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Entries in Citizen Kane (12)

Tuesday
Sep102019

The Wise Guy

A quick shout-out to the director Robert Wise, who was born 105 years ago this very day. He passed in 2005, by then a four-time Oscar winner for a couple little movies called The Sound of Music and West Side Story (he won for both directing and producing), although he was nominated a couple other times. I mean he edited Citizen Kane! Obviously he was nominated other times. 

I do love his nomination for directing Susan Hayward's 1958 melodrama I Want To Live!, a film which looks way overcooked to modern eyes (as does most of Hayward's output) but which I love all the same. But Wise should've had several more nominations, if you ask me -- in between his two musical masterpieces he only directed one of the greatest horror films of all time, The Haunting, still effective to this day. There didn't seem to be a genre he couldn't master. How many nominations would you have given Robert Wise?

Monday
May012017

May! 

And you... and you... and you... you're gonna love May! 🎵

That's my promise to you readers. We're planning to work our asses off this month for you after a slow April. When you feel energy comin' off the blog, given back in the form of comments, shares, donations, good vibes, or subscriptions, won'cha?

May is the month of the Virgin Mary, emerald birthstones, Tauruses and Geminis, and all sorts of ultra specific things you can celebrate on this very day if you're feeling festive.

10 things work celebrating on this day in history (May 1st) after the jump including Batman and our third living 100 year-old movie star...

Click to read more ...

Thursday
Dec292016

City of Link

ET First pic of Pixar's Coco though the text is greatly irritating as they seem to be very anti-musical "Don't call it a musical!"
Filmmixtape "if 2016's worst films were drag race competitors"
Playbill George S Irving, the voice of Heat-Miser for the Bankin Rass TV classic "The Year Without a Santa Claus" has died at 94. 
The Guardian why 2016 was a big year for female sexuality in film and on television 

Carrie Fisher & Debbie Reynolds and infinite list-making after the jump...

Click to read more ...

Saturday
Jul092016

Tweetweek: Citizen Kane, Odd Marquees, New Arrivals

I have to begin this week's tweet roundup with this amazing find from Scott Feinberg - a press clipping about Citizen Kane on Oscar night and the room reaction to every mention of the film.

 

Crazy, right? The politics of the moment are always so hard to properly contextualize after the fact when it comes to art that endures.

More entertainment tweets ahead but first a joyous announcement from our friend and podcast mate Katey Rich...

Click to read more ...

Wednesday
May062015

Best Shot Special: The Orson Welles Centennial !

HMWYBS: Mid Season Finale 

Orson Welles  burst on to the cinematic scene in 1941 with Citizen Kane, which has led numerous film polls across the decades as the 'Best Film Ever Made'. (Kane's nearest rivals for the title in frequent pollings here and there seem to be Vertigo and The Godfather) It famously lost all but one of its Oscar nominations (Orson Welles and Herman J. Mankiewicz his co-writer took the Original Screenplay prize, Welles' only competitive Oscar) but genius is rarely fully appreciated in its time. Incredibly, the writer/director/actor was only 26 at the time but he was no one hit wonder adding several more classics to his filmography before his death at 70 years of age in 1985. For today's Hit Me With Your Best Shot episode, our midseason finale (the series returns on June 3rd), I asked participants to choose between Citizen Kane (1941), The Magnificent Ambersons (1942, my personal favorite of his), and The Lady From Shanghai (1948) depending on what they felt like watching.

Gawk at beautiful screengrabs from those movies from 10 Best Shot participants. Click on any of them to be taken to the corresponding article singing that shot's praises...

Click to read more ...

Friday
May302014

If We Had Oscar Ballots... a 1941 Extra

Tomorrow when the Supporting Actress Smackdown 1941 hits, we'll just be discussing the five nominees (24 more hours to get your ballots in for the reader's section of the vote!). As it should be. But for the first time in a Smackdown I polled my fellow panelists as to who they would have nominated if, uh, they'd have been alive in 1941 and if, uh, they'd been AMPAS members.

Dr Jekyll and Mr Hyde lust after Lana Turner & Ingrid Bergman. And so does our panel.

Angelica and I didn't vote (I haven't seen enough 1941 pictures, I confess) but our other three panelists have recommendations for you outside the Oscar shortlist. In fact, all three of them only co-signed 2 of Oscar's 5 choices... different ones mostly so the Smackdown should be interesting (I'm not telling you which as the critiques come tomorrow!). So here are some For Your Considerations for your rental queues or your own assessments of that film year...

ANNE MARIE writes: 

Two of the nominations stay but otherwise I'd mix things up. First things first: Justice for Dorothy! Dorothy Comingore should have been nominated for playing Kane's second wife in Citizen Kane, but she was buried under bad publicity by the vengeful William Randolph Hearst. Comingore's performance was so good that her character continues to overshadow the real story of Marion Davies (who was neither bitter, nor talentless, nor married to Hearst). It's not fair that one ticked-off media mogul could kill a promising career. On a lighter note, I'd definitely add Lana Turner to my ballot for a solid year of supporting actress-ing in Dr. Jekyll and Mr. HydeZiegfeld Follies, and Johnny Eager (which would wait two years to be Oscar eligible). 1941 was the year that proved The Sweater Girl could act, and sparkle even in overheated melodramas like these three.

However, since How Green Was My Valley was clearly the Oscar magnet of 1941, a Supporting Actress nomination seems inevitable, so I'd cast my vote for Maureen O'Hara in another solid newcomer performance. Mostly though, I just want Maureen O'Hara to have an Oscar nomination. Just one.

Brian (aka StinkyLulu)

Agnes Moorehead and Ruth Warrick from Citizen Kane.  

And for a stirring glimpse of a potentially great comedic actress not yet fully shackled by the Hollywood machine, see Carmen Miranda in Week End in Havana or That Night in Rio

Nick Davis
He's trying to cheat! He knows how I feel about ties but he has trouble narrowing down his three remaining slots so he sneaks in an unofficial tie, sly one that he is...

My ballot would certainly include Theresa Harris (the veiled subject of Lynn Nottage's recent play By the Way, Meet Vera Stark), who is so spry and witty in what could have been a simple "maid" part in René Clair's The Flame of New Orleans, with Marlene Dietrich.  I also love Beulah Bondi in Penny Serenade, where she eschews the usual Bondi-isms that Margaret Wycherly so embraces in Sergeant York and plays a warm, fully dimensional adoption agent trying to bring happiness to Cary Grant and Irene Dunne while also managing their expectations, and treading her own line between public official and private sympathizer. 

Marlene Dietrich and Theresa Harris in "The Flame of New Orleans"

Ingrid Bergman comes on hot and heavy in the 1941 Dr. Jekyll and Mr. Hyde, out Lana Turner-ing Lana Turner in her own movie.  But then Marjorie Rambeau is a complete hoot in John Ford's much-maligned Tobacco Road, where she merits recognition much more than she does in the two movies that actually got her nominated.  She'd beat Bergman in a tug-of-war for that last spot, unless Bergman's sensuality burned up the rope.