Friday, April 13, 2012 at 3:50PM Amuse us. Add dialogue or a caption to this new still from Magic Mike.
another new (more strip-tastic) still after the jump...
Channing Tatum, Magic Mike, Matthew McConaughey, Say What? Friday, April 13, 2012 at 12:00PM I know a few of you had had problems with commenting but the problem should be resolved now. So please sound off. What's on your cinematic mind? Do I dare see Cabin in the Woods this weekend? You know how squeamish I am about horror.
P.S. If you've ever seen one of Travis Mathews short films (worth seeking out) you'll want to read Craig's interview -- how do you feel about explicit scenes in real films? sound off on that post. And if you've ever seen Snow White (duh, you have!) we've totally been talking about her so join in. Let's make her ears as red as her lips. If you don't comment on animated films how will I know you want more posts about them?
Have you ever made this face?
P.P.S. April Showers is returning soon after this week's hiccup.
P.P.P.S. Titanic Centennial and finalized Oscar Predictions this weekend (who am I forgetting in Best Actress?). Stick around.
getting to know you Friday, April 13, 2012 at 9:01AM Craig here, with a preview of Travis Mathews’ debut feature I Want Your Love and an interview about the film with the director.
Jesse Metzger stars in the explicit drama about a performance artist leaving San Francisco
This week sees the return of the Fringe! Gay Film Festival to East London. From the 12th to the 15th of April a wide range of films (new features, experimental shorts, premieres) are showing alongside a host of parties, shows and events. This year’s opening film was I Want Your Love, Travis Mathews’ (In Their Bedroom – Berlin) poignantly affecting and intimately explicit debut feature. It stars Jesse Metzger as Jesse, a love-lost San Francisco performance artist about to leave his life and career frets behind for a fresh start in Ohio. We see him hang out with friends, and follow how their lives reflect, and differ from, Jesse’s as they prepare to throw him a leaving party.
Jesse Metzger and Ben Jasper in a flashback to their relationship
There’s an easy charm to the story of this group of amiable guys. Mathews films in a close, intimate way that allows revealing insights into their easy-going personalities. The characters feel real, unaffected by some of the over-familiar clichés that more mainstream gay cinema offers up. The performances – especially Metzger, as Jesse, and Brontez Purnell, as one of his witty friends – are pitched perfectly and entirely natural. The real sex peppered throughout the film acts more as culminations of built-up feeling than a way to shoehorn overt sexuality into the story.
Mathews emphasizes atmosphere throughout. Some segueing shots are delicately composed to establish an evocative sense of place and time of day: the harbour at dawn, hazy afternoons chatting in shops, empty streets at dusk. You get a feeling for a rich, charming San Francisco that chimes with the film’s plot arc: why does Jesse need to leave when what he has here is so close-knit? What is it that he needs to change in his life? I Want Your Love offers up these questions, and plenty more, for its audience to mull over while depicting 21st century gay relationships in an honest, open way. In a small way, I Want Your Love is an affectionate retelling of Maupin’s Tales of the City in microcosm for the now.
I spoke to Travis last week about I Want Your Love, the Fringe! and his feelings about his work...
Writer/Director Travis Mathews
Craig for The Film Experience: I Want Your Love is great. A splendid addition to not just gay cinema, but invigorating filmmaking in general; and early word is hugely positive. You must be very proud.
TRAVIS MATHEWS: Aw, that's really nice of you to say. I'm proud to have just survived it, let alone come out with a movie that I'm excited to share with people. Making features - I'm learning - is like running a small business...
I Want Your Love, LGBT, London, Travis Mathews, film festivals, interview, pornography, sex scenes Thursday, April 12, 2012 at 3:44PM 
Jose here. Biopics are always a controversial topic. People get riled over the casting choices, the director, the time period they cover etc. (Anyone still remember when Julia Roberts was interested in playing Kate Hepburn?)
One of the biggest upcoming biopics officially begins production tomorrow. It's none other than Hitchcock (based on Stephen Robello's Alfred Hitchcock and the Making of Psycho) which will chronicle the making of one of the greatest movies of all time. The movie will be directed by Sacha Gervasi (of Anvil! The Story of Anvil semi-fame) and as of now has one of the most fascinating casts assembled in recent history to pay tribute to this legendary movie,
Anthony Hopkins headlines as Hitch and Helen Mirren will play his wife Alma Reville. Scarlett Johansson and James D'arcy are set to play Janet Leigh and Anthony Perkins respectively (although the other way around would've been interesting too, where's Todd Haynes when you need him?)
Why don't we just take a look at them with their real life counterparts?
Thursday, April 12, 2012 at 12:02PM It's a pity that there are 257 days left until Christmas. Am I right?
Isn't it wonderful when a movie can be sold on the name of their auteur alone?
Wouldn't it be wonderful if final movie posters were ever as graphically bold as teaser posters?
