Are you ready for your closeup?

Let this serve as a kindly reminder that you do NOT want to miss this week's special edition of  Hit Me With Your Best Shot: Sunset Blvd. (1950). The series is temporarily redubbed "hit me with your (second) best shot" as you may not use Norma Desmond's final scene, that infamous closeup... arguably the greatest final shot in the movies.

Anything else will do and there's plenty to choose from in this Billy Wilder masterpiece expressively shot by seven time Oscar nominee John F Seitz.

The movie is available on Netflix Instant Watch. Post your shot choice anytime before Wednesday night at 10 pm online (blog, tumblr, pinterest, twitter, facebook whatever) and let us know you did and we'll link up.

Can't wait to see your choices!

Professor XXX

Mmmm, McAvoy

P.S. Tom & Lorenzo reviewed the normcore outfits of male stars at Comic Con - check it out

Yes No Maybe So: "Suicide Squad"

Angelica returning to see how DC Comics' cinematic universe is finally shaping up.

I may be the one of the few at The Film Experience who is completely sold on Batman vs Superman and extremely curious about their upcoming films. But I have been most interested to see how they would pull off Suicide Squad which brings to the screen an odd, wildly bonkers corner of DC's comic book history. If DC pulls off Suicide Squad we will be getting something unlike anything else on the very crowded superhero playing field we find ourselves in. The Comic-Con first look footage has now been released by Warner Brothers. 

Let's Yes/No and Maybe So it, and see if DC is upping their game, after the jump...

Click to read more ...

"Ghost" and Other Blockbuster Best Pics

Today is the 25th anniversary of Ghost (1990), that wildly successful supernatural-comedy-romance-adventure-whatsit from 1990 which briefly iconized Demi Moore's single teardrop face, revived the popularity of a 1955 song hit, made pottery-wheel lovemaking into a meme (before memes were called that) proved that Patrick Swayze was more than just Dirty Dancing, made the world hate the grandson of legendary movie mogul Samuel Goldwyn, and won Whoopi Goldberg her Oscar, the first acting win for an African American woman since Hattie McDaniel in 1939 (it's since become far more common... at least in Supporting Actress).

Ghost is among the most atypical Best Picture nominees of all time, and one that would never have been nominated without its phenomenal grosses. It ended 1990 as the top global grosser with over half a billion in the bank, though Home Alone, Pretty Woman and Best Picture winner Dances With Wolves were not far behind). 

So here's a quick Oscar talking point about the last, oh, 40 years of Oscar history. Which of these Best Picture nominees, arguably none of which would have been nominated without their blockbuster phenom cred given their genres and non-prestige foundations, is your favorite?

Star Wars (1977)
Raiders of the Lost Ark (1981)
Fatal Attraction (1987)
The Fugitive (1993)
The Sixth Sense (1999)
District 9 (2009)
The Blind Side (2009)

How do you think Ghost (1990) stacks up to that list? None of them actually won Hollywood's top prize in their year. 

Ingrid Bergman is Coming. Ingrid Bergman is Coming.

Next month is the centennial of one of the greatest film stars of all time, Ingrid Bergman. 

To do the icon justice, we know we'll have to plan ahead and cover multiple films. Obviously we'll hit Hitchcock's Notorious (my personal favorite) and a few of her Oscar roles. But which lesser-discussed films should we cover? You may choose three. If you feel really strongly plead your case in the comments!

Which Ingrid Bergman films would you most like to read about (select 3)

Intermezzo (1939) with Leslie Howard

Adam Had Four Sons (1941) with Susan Hayward

Dr Jekyll & Mr Hyde (1941) with Spencer Tracy

For Whom the Bell Tolls (1943) with Gary Cooper

Spellbound (1945) with Gregory Peck

Arch of Triumph (1948) with Charles Boyer

Under Capricorn (1949) with Joseph Cotten

Stromboli (1950) via Roberto Rossellini

Journey to Italy (1954) via Roberto Rossellini

Indiscreet (1958) with Cary Grant

The Inn of the Sixth Happiness (1958) in China

The Yellow Rolls Royce (1964) all star anthology

Cactus Flower (1969) with Walter Matthau

Poll Maker