Michael Sheen is Such a Freak...

Sheen as computer program

Sheen as lycan

How did he ever end up in that stuffy English man groove in all those political movies?

This random question is brought to you by the recent full moon (were any of you killed by werewolves?) and my new blu-ray of Tron Legacy in which Sheen really gets his freak on... presumably to entertain himself since the movie won't. [Editor's aside: The BFCA is honoring the 5th anniversary of the Blu-Ray soon so I'm reinvestigating several titles for their blu-crispness and such so I can vote on the honors.] 

My god is that movie (Tron Legacy) incoherent. And I'm not talking about the plot since one can forgive movies about people getting trapped inside computers and creating malevolent digital versions of themselves for plotholes and diversions; part of the territory! I'm talking about the filmmaking. From scene to scene but more problematically from cut to cut nothing ever makes any sense. Where is this character standing? Which direction are they moving in? Where did that other character come from? Did they leave where they just were? Perhaps they turned around to face another direction? Why are we looking through a window now? Why did we just watch Tron fall into water from underneath the water? Why does that butterfly conveyor built thingie take 21 minutes to take the characters to the climax when every other distance in Tron world seems to be covered in like 4 seconds? We're talking basic spatial incoherency constantly. And you can't blame "the grid"... don't know if you've ever noticed this but cities built on grids are super easy to navigate in comparison to cities that aren't. 

This post was brought to you by 2010. Thanks for listening.

SuperFreak and his unsuspecting lady friend Rachel McAdams

As you were.

DRIVE. "People will love it ten years from now!"

I only left the Drive screening two and a ½ hours ago at the time of this typing. But I feel like I have two thoughts I want to get out immediately. (Plus a second screening seems wise before reviewing as it has that further-riches- await-you vibe emanating from its dark surface.)

The film is super-stylish and idiosyncratic and though some critics already love it, I'm not sure that people by and large will. But in ten years, if it's not a surprise hit in September, people will be pretending like they saw on opening night and were part of its first rush of fandom when in fact they caught it on DVD or cable a year or more after it flopped in theaters. I'm not wishing it ill, trust, but it feels like a possible contender for a Big Lebowski type trajectory, if you know what I mean. It's an odd film but it sure does know itself. Yay!

People will love it ten years from now!
-Nathaniel R, The Film Experience

Listen to me... Yeesh! I'm never ever going to make it as a blurb whore.

The new posters like the one above -- they just keep coming -- keep using the pink font and at first it's like "what? pink for a noir about a bad-ass driver?" But then you see the movie and all is right with the marketing due to the movie's neo-noir-neo-neon-1981 stylization. (What?)  It's not exactly my type of film -- very bloody -- but I kinda loved it anyway. Or maybe admired/liked? I haven't decided. It's only been 2 and ½ hours. But my god can Nicolas Winding Refn compose a frame. I didn't see this coming when watching Bronson which was attention grabbing enough but hugely messy and undisciplined in comparison.

This 'n' That: Girlz 'N' Games, Depp 'n' Tonto, Kevin 'n' Tilda

Many many years ago I became online friends with Noelle Adams due to our obsessive mutual Pfandom. Now she writes "Girlz 'N' Games". We've heard 2011 described as "Year of the Superhero" and "Year of the Sequel" or the "Year of the Raunchy Comedy".

But Noelle has another idea...

She goes on to explain herself  and it's a persuasive case, right? Or maybe Hal Jordan was such an A-hole that he makes the whole summer douchey? 

Your Movie Buddy interviews Miranda July currently in theaters with The Future. 
Ultra Culture is covering a huge event in London 'Empire Big Screen'. I guess the magazine is hosting a big event? I don't know. I'm confused. But I like this blog and I love a subway getting saloon doors to celebrate Cowboys and Aliens.
Deadline reports that Disney has pulled the plug on the Johnny Depp Lone Ranger movie due to cost. Didn't see that coming, Depp being the billion dollar franchise guy o' choice.  

