Showbiz History: The Lion King, Keanu as James Dean, and NPH's Undies

six random things that happened on this day in showbiz history (June 15th)...

1960 Billy Wilder's five-time Oscar winner The Apartment had its world premiere on this day in New York City. I just watched it again recently. Shirley Maclaine and Jack Lemmon are perfect in it, don'cha think?

1967 Another premiere, this one for the WW II action drama The Dirty Dozen, an antecedent of a kind to Tarantino's Inglorious Basterds.

1991 Paula Abdul's "Rush Rush" hits #1 (it'll stay there for six weeks). Keanu Reeves does a James Dean thing in the Rebel Without a Cause (1955) themed video. Paula does Natalie of course but no Sal Mineo counterpart? Fail!

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Posterized: Jim Jarmusch

by Nathaniel R

The Ohio-born indie auteur Jim Jarmusch first made waves in the cinematic landscape with his black and white sophomore feature Stranger Than Paradise in the mid 80s . It was a big critical success and arthouse sleeper hit. He was suddenly the "cool" new director. His career since then has been, like most critical darling careers, full of small waves of audience popularity versus indifference, sometimes not in relation to the critical fates of whichever film arrived. For example, Paterson (2016), his most recent picture prior to the brand new zombie comedy The Dead Don't Die (opening today) was a huge critical succcess in its year, but grossed just $2 million at the US box office.

Through it all critics have mostly been loyal and actors with more eclectic taste have become his regulars: Tilda Swinton, Tom Waits, and Bill Murray have all made 4 pictures with him.

How many of his pictures have you seen? The posters are after the jump...

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Emmy FYC: Christina Hendricks in "The Romanoffs"

Team Experience is sharing FYCs as the Television Academy votes on Emmy nominations over the next two weeks. Here's Mark Brinkerhoff.

The general consensus, if we even can have one in these divisive times, seems to be that Matthew Weiner’s The Romanoffs is an ignoble failure. As his immediate follow-up to Mad Men, the seminal, peak-TV series that gave him pretty much carte blanche to do whatever he wanted to creatively, The Romanoffs arrived last fall on a wave of buzz and eager anticipation. With a star-studded, international cast and intriguing, globe-trotting storyline (made possible by Amazon’s $70 million investment), what would Weiner & Co. ultimately deliver? The answer: Zzzs. (I sort of checked out mid-way through the second to last episode, as a matter of fact.) 

Nevertheless, within this eight-part limited series (which surely was meant to continue?) are elements that succeed better than they ought to quite frankly. Indeed, the parts are greater than their sum, and one in particular stood out to me immediately/in retrospect: Christina Hendricks... 

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Links: Madame X, King Richard, and Book Club 2?

• IndieWire the problem of too much television for Emmy voters
• Vanity Fair Book Club is getting a sequel with its quartet of stars returning. VF wants Andy Garcia back as well and we concur.
• Variety an ouch ouch pan review of Nicolas Winding Refn's new TV series (which he keeps saying is a movie)
• Variety this seems like a bad-omen move. Amazon is only giving their chief Oscar hopeful The Report (starring Adam Driver and Annette Bening) a two week theatrical window before it streams...

[More after the jump including Madonna's Madame X, Daredevil's longshot fight sequences, news on King Richard, and Catherine O'Hara visiting Broadway...]

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Review: The Dead Don't Die

by Chris Feil

A few years back, Jim Jarmusch brought fresh life to the oft-revisited vampire genre with the sexy Only Lovers Left Alive. This summer, he attempts to do the same with the tropes of the zombie film in The Dead Don’t Die, drolly taking on our mindnumbed obsessions in the modern dissociative era. Should he take on another monster genre soon - who better to find the poetic ennui of a werewolf, truth be told - then he should hope it results in something more akin to his look at bloodsuckers than that of his flesheaters. The Dead Don’t Die is a smug stinker.

The film is set in Centerville, “A very nice place to live!”, a town small enough to house a single diner for restaurant options and with its gas station pulling double duty as its comic shop. News reports that the Earth has spun off its axis due to polar fracking is met by the townspeople with the mildest sense of alarm, at least as much as they can muster for a world outside that they just cain’t understand. But that small town malaise is devoured once the local cemetery starts sprouting the reanimated dead.

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