1991: Robin Hood Prince of Thieves

by Lynn Lee

- Locksley…I’m gonna cut your heart out with a spoon!

-Why a spoon?

-Because it’s DULL, you twit, it’ll hurt more!”

If you remember anything about Robin Hood: Prince of Thieves, it’s probably those lines.  Or, more generally, Alan Rickman’s scrumptiously hammy turn as the villain who bellows them.  Or perhaps you remember Kevin Costner’s complete failure to master anything resembling an English accent.  If you’d just as soon forget Costner ever played Robin Hood, you’re not alone: consensus opinion generally holds that Rickman was the only good thing about the movie, which received tepid reviews at the time of its release and hasn’t exactly aged into a classic. 

It’s worth noting, however, that a lot of people really liked Prince of Thieves at the time...

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Olivia @ 100: The Adventures of Robin Hood

We're counting down to Olivia de Havilland's historic 100th birthday (July 1st!). Team Experience will be looking at highlights and curiosities from her career. Here's Dancin Dan...

Has Olivia de Havilland ever looked more beautiful than in 1938's The Adventures of Robin Hood? Surely her apple-cheeked, wide-eyed beauty was never set off better than in the fabulous succession of head scarves she wore as Maid Marian. 

And the costumes themselves are just gorgeous, too. Why modern-day Renaissance Faires aren't full to bursting with ladies busting out Olivia-as-Marian cosplay, I'll never know. Except for the fact that maybe Milo Anderson's costumes are too uniquely fabulous to ever be copied well. (Sadly, there were no Oscars for costumes until the late 1940s else he might have won for this)

More beauty after the jump...

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Alan Rickman (1946-2016)

Heartbreaking. Alan Rickman, one of the UK's most treasured showbiz mainstays has passed away at the age of 69. Though he occassionally dabbled in directing (The Winter Guest and A Little Chaos) he was best known as an actor of stage, tv, and big screen.  He's inarguably best known and beloved for the many years as Professor Snapes in the Harry Potter series. But for me, his career always makes me nostalgic for the early 90s. His career was energized by the success of Die Hard which led to a bunch of movies. 

When I saw Robin Hood: Prince of Thieves (1991) I was shocked that any film could contain so many performances that were all over the map in terms of quality - a chaos of acting styles and fumbles but he was always fun hamming it up as the Sherrif of Nottingham. I immediately typecast him as a villain. A year or two after Robin Hood I discovered in short succession the intense incest drama Close My Eyes (in which he is horrified to discover that is brother-in-law Clive Owen is sleeping with his wife), the claustrophobic thriller Closet Land in which he terrorized my then obsession Madeline Stowe (at the peak of her powers from roughly 1990-1994). But all my limiting ideas that that inimitable voice and the stern face meant he was a screen baddie were blown apart by this next one. My best girlfriend had fallen for this romantic comedy Truly Madly Deeply in which he plays Juliet Stevenson's ghost lover and demanded I see it. I fell hard. For them and the movie.

It's a great rental / streaming idea if you haven't seen it. This scene, which gives it its title, is my single favorite moment in Rickman's filmography.

What's your strongest memory of Alan Rickman's career?

Tim's Toons: The state of animation in 1948

Tim here. We're talking about 1948 this week at the Film Experience, and it's my turn to take you back to the world of American animation in the aftermath of World War II. It was a fertile period: of the three studios that had dominated the medium prior to the war, Fleischer had been absorbed into Paramount and disappeared, while Disney had been badly damaged by an animators strike in 1941 and the loss of overseas markets, and spent the second half of the decade in desperate survival mode. That left a vacuum, which was filled by a sprawling variety of competitors that thrived even after Disney managed to find its footing again.

Pictured: Disney in 1948. Literally: it's from their film Melody Time.

In tribute to this unusually diverse marketplace, arguably not matched again in theatrical animation until the early 2000s, may I present three of the most unique and important animated milestones of 1948 after the jump... 

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Link Slippers. They're Surprisingly Comfortable

Defamer Jessica Lange throwing shade Lady Gaga's way in an American Horror Story press event
White Noise wonders why Hollywood can't get hackers (and computers in general) right?
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Playbill has an updates on the musical version of Mean Girls that Tina Fey is working on
CHUD Bobby Cannavale says that there's a lot of comic improv in the Ant-Man film this summer 
Pajiba looks at "Jonathan" (aka Danny Strong) and how the Buffy super villain surprisingly became such a success story after the series. 

Comics Alliance Captain America: Civil War wants to start shooting in a couple of while while the various Avengers actors are still deep in promotion duties for Age of Ultron. (Marvel has definitely moved into "rush everything!" mode. It wouldn't seem to impossible if all the Avengers weren't in it but they seem to be.)
PressPlay has a video essay on what it means to be an auteur 
Playbill Liza Minnelli has reentered rehab after a recent back surgery
Black Maria has some recommendations on Warner Archive. I keep wondering if I should join this but I already spend so much $$$ on movies. Have any of you tried them out?
The Dissolve is horrified by forthcoming Robin Hood adaptations from Hollywood. Yes, there are five of them in development and they all sound quite dumb!
Pajiba omg you guys, did you see the Miley Cyrus wax figure? Yikes.
The Film Doctor looks back at Nightcrawler's "atrocity montage"
Women and Hollywood check on these horrifyingly sexist casting ads. Like this one... ugh:

There's something unnerving about her. Maybe she's read too many books?

Oscars are so far away but Oscar talk never is
Gold Standard Glenn Whipp on why the Academy shouldn't go back to 5 Best Picture nominees. Did I share this already? I might have shared this already.
Awards Daily One of our most high profile documentarians, Alex Gibney, has a possible contender this year in Going Clear: Scientology and the Prison of Belief which hits HBO at the end of the month. (Seems like wishful thinking, Oscar-wise, to me since Hollywood has a lot of Scientologists that will undoubtedly be offended by it.

Cinderella is still spinning
i09 in our Cinderella retrospective we forgot about this oddity. Fairie Tale Theater's version with Matthew Broderick as Prince Charming!
Guardian attacks the new Cinderella for not being more like Frozen and selling feisty girlpower and for its "pinkification"... whatever that word means in this context. Sigh. This article and line of thought make me angry. Listen, I'm all for feisty girlpower but you know what's even better for men and women alike? diversity in representation. It's not good for boys to only have heroes that are physically intimidating and it's not good for girls to only have heroes that are anachronistic 'you go girl!' athletic types. There's more than one way to be an admirable film character that kids can look up to. I think this adaptation does wonders keeping the princess-to-be true to the material while also transforming her into a better role model. A protagonist that emphasizes fine-tuning your inner moral compass and positively affecting change through compassion and forgiveness is a protagonist that's still mighty heroic and worth emulating if you ask me. Not every "hero" needs to be able to kick ass.