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Entries in Everybody Wants Some (7)

Sunday
Jan012017

Last Gawk at the Hunks of the Year

Year in Review continues...

We're attacking 2016 from multiple angles (with a few more categories to go so yes, we never quite fit it all into the right calendar year. Sigh). For today's topic, showbiz men and their gratuitous hunkiness. Who won our, um, "hearts" this year?

Herewith a semi-random collection of hotness.

Not Quite There but Still Sexy
We'd love to embrace Deadpool's pansexuality wholeheartedly but it's been wildly overstated by its creators and Deadpool himself Ryan Reynolds. In truth the character is a straight superhero (like all the others) only with a flirtatious teasing sexual vulgarity. This is easy to spot in the otherwise funny and raunchy "holiday f***" montage when the movie reminds us that Deadpool is no catcher (gross!), ONLY a pitcher... and his girlfriend is a lot happier to experiment than he is. 

Would you take his measurements?

The Youngest Hemsworth
It was hard to even mind that the casting of The Dressmaker decided it didn't matter that Liam Hemsworth was 15 years younger than Kate Winslet though they were supposed to be the same age in the story.  What mattered was the fantasy of Tilly's perfect comeback which includes winning the most eligible or at least most delicious bachelor in town. Pity about that 3rd act twist, though. Why can't we have nice things?

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Monday
Jul182016

The Furniture: The '70s Sitcom Style of Everybody Wants Some!!

Daniel Walber's series looks at Production Design in contemporary and classic movies

A very loud lamp from Everybody Wants Some!!College freshmen are usually a bit confused. Sometimes they even have trouble figuring out what kind of movie they’re in. But not Jake (Blake Jenner), the well-adjusted protagonist of Everybody Wants Some!! He’s got it all figured out by the film’s second half, when which he lets out the following pearl of wisdom: “Like most things with these guys, it’s total bullshit. It’s more about seeing how witty they can be.”

And he’s dead right. This movie is about a bunch of dudes who live from joke to joke, bouncing around town with an unceasing attitude of breezy, sex-charged humor. This isn’t one of those Linklater movies with big, yet simultaneously narrow ideas about what it means to be human (or married, or young, or male). Instead, like most of his best work, it’s content to soak in the sun and have a good time.

Now, if Jake had been paying attention to the production design, he probably would have picked up on this vibe even faster. Every set could be from a 1970s sitcom. Production designer Bruce Curtis and art director Rodney Becker, both of them Linklater regulars, and set decorator Gabriella Villarreal (American Crime) have crafted a perfectly playful atmosphere out of a silly, occasionally garish interpretation of the period.

It kicks off in the kitchen of the “baseball houses,” the team’s unconventional dorm...

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Saturday
May142016

Q&A: Everybody Wants Drop Dead Gorgeous Editing & Combative Personalities

It's the time again: Reader Questions hooray. I picked 8 to answer this week. Thanks to everyone who asked. I can't answer all but who knows - the unanswered might well inspire something down the road, conciously or otherwise. You never know...

MARSHA: Are people like Ted Cruz, Mitch McConnell, and Donald Trump just so evil and insane that they are beyond parody, or are there actors and directors you can think of who could convey their humanity and worldview?

NATHANIEL: Marsha, I promised I wasn't going to talk about politics until September, remember?!? Don't tempt me.  All I will say is that a great actor can perform magic even under impossible circumstances. Remember how deep Julianne Moore was able to go with Sarah Palin?

JB: Can we discuss Drop Dead Gorgeous. In spite of having all the right ingredients, it's never quite hit cult (gay) status like I always assumed it would. Why do you think that is?

lots more after the jump...

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Monday
Apr252016

Everybody Wants Some Podcasting !!

NathanielNick, and Joe kick off a whole new season of the podcast by hitting the road with Michael Shannon and family in Midnight Special and going back to college with Richard Linklater's baseball boys in Everybody Wants Some!! We believe its our 8th season, so we'll just go with that.

