Cannes at Home: Big Names Before Their Big Break
Tuesday, May 19, 2026 at 6:00PM 
Did the film student who directed PASSION dream he'd one day be a Palme d'Or frontrunner?
The 79th Cannes Film Festival continues to unfold on the French Riviera, and things aren’t looking great for Fremaux and his team of programmers. Some of the most acclaimed titles are premiering in parallel sections, while the Main Competition keeps delivering mixed stuff or provoking outright negative reactions. Asghar Farhadi has probably never received worse notices than the ones he’s getting for Parallel Tales, and even something like Pawel Pawlikowski’s Fatherland, which looked like a slam-dunk triumph going by pre-fest expectations, is struggling to gather the sort of universal critical praise most had predicted for it. Our own Elisa Giudicci loves it, but the consensus isn’t there yet. And let’s not even discuss Marie Kreutzer’s Gentle Monster, whose every element seems to be open for savage criticism apart from Léa Seydoux’s performance. Well, at least, we have Ryusuke Hamaguchi, whose All of a Sudden has inspired a fair amount of “masterpiece,” even though a few naysayers also have showered it with such epitaphs as “long, slow, boring.”
With that in mind, let’s look away from lackluster new works and consider these directors’ pasts, before their big breaks. Think Pawlikowski before Ida and his drift away from British cinema, Farhadi before A Separation and his European misadventures, Hamaguchi before Happy Hour and Drive My Car and the Oscar, Kreutzer before Corsage…
