This & That: Dick Tracy, Josh Hutcherson, Elizabeth Taylor

Little White Lies talks to French actor Tahar Rahim (A Prophet, The Eagle)
The Wrap Warren Beatty wins Dick Tracy rights lawsuit. Y'all know I love my Beatty but this decision seems ridiculous to me since the rights were only supposed to stay with Beatty if he was actually using the character but he NEVER WORKS. I would love for him to act again but it is obviously not a top priority for him.
Cinema Blend the absurd Face/Off duo (I like that movie) Nicolas Cage and John Travolta may reunite onscreen. May not. The crystal ball is cloudy.
Basket of Kisses Mad Men rumors continue.

Cinema Blend also reports that Josh Hutcherson auditioned yesterday for that Hunger Games role he wants so badly. If you ask me he's already doomed despite fans of the property thinking he's right for it. He seems so much younger than Jennifer Lawrence, doesn't he? And isn't it a love interest situation? The woman reading older is anathema to Hollywood. They are so weird about needing their women much younger than their men.

Oh and P.S. have you seen his "straight but not narrow" campaign? Cute.

Time Out Chicago Melissa Leo interview on a new project which I shan't name anymore -- I've given it too much free promotion. Must control myself unless I'm invited to things and can weigh in with an informed opinion -- but this bit on the Oscars made me giggle.

TimeOut: I was surprised myself by the backlash. Isn’t the awards season all about self-promotion?
MELISSA LEO: Perhaps that’s very so. [Laughs]

A few more Liz & Tennessee articles
Sunset Gun Strong piece on Who's Afraid of Virginia Woolf?
LIFE Magazine published Liz & Monty photos. I've seen some from this shoot before but not these two. I love them together so much.
The Daily Beast has excerpts from an Elizabeth Taylor interview, one bit involving James Dean that she would not allow to go public till she died.
fourfour a Liza Minnelli anecdote on Liz.
Salon the always provocative Camille Paglia on this movie star's pre-feminist power.

and the Oscar Completist has having an Elizabeth Taylor viewing binge and has also written about the rarely discussed TV versions of Tennessee Williams' Suddenly Last Summer (1993), and the 1984 and 1995 versions of A Streetcar Named Desire.

The Man With the Italian Tattoo

Williams and MagnaniJose here, to continue celebrating the centennial of American playwright and icon Tennessee Williams.

Williams grew up watching movies. He was one of the major playwrights who learned his craft, not through Shakespeare and Moliere but through the works of De Mille and Chaplin. This can easily be seen in the way his works lack the naturalism of "the theater" and their reality is more grounded on high drama, film noir and even slapstick. You can almost picture the young Williams sitting inside a dark movie theater, enthralled by the images projected on the screen (makes a case for why some of his characters are usually described as "larger than life" huh?).

During one of his many movie adventures, Tennessee spotted Anna Magnani. I like to assume it was Rome, Open City, but of course am probably wrong.

He became so obsessed with the Italian diva that he ended up writing an entire play just for her: The Rose Tattoo. When he approached her to play the leading role of Italian widow, Serafina Delle Rose, Magnani declined because she was unsure her limited English skills would do justice to the play. (Maureen Stapleton did the role on Broadway instead, winning the Tony in 1951.)

This didn't stop Tennessee and Anna from starting a friendship that would endure until their deaths. Williams described Magnani, 

 I never saw a more beautiful woman, with such big eyes and skin like Devonshire soap.  

The temperamental Magnani felt at home with Tennessee and when the time came to take The Rose Tattoo to the movies, she obliged. 

She took on the role of Serafina with such intensity and passion that she ended up taking home the Oscar for Best Actress. She didn't attend the ceremony because she thought she would lose, even after she'd won the critics' awards, the Golden Globe and BAFTA for the role.

The film might not be counted as one of the strongest Williams' adaptations (and the play itself is often regarded as a minor work) and in the years that followed, the movie earned a reputation for being full of stereotypes and even for discriminating against Italian immigrants.

