Distant Relatives: The Apartment and Sideways




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Have you seen the new cover of NY Time's Style Magazine starring "grungy antihero" Viggo Mortensen? Viggo is one of my all time favorite actors as I was just recently saying to David Cronenberg so I'm always happy to see him but this photo -- I seriously thought it was an old magazine cover from when he was like 25 until I remembered that he wasn't famous till he was like 37.
Seven Things Viggo Mortensen Should Be Chewing On That Aren't His Shirt
If The Film Experience were its own media empire the first thing we would do is some sort of annual gallery of celebrities a la Vanity Fair or the New York Times. For this year's New York Times video gallery ["Vamps, Crooks and Killers" (photos) "Touch of Evil" (video)] the Times has famous actors playing famous film baddies or villainous archetypes. We've mentioned we love this actors as actors business muchly before. It always thrills.
Here's Glenn Close as Theda Bara the vamp and Viola Davis as Nurse Ratched (One Flew Over the Cuckoo's Nest) for appetizers.
The Close image reminds us that Glenn has always been thisclose to being a cartoon character who just happens to be made of flesh and blood. That's how most iconic film stars and characters come across... at least after decades in the pop cultural air, though it didn't take Close that long to achieve it.
Doesn't the Nurse Viola Davis Ratched immediately make you want to see her in a villainous role? It hadn't even occurred to me before but it'd be super scary to watch her soulfulness curdle in some choice role. I bet she'd be great. On her performance in this video she says...
I tried to channel all the parts of myself that are probably not pretty. That are not necessarily nice."
Rooney Mara, Michael Shannon, Kirsten Dunst, Brad Pitt and Mia Wasikowska, after the jump...
To rework an old and enormously stupid cliché, I could see a movie wherein Michelle Pfeiffer reads aloud from the pfone book for two hours and still feel the ticket price was justified. (Though I'd probably complain if she didn't read some of the names with icy contempt, some with 'girlfriend wha?' mall mom familiarity, and others with erotic surrender just to get the pfull range of Pfeifferisms in there). So even when she's spouting utter nonsense like in this video chat with MTV, I love to watch her.
She's talking about Tim Burton and Dark Shadows and in the first screengrab she's saying:
I hope it's successful so we can do a bunch of them!"
In the second she's saying...
That's what we love about Tim's movies. They're not run of the mill. They don't easily fit into one genre. It always is this 'wait and see' kind of thing.
In both cases: utter nonsense! A) she never does sequels and it took her 19 years to make her second Tim Burton picture so don't get your hopes up for several Dark Shadows follow ups. and B) Tim Burton movies don't fit into a genre because they're their own. If any director has a BRAND it's Burton. There is no waiting to see; we know exactly what we're going to get each time. Whether or not that's still a good thing is the subject of debate.
Video is after the jump if you're interested.
Nicks Flick Picks looks at the cinematography of Todd Haynes masterwork Safe (1995).
Scene Stealers chooses the ten best cinematography jobs of the past decade, with The Tree of Life the only current film to place.
In Contention on Fox News freakout over The Muppets liberal agenda.
Paper Mag has an enjoyable profile of Kristen Wiig and her superstar-making year
Karine Vanasse ...will we see her again after Pan Am flies away? I find TV news difficult to follow so I'll admit total confusion when shows randomly show up on my DVR or move networks or whatnot but apparently this charming French Canadian actress says Pan Am has been cancelled and the network says it's just on hiatus? My point is that I watch the show and am totally in l'amour with her.
The Hollywood Reporter worries that the AMPAS demographic (which skews very male) may hurt The Help. Of course this argument supposes that only women would like The Help.
The Wrap though it's a rather unusual decision, given its history, this year's Vanguard Award at the Santa Barbara Film Festival is not going to a well known acting legend but to the two stars of The Artist Bérénice Bejo and Jean Dujardin. That's a major get for the Weinstein Co moving into the Oscars.
Forbes did one of those "return on investment" things to rank actors. Kristen Stewart is named the best deal with $55.83 earned for every $1 spent on her. Anne Hathaway comes in at #2 with $45.67 for every $1. Most of the list is composed of people in franchises so the numbers are quite skewed; Harry Potter is the star of Harry Potter and Twilight is the star of Twilight if you get me. Meryl Streep, who isn't exactly known for franchise appears, does make the list though with $13.54 earned for every $1 she's paid.
on embargos, social media and film critics in general
Carpet Bagger David Fincher on embargo breaking. He doesn't want any advance screenings and thinks the best film critics are moviegoers who text their friends (oy! the self-serving pomposity of some people. And I love Fincher)
AV Club Sign of the Apocalypse. Twitter-friendly seats in theaters as trend? Thousands of little glowing screens to distract you from the big one. Ugh.
Telegraph Kevin Spacey isn't having any of it. This is our favorite Kevin Spacey anything in like 12 years.
Top Ten o' the Day -David Denby
Speaking of embargos and film critics... Fast on the heels of the Dragon Tattoo ruckus, we have Denby's top ten list on which it does not appear. It's a mixture of lazy fandom (J Edgar? Ugh... seriously. I'm going to have to assume that critics who label this a top ten'er only saw 30 or 40 movies this year and even then, you'll have to make concessions.) and the highbrow like Certified Copy and the Tree of Life about which he begins, affectionately, this way...
Yes, I know, Terrence Malick’s movie is unbearably high-minded and humorless. But still!
All in all an interesting list and suggests that for Denby, two types of entertainments are generally favored: intellectual puzzlers and popcorn entertainment for the masses (Source Code, Contagion and Rise of the Planet of the Apes all appear).