Faulty "Wedding Bells" Gossip

Are you enjoying Natalie Wood Week here at the blog?

Celebrity gossip magazines are not as psychic as they'd like to be...

They were wayyyy off on their suggestive headline here. It would take Warren Beatty another 31 years and at least 300 more women to settle down. And despite the rude headline, Beatty had nothing that Robert Wagner didn't have when it came to Natalie's heart... at least not permanently.

Though it's true he did take over in the year of Natalie's superstar ascendance. RJ and Natalie had separated in 1961 (the year Splendor & The Grass and West Side Story both hit) but they didn't divorce till the same month as the Oscars in 1962 when this was going on...

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Firth and Kidman Chug Along in The Railway Man

Glenn here looking at an upcoming film from my home country. I may live in America now, but I am still very much interested in what Australia is producing (as I and many of my fellow countrymen can attest, it's probably against my better judgement to do so). One title I've been keeping an eye on is Jonathan Teplitzky's The Railway Man. There a was a minor fuss a few years back when The King's Speech producers were denied Australian funding and, thus, when it won Oscars it was unable to be classified as an Australian co-production despite its producers being Australian and its others local ties. Well, the funding bodies learned their lesson and are officially on board with The Railway Man, a British/Australia co-production from the memoir by Eric Lomax.

Nathaniel showed a bit more faith than others in the project by listing it in several of his Oscar categories. Other prognosticators don't seem to even know it exists! I've been skeptical that the film would even see the light of day in 2013 since the Australian media love being able to hail a star vehicle such as this as "ours", and yet there hadn't been a peep in terms of trailers, posters, or a release date. They'd be all over it ("Our Nicole Returns Home!" read headlines during production) if there was anything to actually talk about. Well, it's Australian distributor has finally put it onto the schedule and they chose the biggest day of the year - Boxing Day, 2013. [more]

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Movies in the Movies

Thanks to reader Pam for pointing on this video. This is one of the best-shaped and edited montages I've ever seen on YouTube. A must see if you love movies about movies...

...and who doesn't that's reading this blog! 

Trifurcated Link

actressssssssss
Buzzfeed Nine magical photos of Nicole Kidman's hair in the Eighties
/Film Kristen Wiig's new comedy film Welcome to Me gets a slew of new cast members including just-Emmy nominated Linda Cardellini (from Mad Men & Freaks and Geeks)
Jacket Copy Reese Witherspoon will play the leadiest of leads in Wild, (in that she'll be onscreen every second without much in the way of co-stars) based on the best seller about a woman hiking 1000 miles alone after her mother's death
Guardian on the climactic row between Julie Delpy & Ethan Hawke in Before Midnight and acceptance vs. resignation in relationships
i09 check out Hailee Steinfeld's geeky nail art for Comic Con

tv mania
Vulture Matt Zoller Seitz on the pleasures and brilliance of "Suits" and why critics ignore it
Pajiba on the 25 best series which were never nominated for best comedy or best drama series in their runs. (Honestly I still look it up every time I hear that Roseanne was never nominated for Best Comedy. It seems so patently absurd that I resist the fact every time and scurry off to fact-check. But a fact it is.)
Slate *TODAY'S MUST READ* an excellent piece, arguing as I like to and have right here, that it's stupid to argue that "tv is better than cinema these days" for a variety of reasons but mostly for the dishonesty of this ubiquitous context-free argument.

it's Comic Con time so it's all genre all the time
Timothy Brayton reviews Pacific Rim. Kaiju dig it? 
i09 on the first ten minutes of Terry Gilliams Zero Theorem which they memorably describe as "Blade Runner meets Sesame Street"
Superhero Hype huge gallery of cosplay photos from Comic Con - my favorites are these gender-flipped X-Men boys, The Princess Bride couple and this tiny Hulk
The Playlist shares the very inspired teaser poster for Gareth Edwards reboot of Godzilla
MNPP which is hotter: Lee Pace blonde or blonder?
Towleroad Jamie Foxx "Electro" teaser for The Amazing Spider-Man 2. Shit, guys, I was kidding about the looking like Mr Freeze part but now that I see more of him it's even moreso!
Coming Soon Character posters from X-Men Days of Future Past including Bishop (Omar Sy)
Cinema Blend the Sentinels design from X-Men Days of Future Past which will merge the superhero genre with the giant fucking robots genre at long last*

*that was facetious even though i'm a huge fan of that arc in the X-Men comics. 

Young Natalie: Thoughts on one of the great child performances of all time

Hi all, it’s Tim. With Natalie Wood Week upon us, there will be much talk of the actress’s run of films as a beautifully virginal ingénue, or her transition into roles as troubled adults and young women. But I want to pause on the threshold of all those Splendor in the Grasses and West Side Stories to pay tribute to the an earlier era in the Life of Natalie, when she became one of the best-loved child actors of the 1940s (and a good time it was for child actors, too).

The film that put her on the map was Miracle on 34^th Street, of course, released when the actress was a mere eight years old in 1947. It wasn’t her first credited role (that would be the Claudette Colbert/Orson Welles vehicle Tomorrow Is Forever, from 1946), nor even the first movie to showcase her to good effect; earlier that same year, she’d been a solid presence in the supernatural melodrama The Ghost and Mrs. Muir, though that film ultimately didn’t ask very much of her besides being cherubic and innocent (this would remain true of a frustrating number of her vehicles throughout her later career). Simple, even if the simple ability to be a dazzlingly cute kid without it spilling over into tackiness was already enough to mark Wood out as more than just one more saccharine little girl ready to fill the void left by Shirley Temple’s ascendance into her late teens.

Miracle on 34^th Street was something entirely different.

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