Year in Review: Top 10 First Watches of 2020

by Christopher James

Many people discovered new hobbies while under quarantine. I, however, re-discovered my love for movies. As many film fans can attest, it sometimes feels like you have to watch so many new films each year that it can be hard to find time to fill in classic blind spots. But with the 2020 quarantine (plus the fun of insomnia), I turned to the Criterion Collection and basically got a whole second film school education. As 2020 comes to a close, I’ve had over 120 new-to-me watches for the year, not counting films released in 2020. They span from silent era cinema through Camp (2003). 

Since the final week of December is always about lists, here are my top 10 favorite first-time-for-me watches from 2020...

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Hit Me With Your Best Shot: "The Red Shoes"

Before we begin, the beginning...

Is this not one of the cinema's most exquisite title cards? It's presentational, theatric, classic, colorful, and bears the distinct mark of handmade craftsmanship. That's all perfectly emblematic of the film itself, Michael Powell and Emeric Pressburger's highly theatrical, deeply colorful look at obsessive artistry, possibly the greatest film of 1948, our Year of the Month (the Smackdown is Sunday)

Before we get to my choice, I'd like to share the others from around the web, since I was running late to my own series like some selfish prima ballerina whose 45 minutes late to rehearsal.

THE RED SHOES
Cinematography by Jack Cardiff
10 BEST SHOT(s)
As chosen by these participating blogs. Click on the photos for corresponding articles.

 Waves crashing on the shore of the stage. It's such a perfectly impressionistic moment...
-Dancin' Dan on Film

The film approaches this theme of obsession in some rather surprising ways...
-The Entertainment Junkie

 

Love and obsession are two sides of the same coin...
-Film Actually

 

If you haven't seen The Red Shoes, rest assured that it's the biggest gap in your film education, and you should make it a short-term priority...
-Antagony & Ecstasy

 

If you think about it, The Red Shoes,is just an incredibly artsy examination of the “Can women truly have it all?” question...
-Pop Culture Crazy

 

(Vicky. Her Relationship. Dancing). This love triangle of sorts dominates the latter half of the film... 
-Sorta That Guy

He holds them up to the camera...daring us to take them.
-Coco Hits NY 

Showcasing the cinematic artifice and especially the psychology. It's super overt, but why not?
-Movie Motorbreath

 

In a way watching her dance reminded me of the movie Ed Wood (I know strange comparison but hear me out).  He is so happy making his terrible movies.  The smile on his face never leaves."
-54 Reviews 

They're all great beauties and I considered some of them. My pick after the jump...

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Top Ten: Movie Shoes

The new Cinderella really goes all out in fetishisizing the glass in glass slippers, in a way that few renditions of Cinderella have, from their translucency to their refracting beauty, to the way one of them shatters when Cate Blanchett's wicked Lady Tremaine has had it with the talk of them.

She will cut you!

It reminded me of an anecdote I shared a few years back about a brunch conversation with a friend's daughter when I asked her who her favorite Disney Princess was:

The question rendered her completely shy. I had given up hope of an answer, reverting my attention to the food when she shouted "CINDERELLA" at the top of her lungs over her waffles. "But why" I say? This answer came much more swiftly, like it was the silliest question any adult had ever asked her. "The glass slippers."  She didn't add "...duh" but it was right there, loud and clear, in her squeal of laughter

So for today's top ten let's celebrate the best of movie footwear from slippers of ruby or glass to fake legs to super boots. What lurks beyond the jump? Do they come in your size?

Be as curious as rollerskating Kira and find out... 

TOP TEN
BEST MOVIE FOOTWEAR

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Crazy/Possessed Ballerinas. Are There Any Other Kinds?

In preparation for our two part Horror Best Listing (pre-Exorcist and post-Exorcist which arrives tonight) I caught up with a few classic titles. One of them, briefly discussed on the latest podcast, was Dario Argento's Suspiria (1977). I can't say I took to it exactly, despite being partial to films which boozily strip naked and beg their Production Designer & Cinematographer to f*** them.

slumber parties in horror movies? never a good idea

Suspiria (have you seen it?) starts sort of well, flying right into an unnatural rainstorm with a weirdly off kilter urgency as ballerina Suzy Bannion (Jessica Harper) arrives in Germany to attend an prestigious ballet academy. But those first two kills are so yuck making the intro a mixed bag for me. For its middle section, which I assume is where the film's classic status derives, the movie does little cul-de-sacs in creepy/garish atmospherics punctuated by two perversely inventive murders. But then, oops, time is up. For its last trick, Suspiria speeds through a dud finale with mood-killing exposition (how was Udo Kier ever this young!?) and badly dated visual effects. By the time the credits appear, it's lost pretty much all of its intermittent unnerving power. For me at least; I understand others really do dig it.

After Suspiria ended, my mind wandered to a more general cinematic question: Are there any silver screen ballerinas that are happy?

See, it seems like screen ballerinas are always batshit crazy whether they're...

Suspiria

...possessed by the occult

The Red Shoes

...dancing feverishly as if possessed by toe shoes

Black Swan

...having psychotic feathered breaks

The Turning Point

...or engaging in neurotic Oscarbait-offs. 

Can you think of any well adjusted ballerinas in fiction?
And if you can't whose your favorite nutjob ballerina?

Harlem January 2nd

A Filmic Notion on The Red Shoes "...a film that 'could be' my all time favourite"
Awards Circuit on the breakthrough performers of 2012
Pajiba 15 pop culture moments that made us cry in 2012
Boy Culture continues their countdown of hottest actors of all time (#50-21) ranging from Buster Crabbe, to Tyrone Power through Christian Bale in this edition. But I've just been informed that Takeshi Kaneshiro is not on the list at all so someone will have to explain this word "hotness" to me!

Antagony & Ecstasy Tim shares his ten best of the year: Magic Mike, Oslo August 31st, Tabu and more... I wish I liked Oslo a bit more than I do but I'm thrilled that so many critics I like are suddenly enthused about Joachim Trier because I don't remember having much company when I was all "ohmygodeveryone Reprise !!!" a few years back.
Media Decoder on footing your own Oscar campaign. And no, this article is not about Ann Dowd. People do it every year.
Gawker Rich Juzwiack on the year in film. I've always loved Rich's writing but it's so weird to read a full "year in" piece in which I agree with quite literally nothing. haha 
Coming Soon promotional art for the next few years of Pixar films
Reverse Shot's top ten with The Deep Blue Sea an out of time chart topper