Tribeca: Jon Hamm Gets a ‘Corner Office’

By Abe Friedtanzer

 

Offices in movies and television are typically represented in a stark and uninteresting way, where joy goes to die and monotony rules each boring day (even in comedies like The Office). That’s certainly the case in Corner Office, a Tribeca entry that casts Jon Hamm as Orson, a new employee who is intent on following a carefully-set schedule that ensures no time for shenanigans and nothing more than a five-minute break each hour for any sort of non-work activity. While Orson is dull and has no ability to read social cues, he too finds his time in the office draining, until he discovers a door to a large and old-fashioned office that no one else seems to know exists…

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Judy Garland @ 100: "I Could Go On Singing"

Team Experience revisited nine Judy Garland movies for her Centennial. Here's Nick Taylor on her final film.

Judy’s last film was always going to be an event. Released six years before her death to positive reviews but poor box office, I Could Go On Singing plays like a morbid echo of her final months. But for all the film’s metatextual readings into Garland’s life and career, this isn’t a self-conscious reckoning or farewell from a beloved star to her audience. Her regular talk of staging yet another comeback, even after her brief and very publically heralded casting in Valley of the Dolls before being canned by the studio, gives I Could Go On Singing an aura of lost time and unrealized potential heavier than the film’s bittersweet ending implies. I Could Go On Singing leaves Garland as alone as she’s ever been but still singing with all her heart, and it’s a shame she never got to strut it for the camera again...

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Hit Me With Your Best Shot: Fire Island (2022)

by Nathaniel R

It did occur to us that a visual series stopping to center on a new rom-com would be a risk. The romantic comedy genre doesn't tend to scream "visually interesting!" (though obviously it can be). But we knew most of our readership would be watching so... why not? As it turns out, though, with a true filmmaker at the helm (Andrew Ahn of Spa Night and Driveways) it wasn't a risk at all as a Best Shot discussion. Fire Island isn't just funny -- the "Heads Up" game scene snapped above is only one of many hilarious bits in the excellent screenplay from Joel Kim Booster -- but a real movie-movie, too. In short, it's one of the year's best films and we are blessed to have it.

While you'd probably prefer a "ten funniest moments" or "five sexiest guys" list -- hey, we can do those too if this gets engagement -- the visuals are more than worth discussing! Conversations about visual storytelling are ironically in short supply on the internet whenever movies are discussed. The focus is always on acting/casting and screenplay/messaging. And there's a LOT to say about those of course but the internet is already handling that so we're here to talk visuals. Here are the three overall smartest choices director Andrew Ahn,  cinematographer Felipe Vara de Rey, and editor Brian A Kates make in telling this particular story...

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Review: "Jurassic World Dominion" Proves Franchise Charms Are Near Extinct

By: Christopher James

The wonderful teaser moment of a dinosaur walking through a drive-in... not in the final film.All that’s old is new again at movie theaters this summer. However, not all nostalgia plays are created equal. Top Gun: Maverick has successfully delighted audiences old and young, marrying nostalgia with strong storytelling and jaw-dropping stunts. The final chapter of the new Jurassic World trilogy tries to do the same hat trick. Bringing back the original trio - Sam Neill, Laura Dern, Jeff Goldblum - checks off the 90s nostalgia box. A doomsday plot around terrifying dino-locusts eating crops acts as the great thread bringing all our characters together. Finally, is there any spectacle quite as jaw-dropping as dinosaurs?

Unfortunately, all these elements sloppily come together in this letdown of a final chapter. Though it comes alive in fits and starts, the result is far less than the sum of its parts...

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Judy Garland @ 100: "Judgment at Nuremberg"

Team Experience is revisiting nine Judy Garland movies for her Centennial. Here's Christopher James on the star's second Oscar nomination.

Judy Garland received a Supporting Actress nomination in 1961 for her three scene performance in "Judgment at Nuremberg."

With a career that spanned over three decades, there were many points in which Judy Garland had to reinvent her image, intentionally or unintentionally. The other articles in this centennial celebration have examined Judy as the child star, the musical superstar and the complicated movie star. In conjunction with Claudio’s piece on A Star is Born, this later period of Garland’s career sought to deflect from her personal life through focusing on her powerful dramatic chops. Stanley Kramer’s Judgment in Nuremberg cast Garland in a new light… a supporting actress. However, her role as Irene Hoffman, a woman imprisoned as a teen for violating “racial pollution” law, is not short on fireworks. Garland delivers an impressive and affecting performance in just three short scenes. It's hard to argue against that year's winner (Rita Moreno for West Side Story), but Garland more than earns her Oscar nomination, the second and final of her career...

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