I Need To Talk About Kevin...
In that... I realize it's weird that I haven't. What blog should be more excited for this movie than The Film Experience? I mean Tilda being a frequent topic and gold medalist and all. And now the movie has got this awesome Rosemary's Baby hued poster that dares to make "Kevin" the big face, and shove Tilda in the corner!? [P.S. I love that he's transparent so that you can see her.]

But as I was thinking about the weirdness of me never talking about this movie last night, I realized that somewhere in the back of the brain I had logged this as 'will read book before seeing movie or watching any clips' And now time is running out. 

Must read it. I'm between books anyway. Keep hearing it's great.

Ask Nathaniel...

I await your questions for the next Q & A post. I am one with my internetz.

P.S. If you don't know what I'm talking about here is last week's Q & A column.

This & That: Pop Songs, Oscar Campaigns, Carnage Poster

Bill Pullman's new roleAV Club is success spoiling AMC? More rumors and commentary on the increasingly troubled network of Mad Men and Breaking Bad.
Macleans also reacts to this 'blame Mad Men' meme going around
i09 expresses shock that Bill Pullman is so amazing as a creepy motivational speaker/murderer on Torchwood: Miracle Day. I haven't seen it yet because we don't get Starz but Bill Pullman can do anything. Why are people surprised? Oh, right. Nobody goes to the theater. Pullman's performance on Broadway in The Goat: Or, Who Is Sylvia? is one of the greatest performances I've ever seen, I kid you not. (pun!) The movie roles obviously didn't challenge him enough.

The Hairpin has an interview with Kate Beaton who writes what may be my favorite webcomic "Hark, A Vagrant!"
Cinema Blend I was just talking about Patrick Wilson to a friend last night and bingo: today there's news that he's joined the cast of Ridley Scott's Prometheus. I should talk about actors who don't get enough good parts every night before I sleep so they'll be cast the next morning.
Inside Movies A story that the web will undoubtedly love: Andrew Garfield on the size of Spider-Man's package.

Oooh, lookie. It's the first poster for Roman Polanski's Carnage.

That's a weird loud poster but at least it's interesting. The moody faces are kind of an interesting way to get at the play's rollercoaster tonal shifts and convey that it's an actor's piece.

The Campaigning Begins
Gold Derby is already claiming the Best Actor Oscar for Leonardo DiCaprio in J Edgar. We'll see. Believe it or not he's still kind of young to win an Oscar. They make the men wait, you know. Different rules for men. Although I suppose it helps that he didn't turn out as elfin gorgeous as he looked like he might back in the days of his youth. Oscar likes his women drop dead gorgeous but doesn't like his men too purty. Just ask Paul Newman how long he had to wait. Or Brad Pitt who still hasn't won.
IndieWire Glenn Close to receive the lifetime achievement award at the San Sebastian Film Festival. Festival honors of the career variety are a standard stop on the way to would be Oscar glory. 
Just Jared just posted this promotional pic of Michelle Williams for My Week With Marilyn but labelled it a "still". If it's really a still in the proper sense than the movie is taking some adventurous chances with its look. 

For Laughs... Movie|Line is listing four reimaginings of princess movies that it never wants to see.

And in other news... True Blood has been renewed for a fifth season. Yay! Get caught up on The Film Experience commentary. 

Best Song of the 1980s?

Music makes the people come together.... yeah  ♪
Critical Condition's Ultimate Pop Song Tournament has come down to the final four: Madonna's "Like a Prayer" (89), Cyndi Lauper's "Time After Time" (84), Michael Jackson's "Billie Jean" (82) and Journey's "Don't Stop Believin'" (81) This has been such fun for the past few weeks and it also just goes to show you how classic the 1980s are in the cultural canon since songs from other decades were eligible. You already know who I voted for, duh. Go and vote yourselves. May your favorite win... unless it's different than mine.
Boy Culture conjecture about Madonna's upcoming schedule
Examiner DC This is a good piece on the music industry's ability to keep the public interested in the classics, and the film industry's inability to do the same. A provocative mystery, that, right?