Husband & Wife Winners at The Blue Dragons!

by Nathaniel R

Son Ye Jin and Hyun Bin win BEST ACTRESS and BEST ACTOR at the Blue Dragon Awards. IMG SRC

We told you about the nominations at South Korea's Blue Dragon Awards earlier this month. As expected given its hefty nomination tally, Park Chan Wook's genius Oscar submission No Other Choice (opening on Christmas day in US theaters) took home Best Picture and Best Director among other prizes. The film also won Best Actress for Son Ye Jin. Its internationally successful leading man Lee Byung Hun lost Best Actor but we can't be too sad about it as he has dozens of acting trophies already.  In a fun twist of fate, though, he lost Best Actor to his screen wife Son Ye Jin's real life husband Byun Hin (Harbin - streaming on Hulu). "Husband and Wife Best Actor and Best Actress Wins?!?" Yep. how wild is that? That's something that's never happened at the Oscars as much as we wish it would have long before our Oscar time with Liz & Dick for Who's Afraid of Virginia Woolf? (1966). 

After the jump all the winners and a few more comments...

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Oscar Volleys: Best Picture could be more multicultural than ever before!

The Oscar Volleys are back! Tonight, it's time for Eric Blume, Eurocheese and Nick Taylor to discuss the Best Picture race...

HAMNET, Chloé Zhao | © Focus Features

ERIC: Hi gentlemen, I'm looking forward to our three-way... to talk about the ten possible Best Picture nominees. We're just starting to get some clarity on early predictions, so we might as well add our own two cents regarding the big race. Do you both agree that the two absolute lockshere are One Battle After Another and Hamnet? It's fun that they are two very different films that generate very different feelings, OBAA being sort of the "head" movie and Hamnet being the "heart" movie? That's an oversimplification, of course, but I don't think it's untrue…

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Massive Awards Roundup: "Movies for Grown-Ups", EFA, BIFA, Astra

by Nathaniel R

Image of the nominees for BIFA's "INTERNATIONAL INDEPENDENT FILM", all but one of which are also up for the top prize at EFA

The Thanksgiving holidays are typically the busiest screening times for awards voters who aren't Academy members. Many of the big mainstream groups as well as the regional critics awards will be cramming movies in before their December announcements. (Academy voters can of course wait for the Christmas break to catch up before their ballots are due) Naturally then some groups vote yet earlier than Thanksgiving because so many love to be "first" and December is all-announcements-all-the-time. So here are four groups that announced in November: BIFA, EFA, AARP, and HCA. Given their different purviews (British Films, European Films, mostly American Films with a focus on film artists of a certain age, mostly American films with a focus on Oscar buzz) there's not a ton of overlap across all four. But the two buzziest International Oscar contenders Sentimental Value and It Was Just An Accident  were honored by all four groups even if it was just a single nomination from BIFA for both).

Let's start with the 50+ set before moving to Europe and back to Hollywood...

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Review: "The Secret Agent" is a mischievous masterpiece

by Cláudio Alves

Today, The Secret Agent begins its Oscar-qualifying run, ahead of an awards season it enters full of high hopes. And why not? At Cannes, Kleber Mendonça Filho won the Best Director trophy while Wagner Moura was picked as Best Actor by the Main Competition jury, a set of honors complemented by the FIPRESCI prize, which made it the Croisette's most awarded film. Between critical acclaim and yet more festival hardware, The Secret Agent was announced as Brazil's official submission for the 98th Academy Awards, where it surely hopes to replicate some of I'm Still Here's success from last year. Right now, it's up for two Gotham awards, competing in the categories of Best Original Screenplay and Outstanding Lead Performance. 

All that said, at this time of the year, it's easy to let oneself think about cinema exclusively in these terms. The race for gold is a thrilling diversion, yet it shouldn't distract us from appreciating the art for what it is. Nor should it flatten how we look at film. In The Secret Agent's case, this is especially true as it's a work much greater than any award could hope to be. Pardon the hyperbole, but I'd easily call it a masterpiece, an instant classic even…

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In defense of "A House of Dynamite"

by Lynn Lee

A House of Dynamite is…dynamite!  Why do I feel like the only one who still thinks this, and is still excited about a movie that’s fallen completely off the awards buzz radar? 

I saw a screening of Kathryn Bigelow’s nuclear doomsday procedural – really, that’s what it is – at this year’s Middleburg Film Festival, right around the time it was getting its bare-minimum Netflix theatrical release.  As the credits rolled, I had two simultaneous reactions:

Wow, that was some damn good filmmaking.

Wow, we are so utterly fucked...

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