Sunday, March 6, 2016 at 7:00AM 
How to play
1. Watch the movie*
2. Pick its best shot
3. Post it somewhere online with why you chose it on March 8th
4. Let us know you did so and we link up that Tuesday night!
More March titles TBA soon.
*Ghostbusters (1984) is now available to stream free via Amazon Prime on March 1st. It's also available to rent at iTunes & Netflix. Join us this Tuesday by selecting your best shot.
Saturday, March 5, 2016 at 6:00PM 
The cast sees the reviews! The Horror. The Horror.The ill begotten would be blockbuster Gods of Egypt, directed by Alex Proyas (I Robot, The Crow), is currently enjoying a 13% rating on Rotten Tomatoes; you could call that score bad luck but for the fact that the movie fully earns it.
Still... There's something enjoyable about tallying up the ways it goes wrong. It continually charges toward its own spectacular idiocy with gusto. Despite heaps of exposition it never makes a lick of sense, explaining rules only to break them. It mounts each action sequence with zero artistry in disguising its shameful lust to earn extra $ as a video game (you half expect congratulatory text and bonus points on screen a la Scott Pilgrim vs The World). It builds its own crazy as high as its in-movie Tower of Babel. It wants to play with surreal Egyptian imagery but is so 2016 that it mistakes human gods with animal heads for organic derivatives of Michael Bay's Transformers.
Each actor, freed from mundane concerns of "direction" or even other actors (green screens abound so half the time it's clear they're not together), does his/her own thing. The result is a hilarious hodgepodge of styles, accents, and wildly varying degrees of success at self-amusement: Egyptians with Australian accents? why not, Gerard Butler!; You once saw Pirates of the Caribbean and want to do something affected but can't quite commit to your mincing gay idea? Then do it half ass, Chadwick Boseman; You only want to entertain yourself? Thank you thank you Geoffrey Rush & Nikolaj Coster-Waldau. You are both having so much fun which is the only way to do a bad movie.
Maybe it's the time of year, the garbage dump month between serious adult films vying for metaphoric gold (it's just gold plating) and studio four-quadrant product vying for audience gold (the green stuff) but I found its monotonous/cheap aesthetic weirdly endearing; the sets and costumes are gold, the lighting is golden, some of the superpowers are fiery gold, and these Gods even bleed gold! This is not a recommendation so much as a "if you're in the mood for it" which I, surprisingly, was. It's a blockbuster dumb as Brenton Thwaites is twink pretty, but it just can't help itself.
Grade: C-/D+
Oscar Chances: Teehee. not even if 2016 ended today with only 40ish movies to choose from.
Saturday, March 5, 2016 at 2:00PM Manuel here with a short list about Terrence Malick’s most recent outing. Knight of Cups will sit alongside Tree of Life and To the Wonder in what we might call the director’s spiritual trilogy and however you felt about those last two outings will color how you see his latest. Since the film is a roving set of overlapping and interlocking duets—we follow Christian Bale’s Rick, a successful Hollywood writer through Los Angeles and Las Vegas as he has dalliances with beautiful women and deals with the demons that afflict all troubled artists—I figured I’d pick out 5 pairs of Malick collaborators that truly shine in this dreamy poem of a film.
Consider it our version of praising the parts while remaining underwhelmed (or just ill-equipped) to praise the sum...
Saturday, March 5, 2016 at 10:00AM Murtada here. Now that the Oscars are behind us (and our coverage concluded) our eyes turn to the future. Josh told you about new projects for four winners. But what of the "Best" losers? Let's start with the magnificent Carol ladies and move on to other actresses to see where they're headed next.
10+ future prospects after the jump...
Friday, March 4, 2016 at 10:55PM 
Eric here with a take on the new Tina Fey film Whiskey Tango Foxtrot, an adaptation of journalist Kim Barker’s memoir of her three years as a war reporter in Afghanistan.
It’s hard to watch WTF and not think of the film’s clear antecedent, Barry Levinson’s Good Morning, Vietnam with Robin Williams: both films are custom-tailored star vehicles that take a Western audience into a foreign culture, finding a tone between the comedy we expect from the leads, and light drama that allows them to expand their personas a bit...