Sure, the film is filled with symbols, bare chested lovers (Burt Lancaster mostly), weeping, screaming, gossiping neighbors, Virgin Marys (and nods to virginity), wine, loud laughing fits and thick accents but few back then realized that the film wasn't being touted as a portal into reality. It was an interpretation of the immigrant experience by someone whose knowledge consisted mostly of neorealist films.

More than this, the movie was a tribute to Anna Magnani. Not the Magnani Williams came to know later, but the Magnani who embodied a nation in the aftermath of WWII. The one Williams had met at the movies.

The Rose Tattoo therefore, is less about the characters than about what inspired their creation. The play is filled with nods to Williams' own life and the motifs that would define his work (sex, passion, humid settings, dead men...) The very tattoo in the title can mean much more than the ideas associated with the flower (love for example) since Rose was the name of Tennessee Williams' favorite sister. I'm sure she accompanied him to see Magnani's films on many occassions... 

Therefore, we understand that the role of Williams in the play is that of the tattoo artist, imprinting precious memories on the skin of his characters and his audience. But above all, imprinting them onto his own creative skin. Some works of art are misunderstood because the are too personal and deciphering their meaning only leads to migraines and shouts of "pretentious".

The Rose Tattoo would be one of these works; so private, so intimate; that we carry them around with us all the time, waiting only for a casual slip of the sleeve, a careless morning after, an accidental movement, to share them with others who might be fascinated, disgusted or even indifferent to their nature. 

10 Years Ago Right About This Very Second...

... Oscar night was wrapping up for the films of 2000. The lady whose smile devoured the world was loving her life.

Did you watch on that night? Were you into the Oscars yet? How is that particular race holding up for you.?  It broke down like so among the "Big 8"

• Picture: Gladiator
• Director: Steven Soderbergh, Traffic
• Actress: Julia Roberts, Erin Brockovich
• Actor: Russell Crowe, Gladiator
• Supporting Actress: Marcia Gay Harden, Pollock
• Supporting Actor: Benicio Del Toro, Traffic
• Original Screenplay: Cameron Crowe, Almost Famous
• Adapted Screenplay: Stephen Gaghan, Traffic

It was a spread the wealth night. Honestly, I'd forgotten that Almost Famous won Original Screenplay since it missed the Best Picture slot that many expected it to nab. You can blame the Weinsteins and the late entry Chocolat for that, I suppose. The other wins I remembered. Crouching Tiger Hidden Dragon won 4 Oscars but I still think it got the shaft (among their nominees) and should've taken Best Picture with ease. And I still maintain that Erin Brockovich was the keeper from Soderbergh's double dip.

And remember this? Winona Ryder sure loved musicians back in the day (in more than one way).

Thoughts? Jump back a decade, won't'cha.

Cast This! "Les Miz" For the Big Screen

In the annals of "the movie business is SO weird" and "Hollywood is terrified of musicals" few things beat the case of the 1998 film version of Victor Hugo's French revolution classic Les Miserables. Despite being moved into production during the 90s when the British mega-musical of the same name was well into its record breaking stage run, Hollywood thought it time to revive the book, which had been filmed many times before, but not as an adaptation of the ginormously popular musical.

Hollywood is currently repeating this dunderheaded mistake with umpteen Wizard of Oz projects in development that ARE NOT Wicked the musical, which is so popular that it has been already earned more than half a billion dollars at the box office.

What is wrong with Hollywood?

So back to Les Miz. Admittedly we tend to travel in packs with people who share our interests but I didn't meet one person around the late 1990s who didn't say "Why isn't it the musical?" with a genuinely confused look on their face. Everybody was into that musical. It was as popular as Cats and Phantom of the Opera the two other pop culture musical phenomenons of the 80s. I also didn't meet one person who was eager to buy a ticket the movie without the songs.

