Stage Door: "Moulin Rouge!" on Broadway

Stage Door is our intermittent theater review column, which might seem odd for a movie site, but we're headquartered in NYC so...

by Nathaniel R

Do you remember the sensation of watching Moulin Rouge! (2001) for the first time? I remember exactly where I was (the much-missed Zeigfeld theater in NYC)  and exactly how it felt as it washed, no, exploded all over me. Twas a dizzying overwhelming sensory experience from the moment the red curtain appeared. Moulin Rouge! (the movie) eventually calms down… or you acclimate to it (I’ve never known definitively which). The moment I gave in fully, convinced it was something emotionally special and not just a flurry of exciting images, was Ewan McGregor’s spontaneous inspirational belting of “The hills are alive… with the sound of music”. The moment the movie belonged to me, and I to it, was the entrance of the Sparkling Diamond herself, Satine (Nicole Kidman) descending on a trapeze to sing “Diamond’s are a Girl’s Best Friend”. 

These moments are dutifully recreated for the new Broadway incarnation. The experience is not quite the same. Some cinematic bliss cannot be easily transferred to a different medium. Nevertheless there’s still green fairy dust sprinkled on this musical. It just takes a bit longer to lift off...

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De Laurentiis pt 2: The '60s epics of Dinocittà

This week at TFE we're celebrating the centennial of one of cinema’s most prolific and legendary producers, Dino De Laurentiis.  Here's Tim Brayton...

Yesterday, Eric took us on a tour of the first phase of Dino De Laurentiis's one-of-a-kind career as a producer, the era when he and Carlo Ponti helped usher a number of major works of late Neorealism into the world, introducing the first wave of international art cinema masterpieces. We now arrive at the 1960s, when De Laurenteiis was emboldened by those early successes to indulge himself in the first of his many flights of staggering, ill-advised ambition. Near the start of the decade, De Laurentiis opened a movie studio on the outskirts of Rome, an enormous playground for moviemaking nicknamed Dinocittà (after the famous Cinecittà, then and now the heart of the Italian film industry).

The Dinocittà experiment perfectly describes De Laurentiis's singular personality. A visionary producer can tell what is going to be popular in the future, and thus can jump in on trends at the moment of their inception. The hacks who make up the bulk of commercial producers know what was popular a year ago, and thus crank out movies that feel like uninspired cash-grabs and knock-offs. De Laurentiis had the gift and curse of knowing what's popular right this instant, and so his biggest swings – and too often, his biggest misses – came out just barely on the back side of the historical moment when they could live up to his extravagant hopes...

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10th Anniversary: Julie & Julia is an 'Over & Over'

by Ginny O'Keefe

BONJOUR! It’s now been 10 years since Amy Adams (with a bad wig) and Meryl Streep (with platforms to make her look 6’2”) starred as the title characters in the delicious Nora Ephron film, Julie and Julia. The film follows New Yorker Julie Powell in 2002, challenging herself to make every recipe in Julia Child’s famous cookbook “Mastering the Art of French Cooking” while simultaneously chronicling Child’s start of her cooking profession in 1950’s France. I saw this film for the first time in theatres when it premiered back in August 2009 and thank God I had a large popcorn and Buncha Crunch by my side because otherwise I would’ve died of starvation.

Without a doubt, this is my favorite food film ever. It lets a legend and a regular person share the spotlight while paralleling each other through their obsession and love of good French food. This film inspired an interest in the culinary arts for this then 14-year-old me. I decided to make more food for myself (instead of just relying on my mom)...

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Marvel At This

by Jason Adams

I know Nathaniel finds endless superhero casting rumor speculation a little tedious, and I do a lot of the time myself as well. But we all can make an exception right now just so we get the chance to stare at Gemma Chan for a second, right? The world needs more Gemma Chan to stare at. Thankfully Marvel seems to agree...

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Box Office: Hobbs & Shaw

What did you see? We took a beach weekend in Fire Island so the movies weren't viewed though they were still very much on our mind. Particular due to a showtunes night at the Pavilion where ample clips from Chicago , Burlesque, Dreamgirls and more were shown. FYI: Catherine Zeta Jones' Velma Kelly is still magic. 

Weekend Box Office Actuals August 2nd-4th 🔺 = New or Expanding / ★ = Highly Recommended
W I D E	PLATFORM / SPECIALTY TITLES
Hobbs & Shaw	The Farewell
1 🔺 Hobbs & Shaw  $60 *new* REVIEW	1 🔺 The Farewell $2.4 (cum. $6.8) REVIEW, INTERVIEW ★
2 The Lion King $38.5 (cum. $431.1) REVIEW	2 🔺 Maiden $223k (cum. $1.5) REVIEW ★
3 Once Upon a Time in Hollywood $20 (cum. $78.8)  REVIEW, PODCAST ★	3 🔺 Luce $132k *new* ★

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