Hou Hsiao-Hsien @ 75: Independent Auteur (1983-1986)

by Cláudio Alves

After abandoning studio moviemaking, Hou Hsiao-Hsien became more evident in his cinematic references. Some of his post-1982 films even featured excerpts from De Sica's Bicycle Thieves and Visconti's Rocco and His Brothers. Fellini's I Vitelloni was never as obviously showcased, but 1983's The Boys from Fengkuei owes much to that Italian classic. The film portrays the aimless wanderings of bored teenagers from a small shipping island. Before the boys are called for their obligatory military service, they travel to the big city of Kaohsiung, finding new independence, new loves, and new woes.

Instead of forcing an artificial structure unto his character's existence, Hou Hsiao-Hsien follows their insouciance with patience, making the film in their likeness...

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April Foolish Oscar Predix Pt 1 - Best Animated Feature

by Nathaniel R

It seems almost cruel to begin a new year of Oscar punditry with Best Animated Feature since the hot trailer of the moment is Marcel The Shell With Shoes On, which probably won't be eligible. The film combines live action with its endearing stop-motion and that's mostly a no-no. The only film we remember that's been deemed eligible that did that was The Lego Movie though it's live-action section was extremely brief (and it's worth noting that it was a surrprise snub in the end).

Already in the year one possibly major Oscar contender has emerged with Pixar's Turning Red though it will face stiff in-house competition with the release of Toy Story prequel Lightyear in the summer.  After the jump a preview of Animated Features coming our way in 2022. Which of them will delight the Academy... 

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Hou Hsiao-Hsien @ 75: The Studio Films (1980-1982)

by Cláudio Alves

His films are poems, lyrical examinations of the mundane that live in the moment but look backward to a past out of reach but still tangible. Master shots are his preference, whether standing still through mnemonic patterns or roving in idyll movement. Form and emotion are synonyms in this cinematic imagination, indissociable ideas that repudiate traditional storytelling norms. Indeed, many of his works are constructed from the transitory passages other filmmakers leave on the cutting room floor.

For these reasons and more, I have long loved the cinema of Hou Hsiao-Hsien. So, to celebrate his 75th birthday, I ask you, dear reader, to join me on a trip down memory lane, a multi-part odyssey through this master of cinema's filmography…

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Academy bans Will Smith for 10 years

by Nathaniel R

Two weeks too late the Academy has essentially asked Will Smith to leave the building. The only appropriate time to do that would have been immediately post-slap, if you ask us. But after letting him stay and deliver a tearful speech in which he apologized as well as blamed the devil, and giving him a standing ovation, they don't really have much of a moral high ground to do so now. But they had to say something... 

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Review: "Aline" is a Stranger Version of Your Average Biopic

By: Christopher James

Director/actress Valerie Lemercier tackles the life of "Aline Dieu" from age 5 to 50.Aline is a conundrum and a contradiction. More than any other recent biopic, Aline soldiers through all of the cliches and plot devices we’ve seen repeated ad nauseum. Yet, there’s a bizarre core that spins every scene on the axis. Much like the “subject,” Céline Dion, it’s a movie that tries to appear normal, but is so much wackier than one would imagine. 

Everyone’s first question is answered in the opening disclaimer. “This film is inspired by the life of Céline Dion. It is, however, a work of fiction. As such, some characters, places and facts have been modified, in keeping with the filmmakers’ vision.” Céline Dion songs are used throughout the film and the closest the movie comes to a central storyline mimics Dion’s own relationship with her much older manager, René Angélil. It’s hard to see why a name change was needed when so many other elements hewed close to life. 

So is Aline “so bad it’s good,” “better than expected” or just “bad bad”?

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