Klute, pt 3: Fresh Produce, Real Tears, and a Sick Confession

In the first third of Klute (1971) we met the two fascinating central characters, a smart angry prostitute/actress Bree Daniels (Jane Fonda) and a hard-to-read detective John Klute (Donald Sutherland) investigating the disappearance of a man who might have been her client. In the middle of the picture, a volatile romance between the two blossoms just as the speculative danger becomes real. 

part 3 by Mark Brinkerhoff

01:17:20 As we left part two of this retrospective, the body of another of Bree's friends was found. Klute is putting the pieces together and it doesn't look great for Bree, the only one of the three prostitutes involved with the mystery man who is still alive. Boy does the suspense really ratchet up towards the end! So we'll keep this final installment briefer in appreciation of quickening heartbeats...

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Great Moments in Gay - The Talented Mr. Ripley - Bathtime with Dickie

In honor of Pride Month, we're highlighting a few Great Moments in Gay. Here’s Christopher James

Chess has never been this sexy.Few movies are as sexy as The Talented Mr. Ripley.  John Seale’s cinematography holds its gaze on each of the beautiful stars throughout the movie. Sex drips off the screen at every moment. Though the film is predicated on the “murderous gay” trope in the end, Minghella and company do a great job on establishing and defining its characters attractions. The bathtub scene between Tom Ripley and Dickie Greenleaf is not a “Great Moment in Gay” just because you see Jude Law’s penis. It is doing dramatic work too, illuminating the power dynamics between Tom and Dickie and their characters, too. Plus, it bears repeating, it’s incredibly hot.

Spoilers and NSFW Images to Follow…

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Halfway Mark 1: Fav Films & Miscellaneous Achievements of 2022 (thus far)

by Nathaniel R

The following list honors films released between January 1st, 2022 and June 30th, 2022. Obviously studios save the bulk of their perceived "prestige" pictures until the back half of the year but we always hope that lists like this will remind them they don't need to and to remind audiences that there's good stuff all year round. These are not official nominees for our own film bitch awards but they do function as reminder lists as we compile year-end stuff later on. If every Academy member and critic did this, awards season would be far more varied and film culture would be more robust because people would be seeing movies all year round and not cramming in only a small heap of them at year's end. 

Okay off of the soapbox and on to the favourites of 2022 (thus far) in alpha order by category. The pictures do not indicate winners as they're all winners. This is just an appreciation for these artists and movies...  

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Klute, pt 2: Sleazy Pimps, Dead Ends, and Surprising Intimacy

by Ben Miller

In Part 1 of this Klute retrospective (and best shot appreciation) Nathaniel guided us through the introduction of a vague central mystery and soon to be classic film characters in sex worker Bree Daniels and the titular character, John Klute, who is investigating the disapperance of his best friend, who the police believe to be a former client of Bree's. In part two, I'll be guiding you through the middle act.

We pick back up as Bree keeps switching tactics, alternately trying to seduce Klute, turn the tables on him, or rage at him, rather than play dutifully along with his questioning. 

Obviously these retrospectives contain SPOILERS so if you've never seen this classic, head to HBOMax first before continuing...

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Tribeca 2022: Considering Missed Opportunities in 'Karaoke'

By Abe Friedtanzer

 

We've all had an acquaintance whose influence wasn't necessarily welcome but may have ultimately been for the best. Karaoke follows an older couple whose newfound friendship with an eccentric man living nearby causes them to rethink their situation. Have they accompished what they wanted to over the course of their lives? Though Meir (Sasson Gabay) and Tova (Rita Shukrun) are a theoretically happy couple who have had a healthy marriage for years, they've reached a point of complacency and boredom, with neither of them giving the other what they need. Enter Itzik (Lior Ashkenazi)...

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