Stage Door: Bernhardt/Hamlet

by Dancin' Dan

It's a tall enough order to write a play about one of the greatest actresses the world has ever known. It's quite another to write a play about that same actress taking on one of the most famous plays ever written. But Theresa Rebeck has never been one to back away from a challenge. Her delightful new play Bernhardt/Hamlet imagines what it must have been like for the great Sarah Bernhardt to assay the role of none other than Hamlet, all the way back in 1897. To say the least, it was difficult.

Bernhardt (Janet McTeer), in her fifties, was past the point where she could believably play the dying ingénues that made her famous (and also far past the point where she wanted to). Out of money but full of ambition, she decides that Shakespeare's melancholy Dane will be her vehicle for a comeback after her last play, written by Edmond Rostand (Jason Butler Harner), flopped with audiences despite love from critics. But she is having difficulty "finding" the Prince, frustrated by his ease with flowery verse and his inability to take action.

Can a powerful woman play a powerful man? Bernhardt is absolutely sure of it. She says...

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Showbiz History: A Child Star, A Funny Girl, a Winged Serpent, and Noni Ryder

5 random things that happened on this day (October 29th) in showbiz history...

Fanny Brice

1891 Fanny Brice born in New York City. The comic actress, radio star, and Ziegfeld Girl who was immortalized by the Oscar-winning biopic Funny Girl. Brice is name-checked a few times in the new wonderful film Can You Ever Forgive Me?

1918 Happy 100th birthday today to Baby Peggy (aka Diana Serra Carey), the silent film child star who is still alive today! (See our list: 200 Oldest Living Screen Stars of Note). According to a THR report from January she's doing well and recently published her first fiction novel (!!!) having previously written a memoir and a biography 

1943 Flesh and Fantasy, an anthology movie of occult-related stories opens in movie theaters starring Barbara Stanwyck among other stars. Y

ou have to click on this poster after the jump which asks "WHICH IS YOU?" So, dear reader, tell us... which is you?

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Halloween stays on top. Suspiria packs houses (albeit only two of them)

by Nathaniel R

Staying power or lack of competition? Halloween, A Star is Born, and Venom held on to the top three spots in wide release (with Venom booting Crazy Rich Asians out of the top ten films of 2018...sigh) while the platforming Oscar hopefuls continued their slow crawl towards public awareness beyond people like us if you know what I mean...

Weekend Box Office Estimates (October 26-28)
W I D E 800+ screens	PLATFORM / LIMITED excluding prev. wide
1.  Halloween $32 (cum. $126.6) Review	1. 🔺 Johnny English Strikes Again $1.6 on 544 screens *NEW*

2. A Star is Born $14.1 (cum. $148.7) Review, Soundtracking, Podcast	2. 🔺 Free Solo $1 on 394 screens (cum. $5.1)

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Doc Corner (Surprise Weekend Edition!): 'The Price of Everything'

By Glenn Dunks

We took a week off recently due to office job duties so as a means of not getting behind in the schedule, we're posting a (for now) one-off weekend documentary review for your Sunday reading.

The world is a distressing place right now where seemingly everything is terrible. It’s only natural that documentary filmmaking would reflect this global tussle for law and democracy. If these films aren’t telling us something frightening and new then they at least usually these films at least attempt to show us something familiarly awful from a new angle or with an unfamiliar point of view. I’m here to tell you, however, that one of 2018’s most miserable moviegoing experiences isn’t about war or famine, disease or political unrest. Rather, it’s about the art world. A ghastly portrait of some of society’s worst impulses of greed and capitalist grotesquery.

The world of Nathaniel Kahn’s slickly polished and glossy yet hollow documentary The Price of Everything is one ripe for interrogation. And yet this film doesn’t take advantage of the uniquely wide-net of talent and personalities that it has access to. Among others, there’s the delightful yet sad parallels in name and career of Jeff Koons and Larry Poons, there’s Gerhard Richter albeit briefly, and there’s the back rooms of Sotheby’s of New York with Executive Vice President Amy Cappallazzo as she prepares for an auction worth obscene amounts of money including one painting by Henri Matisse that she ballparks at around a couple of hundred million dollars. Far out.

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Tweetweek

I was going to answer this brilliant question but David Call's answer cannot be beat. After the jump more curated tweets for you involving: Steven Yeun, Helen Mirren, A Star is Born, and remake culture... 

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