25th Anniversary: "Shine"

by Nick Taylor

One of my favorite bits of This Had Oscar Buzz’s year in review episodes is the segments where they discuss a film that overcame its middling quality to cash in on their buzz and score with the Academy. This is the energy I bring to you for my 25th anniversary retrospective of Shine, an Australian film that copped seven Oscar nominations and a Best Actor prize for Geoffrey Rush in his starmaking role. I do not remember hearing or reading a single solitary comment about this film in the years since I became a cinephile. The closest I’ve ever gotten comes courtesy of folks sticking up for their personal pet among 1996’s Best Actor lineup, or scattered comments that Geoffrey Rush was better in his other nominated performances. It’s slim pickings, and having finally seen Shine for myself, I find very little of worth to really excavate here. Who’s to say how much the Artist Biopic has fundamentally changed from one decade to the next?

Our protagonist is David Helfgott (played by Alex Rafalowicz as a child, Noah Taylor as a teenager, and Geoffrey Rush as an adult), an Australian pianist who became famous in his youth and was institutionalized for years in his adulthood following a breakdown at a college recital...

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Best International Film: Mexico's "Prayers for the Stolen"

by Cláudio Alves

I don't usually take notes while watching films. However, after a screening ends, I might run to my notebook or laptop to jot down some detail, the description of an incredible image I want to preserve in my memory. It's especially true when I know I'm reviewing said film later on, as was the case with Tatiana Huezo's narrative feature debut, Prayers for the Stolen or Noche de Fuego. This time, though, I didn't just have a couple of stray compositions that had left an impression. Indeed, I wrote down a review's worth of small observations, fleeting images that captured the imagination, portentous symbolism that enchanted through its menace, sounds echoing in my head long after the credits rolled. Such is Huezo's ability to draw poetry from harsh realism

Watching Mexico's Oscar submission is to be immersed in a cinematic world of dangerous beauty, a sinister corner of the country, rural and ruthless. In the right circumstances, the vast landscapes of mountains and poppy fields might have looked pastoral, but there's far too much menace in the air for it to register...

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Best Supporting Actor is unusually confusing for mid-November!

by Nathaniel R

19 of the Oscar hopefuls in this category

If you've been reading The Film Experience for more than a year you already know that we do our best to avoid the typical Punditry habit of giving out Oscar statues before nominations are even announced. That's the super gross reductive part of Punditry and its far more exciting (and generous) to focus on who might and who should be nominated. Every once in a while the awards gods will comply and throw us a truly confusing race. Such is the case with Best Supporting Actor this season.

Depending on how you look at it there are anywhere from 10-20 contenders still in play and this is just the way we like it...

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Link, Link... BOOM!

• Advocate MJ Rodriguez gets the "Person on the Year" profile
• Deadline Carrie Coon, Alessandro Nivola, Chris Cooper, and Keira Knightley to star in a new movie about the Boston Strangler case in the 1960s. Amazing cast
• GQ Tom Holland covers the "men of the year" issue. Lil Nas X (music) and an athlete we dont know (we know nothing of sports, sorry!) get the other covers.

More after the jump including Alexandra Shipp, Adele, Will Smith and King Richard, Mean Girls men, Sex and the City's sequel and Shang-Chi...

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Remember 127 Hours?

It's 127 days until the Oscars. Remember Danny Boyle's 127 Hours in which James Franco sliced off his own arm years before his own career was cut off by allegations of sexual misconduct. Were you into that film at the time? Do you think it deserved its six nominations: Picture, Actor, Adapted Screenplay, Editing, Score, Song)?

I believed at the timethat it was in 10th place but its nomination haul was impressive. Now that we're back to a flat 10 for Best Picture (this year will be the first set of ten since that 2010 Oscar race) we can begin wondering which film might overperform on Oscar nomination morning that wouldn't have gotten nearly as fall without the benefit of the Academy having to choose a full top ten.