42:30 minutes 
00:01 The Crucible Broadway & Film
02:12 The Slumdog Oscar Year
05:00 Everybody Wants Some!! delightful & sexy
15:00 Pro & Con on Midnight Special
32:00 Hello My Name is Doris,  Zootopia
40:30 Favorite Prince songs

You can listen to the podcast here at the bottom of the post or download from iTunes. Please continue the conversation in the comments. Did you "want some!!" and where do you fall in the all-over-the-place reactions to Midnight Special.

Everybody Wants Season Debut

Sunday
Apr242016

"Winter's War" didn't find summer-like grosses

Mirror Mirror on the wall who is the fairest of them all?

Oh, Charlize you're gorg but those beasts in Jungle Book are fairest to moviegoers, who plucked down another $60 million to watch dem pixels. And all those other computer generated animals in Zootopia in their eighth weekend were also still going strong. Maybe you should have dissolved into birds more often? (With a budget north of $100 million, the opening of The Huntsman reminds Hollywood of a fairly obvious lesson: not every hit is meant to morph into a cash cow franchise by sequelizing it.)

TOP FIVE
01 The Jungle Book $60.8 (cum. $191.4)
02 The Huntsman: Winter's War $20 NEW Review
03 Barbershop: The Next Cut $10.8 (cum. $36)
04 Zootopia $6.6 (cum. $316.4) Reviewish
05 The Boss $6 (cum. $49.5) Review

Susan Sarandon in The MeddlerTHE NEW RELEASES
09 Compadres $1.3 on 368 screens
11 A Hologram for the King $1.2 on 401 screens
Review
20 Elvis & Nixon $450K on 381 screens Review
38 The Meddler $15K on 4 screens
Review
40 Tale of Tales $9K on 2 Screens
Review
42 How to Let Go of the World and... $6K on 1 screen
43 Men & Chicken $2K on 2 screens 

Outside the top ten and new release Don Cheadle's Miles Ahead and Richard Linklater's Everybody Wants Some!! risked adding a few hundred screens and took in a good $600K+ each while Sing Street and Green Room inched into a couple dozen more theaters with solid per screen averages. 

What did you see this weekend ?? The extra question mark is in homage to Everybody Wants Some !! for which we've published both negative and positive reviews. I saw it this weekend and was so glad I finally got around to it.

Sunday
Apr102016

Everybody Wants Some!! Turns The Baseball Jersey Inside Out

Eric previously argued against Everybody Wants Some!! right here. Here's Daniel Crooke with a second opinion....

Nobody lives in the moment like Richard Linklater. Which is remarkable, considering his canny cinematic ability to lounge with a certain slice of society, simultaneously celebrate and circumvent the trappings of self-importance, and extrapolate no less than what one might call the meaning of life. This is not to say that Linklater offers any absolute definitions – or that he’s a sage Second Coming who has all of them – but that he stands alone when it comes to unassumingly examining issues of identity, socialization, and finding the place where one fits in the world. His latest film Everybody Wants Some!! is no exception; in fact, by isolating one group of folks oft regarded as empty-headed and disposable – that of the jock, the bro, whatever you call them when their glistening pecs aren’t in your way – Linklater challenges the viewer to costume change their own preconceptions along with his ensemble as they amble their way through myriad modes of social circles and shooting the shit.

Now, on its face, one can certainly see why these bong-hit beats would preclude certain audience members from even engaging with the characters onscreen, to miss the forest for the trees. Linklater’s films often work as living, breathing Rorschach tests where you only see what you want to see but the marrow of Everybody Wants Some!! is found in the Magic Eye of it all. Blur the edges of the frame. Blend the bro code, social structures, and pronounced personal differences from the brain’s left side and the spontaneous soul-searching, open-ended quests across campus, and embracing of social overlaps from the right and, in the middle, you’ll find what the film’s really about. More after the jump...

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