Two Women. Two Questions

First a Question For You
Have you ever been baffled or resentful of an Oscar win (any category) only to finally see the picture and go "Oh, okay. I get it" and feel sheepish about your past dismissal (even if it wouldn't quite change your vote)? 

Such was the case with me and Sophia Loren's Two Women (1961) the only 1960s Best Actress win I hadn't seen, largely because I was so angry about it growing up given my intense love of Natalie Wood, who lost her best shot at the statue (Splendor in the Grass) in the peak year of her popularity (West Side Story). But when the Walter Reade screened Vittoria de Sica's Two Women this weekend I decided to fix the gap. Sophia was terrific, particularly in the final act when the movie takes quite a dark turn (in some ways it's a very strange film, a mix of lightly charming Star Vehicle, brutal Neorealism, and Melodrama)

My Turn. "Ask Nathaniel..."
Once you've answered my question in the comments, ask me one! (It should not be Sophia related. I just needed to ask you that question.) I'll answer two handfuls of your questions tomorrow night in the Q&A column.

Ready. Set. Go...

Holidayland at the Box Office

Memorial Day Weekend 4 day estimates are in and though it was a week weekend overall - Tomorrowland was soft which is quite scary since its budget was decidedly not -- but the three top holdovers are all bonafide hits with moviegoers.

Tomorrowland reached for a giant pot of gold, came up short.

TOP FIVE WIDE
May 22-25 Weekend
01 Tomorrowland NEW $41.7 
02 Pitch Perfect 2 $38.5 (cum. $126) Review
03 Mad Max: Fury Road $32.1 (cum. $95.5) Review & Podcast
04 Avengers: Age of Ultron $27.8 (cum. $410.9) Review & Marathon & Podcast
05 Poltergeist NEWbutOLD $26.5 

If you adjust for inflation Avengers: Age of Ultron might end its run as only the seventh highest grossing superhero flick of all time behind (in this order) The Avengers (2012), The Dark Knight (2008), Spider-Man (2002), Batman (1989), Spider-Man 2 (2004), and Superman (1978), though the latter is within reach if it can hold its theaters. Which is not to say that it isn't a massive hit; the sequel shouldn't have any problem topping the 2015 box office unless the final Hunger Games film unexpectedly outgrosses all previous installments or there's an anomaly American Sniper like behemoth somewhere in the next 7 months.

In other notable news, The Age of Adaline and Ex Machina both lost nearly half their screens to new releases but continue to do respectable business. Meanwhile, Far From the Madding Crowd keeps expanding and now has $6 million in the bank domestically. Well done Fox Searchlight for a costume drama without bankable stars and with good but not 'give this all the Oscars!' reviews. (See, other prestige-loving distributors? Not everything needs to be released in December.) I've been meaning to review it. Soon, my darlings... possibly even today. 'Let no man steal your thyme!'  And at the arthouses Sony Pictures Classics had a decent weekend. Wild Tales is inching ever closer to $3 million in the US (which is a big deal gross for foreign films these days -sigh) and internationally it's much bigger, the biggest smash from Argentina since the Oscar winning The Secret in Their Eyes (2009). And finally Saint Laurent is currently the number #1 platform release with $210,000 so far and playing at 59 locations.

What did you do for the holiday?

From Dope to Adam Jones: New Posters Roundup

Manuel here to try and help us catch up with the barrage of new film posters (and trailers!) that have dropped these past few days. It’s hard to keep up, what with Cannes, Eurovision, singing along with the Barden Bellas and furiously following Mad Max. Here are six posters you may have missed:

Musically Inclined: A #TBT double feature

The Sundance hit (review here) gets an appropriately 90s-tinged and sunny poster that features a pretty fun tagline (“It’s hard out there for a geek”) while the film adaptation of the gloriously 80s cartoon gets a Snapchatty poster (telling you everything you need to know about its intended audience) which looks as broody as that underwhelming first trailer.

Tearjerkers: Docs to sob to

Word from Cannes was pretty ecstatic about the former and for those who loved Senna and Amy Winehouse this should come as no surprise; knowing this, the poster goes for simple iconicity becoming Amy’s own signature beehive (Could Oscar make up for that Senna snub come next year?). The Slamdance doc on the Batkid “Make a Wish” story goes for heartwarming, giving us perhaps the peppiest nod to the darkest of all contemporary superheroes. If you want to get your hankies ready, there are trailers for both films.

Twice the Bradley: Can you sell a film on Bradley’s star power alone?

That’s a valid question. After three consecutive Oscar nominations and coming off two gargantuan hits which topped the box office last year, Bradley Cooper is front and center in the posters for Cameron Crowe’s Aloha and especially on John Wells’ Adam Jones. That may be enough for some people, but these marketing efforts left me wanting. That said, can we talk about the supporting casts on both of these films?

Which of these six films will you be catching in the next few months? Did you also do a double take when looking at that headshot-ey poster for the culinary-centered Adam Jones and/or gay-gasped when you saw the gorgeous Amy poster?

Review: Chocolate City

This review was originally published in Nathaniel's column at Towleroad...

So ballsy: Chocolate City, a black rip-off of Magic Mike, actually name checks Steven Soderbergh's Magic Mike (2012) twice -- once in its opening scene even! -- and names it lead character Mike. In one conversation its strippers even dismiss Magic Mike for being 'only a movie' as if they're authentic fantasy workers in a documentary.

Not ballsy enough: Chocolate City has zero actors as brave as Matthew McConaughey what with his g-string ass up to the camera writhing and no actors as nonchalantly nude as Channing Tatum doing that birthday suit bathroom strut. If you're aiming for an even cheaper riff on one of the great low budget success stories of recent cinema (Magic Mike grossed 24 times its meager budget globally; hits are generally lucky to quadruple their budgets) shouldn't you exploit what your mama gave you?

B movies throughout time have been energized by their trashier instincts. Not so much this one. This Mike (super cute Robert Ri'Chard) is practically a saint though he goes by "Sexy Chocolate" while naughty on stage. More...

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Cate to the Rescue!

Cate Blanchett may not have won Best Actress at Cannes but she still wins our hearts. And now we're left wondering what Oscar will do with two lesbian dramas with obvious co-leads hitting them at once this year (Freeheld & Carol), will they double down on Category Fraud or finally reject it? Anyway, here's Jose to give Cate the Coveted Post Cannes Ceremony Celebration Post. - Nathaniel R

Our adventure begins around May 15, 2015 when a certain red carpet superstar had to make an emergency call...

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