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Entries in I Want To Live! (3)

Wednesday
Aug122020

"Won and done." The curse of finally winning an Oscar

by Baby Clyde

I recently watched Susan Hayward all but demanding voters hand her the Best Actress Oscar in-movie during 1958's I Want To Live. It got me to thinking about her fellow Academy favourites, whose eventual triumphs were also their Oscar swan song.

If an actor who achieves multiple acting nominations is going to win it’s usually early on. It’s common to bag the statue and then spend the rest of your career chasing another. Bette Davis won on her first 2 attempts and then suffered 8 consecutive losses. Spencer Tracy won on attempts 2 and 3 and then spent the next 30 years and 6 nominations waiting for his name to be called again. Sometimes a veteran actor with multiple nods will finally get the prize and continue on in Oscar good books, like Paul Newman who won on nomination 7 and scored two more in following decades. But a surprisingly high amount of winners who have been made to wait find that their greatest triumph is also their last. 

If you win on your 5th nomination (or later) odds are high that you won't be invited back. Consider...

Click to read more ...

Tuesday
Sep102019

The Wise Guy

A quick shout-out to the director Robert Wise, who was born 105 years ago this very day. He passed in 2005, by then a four-time Oscar winner for a couple little movies called The Sound of Music and West Side Story (he won for both directing and producing), although he was nominated a couple other times. I mean he edited Citizen Kane! Obviously he was nominated other times. 

I do love his nomination for directing Susan Hayward's 1958 melodrama I Want To Live!, a film which looks way overcooked to modern eyes (as does most of Hayward's output) but which I love all the same. But Wise should've had several more nominations, if you ask me -- in between his two musical masterpieces he only directed one of the greatest horror films of all time, The Haunting, still effective to this day. There didn't seem to be a genre he couldn't master. How many nominations would you have given Robert Wise?

Friday
Nov142014

100 Days 'Til Oscar. A Short Clean Sweep

We're all used to the Oscar ceremony drawing monotonous "it's too long!" complaints. Yours truly doesn't share that view. Hell, if they wanted to do 9-hour broadcasts and include all the honoraries again and give more attention to the craft categories, and never skimp on any of the four category clip reels for the actors, I'd gladly watch each additional minute. But the super long Oscar ceremony is actually not a historic consistency. The earliest Oscars were short banquets and once they started televising them in the 50s the lengths varied.

Gigi made a clean sweep with 9 Oscars but with no acting nominations. Burl Ives (The Big Country), Susan Hayward (I Want To Live!), and David Niven and Wendy Hiller (not pictured) from Separate Tables won the acting Oscars.

The shortest of all televised ceremonies was the 1958 Oscars, broadcast live on April 6th, '59. It was only 100 minutes long. Can you imagine it? 

Of course if you're just going to hand all the statues to something as dull as Gigi, which made a clean sweep with 9 wins from 9 nominations PLUS an Honorary Oscar for Maurice Chevalier, you'd best do it quickly you know? Fun fact: If you started watching Gigi as its Oscar ceremony began you'd still have 15 minutes of the movie left when the Oscars wrapped.

Gigi gets a bad wrap but it wasn't a terribly competitive film year and at least it wasn't quite the worst of the nominees. The other nominees were Auntie Mame, The Defiant Ones, Cat on a Hot Tin Roof, and (ugh) Separate Tables. I suspect the dread sixth 'just-missed' slot belonged to Robert Wise's I Want to Live! which received 6 nominations and a long awaited win for Susan Hayward. Which would you have voted for?

And no write in votes for the actual best movie of 1958, Alfred Hitchcock's Vertigo which got a measly two nominations and no gold. I suspect it was nowhere near a Best Pic nomination given the initial chilly response from audiences, critics, and the Academy.