TIFF: "Women Talking"

by Matt St Clair

After the masterful Stories We Tell (2012), the wait for Sarah Polley’s follow-up directorial picture has been agonizing. She’s long since proven herself a gifted actress, but watching her expertly blur the line between fact and fiction in that acclaimed docudrama begged the question of when, and how, she would wow us againwith her directorial skills. Thankfully, she not only has finally made a follow-up project, but one that is more than worth the wait...

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Baby Clyde's TIFF Diary #1: "Bros" First!

Editor's Note: We will have some reviews at TIFF from Abe and Matt. Meanwhile Baby Clyde will be offering daily diaries. Hope you enjoy!

En route to TIFF!It’s a long-accepted fact in my office that for the first two weeks of September I will be away. No phone calls. No emails. No invoices. I’ll be travelling to Canada to spend 10 days in dark theatres watching the newest Oscar Bait all by myself and doing my very best to avoid speaking to anyone else whilst I’m there. Only this time I'm skipping the last bit as I'll be taking directly to you beloved readers. Nathanial has persuaded me to keep a TIFF diary to keep you abreast of all my festival adventures; He may regret it. 

So here I am back for the first time since 2019. It was of course Covid-19 that kept me away for the last couple of years, but it was only on planning this trip that I remembered the Coronavirus was nothing compared to the travails of the TIFF ticketing system...

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Tweetweek

Curated for you so you don't have to spend time on Twitter. We begin with a perfect tweet timed to daily film festival nonsense (before moving on to more festival nonsense)...

BREAKING: Martin Scorsese's THE AGE OF INNOCENCE just received a 20-minute standing ovation from me in my living room after viewing it for the 100th time

— La Pfeiffer (@La_Pfeiffer) September 9, 2022

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"All the Beauty...", "Banshees of Inisherin" and "Bones and All" win big at Venice

by Nathaniel R

Cate Blanchett, Director Laura Poitras, and Colin Farrell all took home prizes

While The Whale and Don't Worry Darling hogged a lot of the press here in America, they weren't favourites of this year's Venice jury, both going home empty-handed. Julianne Moore presided over this year's jury which included Mariano Cohn, Leonardo Di Costanzo, Audrey Diwan (the Golden Lion winner last year -- our interview!), Leila Hatami, Kazuo Ishiguro and Rodrigo Sorogoyen. They gave the top prize to a buzzy documentary about Nan Goldin, All the Beauty and the Bloodshed. Though they didn't win the top prize both Martin McDonagh's The Banshees of Inisherin and Luca Guadagnino's Bones and All took home two prizes each...

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Venice Gowns '22, Round 4

Ooops. We've been neglecting the fashion-watching duties so this is an abridged version of the gowns from the past few days before the closing ceremony (very soon). So who gets your vote for Best Dressed?

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