The Wolf on Link Street

Parade 10 movie locations worth visiting from Walter Mitty to Sideways to Harry Potter and more...
Cinephilia and Beyond has links to all 2013 screenplays available for download legally direct from studios
New Yorker the best movies of the year
Slant best posters of the year
Variety The Santa Barbara Film Festival is celebrating the Before trilogy with screenings. I love that trilogy but what ISN'T Santa Barbara celebrating? I swear they have some tribute to every single contender... they're like the NBR, carefully giving out enough awards to get EVERY studio to their annual dinner

The Onion "9 Photos Of Jennifer Lawrence That Will Make You Reassess The Scope Of The 1986 Vienna Convention On The Law Of Treaties Between States And International Organizations"
Deadline Brie Larson and Jessica Lange are joining lead Mark Wahlberg in the James Caan lead role in a remake of The Gambler (1974)
Vulture John Ridley on the toughest scene to write in 12 Years a Slave, the one with Alfre Woodard 

Wolfy
Dealbook how do Jordan Belfort's victims feel about The Wolf of Wall Street?
In Contention counts down Leonardo DiCaprio's best performances. Wolf scores pretty high
The Wrap a Wolf of Wall Street Academy screening gone berserk. Scorsese gets a "shame on you" from a voter.
Awards Daily Sasha Stone also chimes in with a "this is why we can't have nice things" though I'm like "this is the last time anyone is going to call the movie 'nice'. 

It's been the talk of twitter today but I love David Poland's truth-serving response most...

@Matthew_Lucas But I hate these hyped up stories about Academy screenings that are always f-ing Rashomon with slight dementia

— David Poland (@DavidPoland) December 23, 2013

An Oscar question
Here's a new spot for Dallas Buyers Club trumpeting its prize haul thus far. That awards loot is somehow more than what's sunk in if you know what I mean... but it's been a noisy season and Focus is relatively quiet. Is Dallas Buyers Club something we're underestimating outside the obvious places (Actor & Supporting Actor)

Curio: My 2013 Wish List

Alexa here. 2013 has been filled with movie gifts aplenty, my favorites thus far being the smaller-scale treasures Stories We Tell and Frances Ha. But enough pixels have been spilled over the best films of 2013, so I'm using this space to share the film curios I've been dreaming of this year, all of the art variety. Some of these I've already gifted myself, too impatient to wait for someone else to get on it!  Here's hoping you get everything you're wishing for this year, too.

1. Alternative Movie Posters: Film Art from the Underground by Matthew Chojnacki. This volume nicely covers some of the best indie film posters out there, and includes some of my favorite artists in the process. I couldn't wait for the holidays so I bought it off of my own Amazon wish list; it's sitting on our coffee table right now.  

Click to read more ...

Two Movie Advertisements of (Dubious) Note

Cheers to  Carefee Black Girl who is Italy and had the smarts to snap this incredibly unfortunate 12 Years a Slave poster. Yes, Brad sells tickets but at what price to a film's soul? 

Fox Searchlight isn't in charge of Italian distribution (IMDb doesn't say who is exactly though distributors are listed for France and Spain and a few other countries) but this just puts an unfortunate visual to the snarksters who originally attacked the movie with the "Brad Pitt solves slavery" tag when the movie first became our frontrunner.

This second advertisement, a TV spot dubbed "Outrageous" though not, unfortunately "Outrageous!!!" for August: Osage County speaks for itself. 

In a language we are not familiar with. Give us subtitles to understand the huhwazzit and the why of what we are seeing here? Why this ad now? Especially when the jingly music suggests a Christmas day opening that is no more. It's now opening on the 27th.

Podcast: American Hustle & Her

Nick, Katey and Joe join Nathaniel to wish you all a very happy holiday week. We begin by talking about David O. Russell's American Hustle. Katey wishes the movie had applied itself more, Joe doesn't believe a second of it, but Nathaniel and Nick enjoy the fun groovy chaos quite a lot more. We're split on Jennifer Lawrence's showboating, three of us think Bradley Cooper is amazing but the podcast quickly turns into an Amy Adams ♥fest. (Shout-outs to Saïd Taghmaoui and Michael Peña, too)

We also discuss Spike Jonze Her and its lovely script and performances. The Scarlett Johansson/Samantha Morton business on the voicework is also on the menu. Do we think Her hits its themes too hard or just right? And would we wear its futuristic fashions? 

PLEASE NOTE: If you're spoiler averse you might want to skip one minute from 18:00- 19:00

You can listen to the podcast right here at the bottom of the post or download the conversation on iTunes. 

Her Hustlin' Holiday

The Anchorman Continues...

Amir's Weekly Box Office Report

chart repurposed from boxoffice.com

Ron Burgundy and his news team were the story of the weekend with Anchorman 2: The Legend Continues, though their numbers are anything but a big deal. The film opened at the lowest end of its expected spectrum and I have yet to come across anyone who’s liked this film unreservedly. I was never a big fan of the original, which I got around to a few years too late. (I expect this one to hit my rental queue sometimes in 2017). It opened behind The Hobbit, for which the amount of critical goodwill hasn’t been nearly strong enough to convince me something better than the insufferable first episode is in store. Smaug smug as it may sound, I can think of quite a few better things to do with two and a ½ hours.

American Hustle expanded beyond New York and Los Angeles and all the way to snowy Montreal, where I was able to watch it. (Personal story: this is the third time in my life that I’ve went to le cinema on trips to Montreal, after the first Sherlock Holmes installment and Ted. The experiences are very slowly but surely improving. I expect to catch a real good one on my 2017 trip.) Hustle is Russell’s unruliest but least energetic offering, though it’s totally worth watching because of Amy Adams and Bradley Cooper’s perm. At $20m, it doesn’t seem positioned to beat Silver Linings Playbook’s gross, but The Fighter’s should be within reach.

chart repurposed from Boxoffice.com

Further below, the stellar Inside Llewyn Davis continued its slow expansion and is hovering just outside the top ten. Like virtually any other film by the Coen Brothers, it is an essential watch. Spike Jonze’s Her is also playing now, though only on six screens. I’m less enthused than most, though there are certainly worthy elements about it – Hey! Look! Amy Adams again! – but Jonze is such a unique, vital voice. We should treasure this film before he hides for another three or four years.

Finally, Asghar Farhadi’s The Past has opened, though on even fewer screens than Her. This one’s really grown on me with repeat viewings so I encourage you to see it. Oh, and read my interview with Mr. Farhadi. Anyway, my weekend has consisted of Short Term 12 (I’m sorry Nathaniel) and American Hustle so far and will continue with whatever else goes with the mood on the train ride back home. What did you watch this weekend?