New to Prime: Dressmaker, What We Do in the Shadows, Etcetera

March isn't a big month for either Netflix (previously discussed) or Amazon Prime. But there are still new titles to view if streaming if your main movie outlet. Here's what's new for late February and early March on Prime. We've freeze framed titles at totally random places and sharing whatever came up.

 

I hit the main artery so it's a real mess in there. On the upside I think she had a really good time.

What We Do in the Shadows
Bless Taika Waititi. This movie is so funny. And I saw it on a plane and still laughed so that's quite a recommendation because who can enjoy a movie fully on a plane? The Thor movies are definitely the superhero franchise I'm least interested in but with him behind Thor: Ragnarok I'm curious.

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FYC: Best Costume Design, The Dressmaker

By Glenn Dunks.

Cinderella. Mirror Mirror. Bright Star. I Am Love. Australia. Marie Antoinette. The list goes on.

The costume design branch so commonly gives films their single solitary Oscar nomination that it’s become a prognosticator mission of sorts to figure out which couture creations the branch will extend this particular honor to. They are also the branch most likely to ignore critical and commercial receptions and nominate based purely on the craft and that’s why we love them. Perhaps it is because costume designers have spent decades being the frills-and-sequin-loving daughter of Oscar when all he wanted was sons, but they use their unique privilege more wisely than others (we’re looking at you, composers!)

It was obvious, then, to me which film I should be championing here and it is Marion Boyce and Margot Wilson for The Dressmaker...

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Last Gawk at the Hunks of the Year

Year in Review continues...

We're attacking 2016 from multiple angles (with a few more categories to go so yes, we never quite fit it all into the right calendar year. Sigh). For today's topic, showbiz men and their gratuitous hunkiness. Who won our, um, "hearts" this year?

Herewith a semi-random collection of hotness.

Not Quite There but Still Sexy
We'd love to embrace Deadpool's pansexuality wholeheartedly but it's been wildly overstated by its creators and Deadpool himself Ryan Reynolds. In truth the character is a straight superhero (like all the others) only with a flirtatious teasing sexual vulgarity. This is easy to spot in the otherwise funny and raunchy "holiday f***" montage when the movie reminds us that Deadpool is no catcher (gross!), ONLY a pitcher... and his girlfriend is a lot happier to experiment than he is. 

Would you take his measurements?

The Youngest Hemsworth
It was hard to even mind that the casting of The Dressmaker decided it didn't matter that Liam Hemsworth was 15 years younger than Kate Winslet though they were supposed to be the same age in the story.  What mattered was the fantasy of Tilly's perfect comeback which includes winning the most eligible or at least most delicious bachelor in town. Pity about that 3rd act twist, though. Why can't we have nice things?

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The Great "Make-Up and Hairstyling" Bake-Off of 2016

We just wanted the blog post title to sound fancy. Who knows if the screening/meeting/deliberation at the Academy was anything like a superlative adventure this year? But let it suffice to say that they narrowed down some unknown number of films (why no semi-finals list, AMPAS?) to seven films which will compete for the 3 Oscar nominations in Best Makeup and Hairstyling.

Those films, with photos to jog your memories, are after the jump with some commentaries about their specific follicular and beautifying achievements...

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Two Teensy Reviews: The Dressmaker & Miss Peregrine

Presented to assuage Nathaniel's guilt from not having properly reviewed them when they arrived.

Miss Peregrine's Home for Peculiar Children (Tim Burton)
Story: A teenager (Asa Butterfield) who just mysteriously lost his beloved grandpa (Terence Stamp), seeks out the home and guardian (Eva Green) he grew up with overseas. The home is hidden in a time loop (!) and under seige by eyeball-eating supernatural forces (!!!)
Review: Intermittently engaging but ultimately generic even in its "peculiarities". Butterfield is dull in the lead but Eva Green delivers (as always) from the sidelines. The premise screams out for a fuller miniseries treatment to provide depth and pathos rather than what amounts to a rushed peek at an admittedly intriguing freakshow.
MVPs Beyond Eva: Props Department & Set Decorators (love those lead shoes, all the photos, and the weird details in the rooms)
Grade: C+ 
Oscar Chances: No. Too underwhelming overall and Colleen Atwood, a favorite of Oscar's costume branch, has other more high profile movies out this very year.

The Dressmaker (Jocelyn Moorhouse)
Story: A sophisticated hostile fashion designer returns to her home town for... what exactly?
Review: Those who miss Kate Winslet and/or those who long for the 1990s era of popular eccentric Australian imports must not miss this sassy throwback. Others may scratch their heads at the spectacularly uneven results. Kate Winslet has a welcome ball but many of the character arcs (and even the casting) make no sense whatsoever. Pity about the jarringly sad final act.
MVP's beyond Kate: Liam Hemsworth whilst stripping / Sarah Snook's makeover
Grade: First Half: B+; Second Half: C
Oscar Chances: Perhaps an outside shot at costume design since they're such a crucial part of the narrative? But then who to credit? -- Kate Winslet's costumes are by a different designer (Margot Wilson) than the rest of the costumes (Marion Boyce).

If you saw these pictures, what were you favorite and least favorite things about them?