Oscar's International Race Pt 1 - The Female Directors

The Academy has officially announced list of 93 contenders -- an all time record --  for this year's Best International Feature Film Oscar (submission chart here). So let's dive in! 

Last year's sole female nominee for Best International Feature, Nadine Labaki (Capernaum) is in front of the camera this time for Lebanon's new submission "1982"

by Nathaniel R

We've been tracking the just renamed foreign-language film race for so long that we love to dig in to stats a bit. You may recall that last year 20 of the 87 pictures were directed or co-directed by women. This year 28 of the 93 contenders are -- that's 30% of the list which is easily an all-time record! Here's another promising note for the future in regards to gender parity: female directors made only 2 of the nominated foreign-language films in the first quarter century of this category but things opened in the 1980s with four nominees from female directors, there were four again in the 1990s, and then seven in the 2000s. Though the 2010s have only seen five thus far, the trend is still promising; in the past four consecutive years one of the nominees has come from a female auteur:

2015 Mustang (France) by Deniz Gamze Ergüven
2016 Toni Erdmann (Germany) by Maren Ade
2017 On Body and Soul (Hungary) by Idilko Enyedi
2018 Capernaum (Lebanon) by Nadine Labaki

Will the trend continue this year? Here are the 29 women who will be trying to make that happen.

The 29 Women Competing in the Best International Feature Race
* means they co-directed their film

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Podcast: Judy's Pain & Glory

with Murtada Elfadl & Nathaniel R

 

Index (58 minutes)
00:01 Pain and Glory - Pedro Almodóvar's career, the moment we fell for the picture, and Antonio Banderas tender dazzling homage/star turn.
14:50 Oscar's Best International Feature competition. How they vote, movies we love, and what might get nominated.
27:27 Renée Zellweger as 'The World's Greatest Entertainer' in Judy. The performance and the film.
43:11 The Best Actress Race: Scarlett, Cynthia, Renee, Alfre, and more...

Related Reading/Listening
Murtada's Pain & Glory Review
Nathaniel's episodes of Las Culturistas
Foreign Submissions you can stream right now

 You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Pain and Glory, Judy

Remembering "Ed Wood" on its 25th

Ed Wood opened nationwide on this very day, 25 years ago. 

by Anna

There’s an admirable irony in that a biopic on the worst director of all time ended up being one of the best-reviewed movies of 1994. The added fact that it ended up being largely ignored by mainstream audiences at the time seems almost fitting. As the second of Burton and Depp’s repeat collaborations, it further set the precedent for all their future collaborations exploring the odd man (in every sense of the term) amid everyday life. But instead of the Frankenstein pastiche that defined their previous film, this one is about someone who has endless stories to tell… even though he doesn’t have the talent to tell them.

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T'was a good weekend for Pedro, Joaquin, JLo, and Renée

Weekend Box Office [Actuals] Oct 4th -6th 🔺 = New or Expanding / ★ = Recommended
W I D E	PLATFORM / SPECIALTY TITLES
Joker	Pain & Glory
1 🔺  Joker  $96.2 *new* REVIEW	1 🔺 War $1.6 on 305 screens *new*

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The Best Production Design Oscar Race

By Cláudio Alves

Will a Tarantino movie finally be nominated for Best Production Design?

Let's take a look at the Best Production Design Oscar race. While period pieces and fantasy extravaganzas dominate the costuming category, production designers are more open to other styles, too, like sci-fi, contemporary excellence, and even superhero movies. That said, at least in regards to the films that have already opened, the major contenders are roughly the same as with the Best Costume Design Oscar race. 

THOSE WE'VE ALREADY SEEN

Rick Heinrichs designed Dumbo's spectacular sets.

Rick Heinrichs won an Oscar for a previous collaboration with Tim Burton (Sleepy Hollow) and his designs for Dumbo are quite good, like nightmare visions of an Art Deco Disneyland. I’m less enchanted with Gemma Jackson’s pseudo-Arabian designs, but it would be foolish to count Aladdin out of the race...

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