So Uma Thurman played Fantine but didn't get to belt out power ballad classic "I Dreamed a Dream", Claire Danes played the pitiable orphaned Cosette but didn't get that wonderful crosscut romantic triangle "A Heart Full of Love",  Liam Neeson played Valjean but didn't get that 11th hour manly weep-a-thon "Bring Him Home". Etcetera.

Fantine (UMA) Dies From Musical Malnourishment

Word is that Tom Hooper may be directing the first film version of this musical as his follow up to The King's Speech. Honestly, if he pulls this off, we'll pretend that this year's Oscars never happened and stop being angry on behalf of David Fincher.

Les Miz is perfect for big screen. Let's talk why and cast the characters after the jump.

Click to read more ...

Reader of the Day: Bill

For today's reader of the day meet Bill. You know him as "Billy Held an Oscar" in the comments. Enough with you 90s babies ;) Let's have a few earlier babies! Billy discovered The Film Experience through those now defunct Stinky Lulu Supporting Actress Smackdowns (RIP). I believe it had something to do with Maureen Stapleton, his favorite actress. So let's start there.

Billy Held THIS Oscar

Nathaniel: You got to hold Maureen Stapleton's actual Oscar for Reds (1981), right?
BILL:  Yup. Shortly before she passed away, I was able to spend an evening with her at home in Lenox, MA. A few years prior, I had created a site that detailed her career. As a result, a friend of Maureen's contacted me and asked if I would like to join him to visit her. It was truly wild. Maureen told me how she knew Humphrey Bogart and we talked about her role in 'Queen of the Stardust Ballroom'. The walls were adorned with autographed pictures, inscribed to her, from Clark Gable, Ethel Merman, JFK, Cary Grant, etc. If you looked to your left there was an Oscar, if you turned right there was an Emmy and a Tony, etc; Sensory overload. We also talked about our hometown (I grew up a few blocks from her childhood home). The best part of the evening was when Maureen's nurse came in and said, "Maureen, one of your films is on Turner Classic Movies". We watched as Robert Osborne introduced 'Bye Bye Birdie' and made mention of "future Oscar winner Maureen Stapleton". You don't have too many nights like that one in your lifetime.

I don't imagine, no. I mean, I can't imagine. Whose Oscar would I most like to hold in their presence? Hmmm.

Okay before Maureen there was... What's your first movie memory?
My first moviegoing experience was when my parents took me to see Grease. But my first movie obsession was Nine to Five. Having just seen The Electric Horseman on this new channel called HBO, I had fallen completely in love with Jane Fonda. Shortly thereafter, the television promos for Nine to Five aired and I was mesmerized. Jane Fonda, Dolly, and Edith Ann all in the same movie.

Fonda, Edith Ann, AND Dolly?I went through all of my grandmother's magazines (McCalls, Redbook, etc) and cut out any full-page ads I could find for the film; I checked the paper every day and clipped the 'Coming Soon' and 'Now Playing' ads too. Then I hung all the ads/clippings on my bedroom wall, along with a 'Nine to Five' sign that I made out of construction paper, and began campaigning for my parents to take me to see the film. I still have the ticket stub. 

Oh how I wish I'd kept my early ticket stubs. Did you ever dress up as a movie character for Halloween?
C-3PO. It was horrible. I hated it. Who I really wanted to be was the Bionic Woman but my parents killed that dream.

Are your coworkers aware of your movie addiction?
Coworkers are painfully aware that I am a huge movie fan. They know that the Oscars are a day of worship. I've run an Oscar pool at the office in years past. People really get into it. They research info online regarding the nominees and last year I had one co-worker attend a showing of all the nominated short films so he could cast an informed vote on his ballot.

In addition to Stapleton, I know you love The Bening. Any new actresses that are exciting you out there?
I still remember the rush I felt seeing The Bening in The Grifters and sadly, I haven't really had that rush with many of the younger actresses. Carey Mulligan came close in An Education, as did Emily Blunt in The Devils Wears Prada. For now, I am very happy devoting myself to Annette Bening and Maureen Stapleton. Another will come along ... I'm always on the lookout.