Emmy FYC: D'Arcy Carden for "The Good Place"

Team Experience will be sharing FYCs as the Television Academy votes on Emmy nominations over the next two weeks. Here's Eurocheese

First thing’s first: If you haven’t been watching The Good Place, you’ve been missing out. The comedy is one of the most creative shows on TV today, where every episode feels like it can head in absolutely any direction. It’s genuinely surprising, fun, inspired, and a complete mind-fork. If you need to binge watch a show that will bring you pure joy, this is it. I say all this because this plea will have *spoilers*, so if you know nothing about the show, please just watch it.

The third season took a little bit of time to get going, but focusing on the “test” put before our heroes opened up a lot of opportunities for character growth...

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Big Little Lies MVPs: Episode 2.1 "What Have They Done?"

by Nathaniel R

The first season of Big Little Lies won 8 Emmys, 4 Golden Globes, and 2 SAG Awards and, most importantly, the hearts of actressexuals everywhere. It would be foolish to expect the possibly unneccessary Season 2 to deliver at quite the same level. But for now, just one episode in, it more than satisfied, if only for the chance to see these exceptionally well-drawn characters again. 

The first episode begins with the new school year and charts the after-effects of Perry's (Alexander Skarsgård) death. The death has (mostly) been deemed an accident  but "the Monterey 5" (Kidman, Witherspoon, Woodley, Dern and Kravitz aka Celeste, Madeline, Jane, Renata and Bonnie) are still the talk of the town. To add to the combustible mix of those five strong personalities, now closer friends due to their shared tragedy/lies, Perry's mother Mary Louise (Meryl Streep) is making everyone uncomfortable not just with her questions about the death of her son, but the brusque manner in which she delivers them.  As with season 1, we'll conquer each episode in list format. Herewith...

Top 10 MVPs of Big Little Lies. Episode 2.1 "What Have They Done?" 

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Pride Month Doc Corner: Activists, Fighters and Organizers

By Glenn Dunks

Once again, The Film Experience and Doc Corner is celebrating Pride Month with a focus on documentaries that tackle LGBTIQ themes.

This week I am looking at four films, each of which focus around the fight for equality and LGBTIQ history across America. My favourite of the group is Southern Pride, a continuation of director Malcolm Ingram’s first documentary Small Town Gay Bar. Where that film navigated the communities around the bars Rumors and Crossroads, Southern Pride delves into two different bars – Just Us Lounge in Biloxi and KlubXclusive in Hattiesburg – as they attempt to pride events on the state’s gulf coast, the first of their kind.

Just Us owner Lynn Koval is the force behind the primary event with even RuPaul’s Drag Race competitor Gia Gunn booked, while KlubX’s Shawn Perryon, the recipient of a racist jailing for pot, who seeks to build a home for the region’s black queer population and with her own Unapologetic Black Gay Pride event.

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Once more into the link

• / Film Russian Doll renewed for Season 2 "but we have questions"
• Movie City News AMPAS elected some new Borad of Governors members (they begin work on July 1st) including freshly minted Oscar winner Ruth Carter in Costume Design, and Ellen Kuras in Cinematography
• TFE What was happening on this day (June 12th) in film history including the glitzy premiere of Cleopatra in 1963
• Forbes How Godzilla vs Kong can avoid a disastrous reception (given Godzilla's plummeting box office)

More after the jump including Aubrey Plaza and creepy dolls, new animated features, an NSFW sex scene, and the aftermath of The Cher Show's Tony for Best Actress...

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Soundtracking: Rocketman

by Chris Feil

Rocketman is just about the jukeboxiest musical that ever jukeboxed, arriving on the screen with a structure more indebted to that of the stage than the kind of musical biopic (namely Bohemian Rhapsody) some might have expected. It’s as if Elton John’s and his Billy Elliot collaborator Lee Hall had shifted gears mid-conception, opting for a film with what had originally been planned for the stage. Safe bets will be on Rocketman coming to Broadway eventually anyway.

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