle-hardened memories of youth, involving deeply wearied souls scratching their way through an apocalyptic vision of the '60s counterculture.

The new film has clearly defined characters in the form of explosively violent Shorty (Omar Jones) and the hapless-in-love Max (Robert Costanzo), and it even has something that looks pretty clearly like a plot, though you have to work pretty diligently to carve it from the energetic blast of frenzied activity that makes up the film (it's a condensed version of a feature Bakshi has been trying to make since the '90s; it was shortened without losing any content).

Click to read more ...

Interview: Gaspar Noé on Shooting in 3D and How 'Love' is Like a Musical

Karl Glusman and Aomi Muyock star in "Love"

Jose here. When I show up to meet Gaspar Noé, he offers me a cigarette. I gladly accept it and we sit by a window where we puff the smoke to the beat of the sounds of a construction site below us. For a moment I feel like a teenager and remember having to wait to have the house all to myself so I could watchIrréversible when I was 16, without having people constantly interrupt me. For all its provocation and controversy, Noé’s oeuvre isn’t as much about shock value as it is about finding deep connections between people. This is a filmmaker who literally goes under the skin to uncover the miracle of life, how we’re made, how similar we are to each other.

In Love, he takes this concept to a place of utter sublimity as he chronicles the ups and downs of the relationship between Murphy (Karl Glusman) and Electra (Aomi Muyock), two young people who despite being enraptured by all-consuming passion, grow apart due to jealousy and secrets. To bring us closer to the characters Noé shot the film in 3D and he uses the medium playfully and sensually. Squeamish audience members might find themselves wishing they’d brought a poncho during some of the film’s most explicit moments, but Noé also finds true beauty in the curves of breasts, the pearls of sweat that appear on the backs of lovers during intercourse, and in the alien-like quality of tongues tangled in a kiss. As much as his films shock and alienate people, he just wants us to get closer. As we sit by the window he says “we’re in closer company because of the cigarette”, then he smiles.

More on Love after the jump.

Click to read more ...