Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
COMMENTS

 

Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe
Saturday
Mar122022

Oscar Volley: Sobbing and Fuming at the "Best Animated Feature" nominees

Team Experience will be covering the various Oscar categories in the lead up to Oscar night. Here's Tim Brayton, Cláudio Alves, and Nathaniel R...

TIM BRAYTON: Hello Nathaniel and Cláudio! I'm thrilled to have the chance to discuss this year's slate of nominees for Best Animated Feature at the Oscars with you - animation is, I think it's fair to say, the most important form of filmmaking to me, and it's always fun to share it. Whether these exact five films represent animation at its peak, well, we'll just have to get into that as we go.

A quick recap for all of us and those of you reading, here are the five nominees: Encanto, a CGI feature produced by Walt Disney AnimationRaya and the Last Dragon, a CGI feature produced by Walt Disney AnimationLuca, a CGI feature produced by Pixar Animation Studios and distributed by their corporate owners, the Walt Disney Company; The Mitchells vs the Machines, a CGI feature produced by Sony Animation, who sold it off to Netflix. And then literally on the other side of the world, Flee, a Danish documentary about politics and identity, largely consisting of interviews that were animated in a cartoony 2D style by Sun Creature Studio. So my point, obviously, is that this isn't exactly the most stylistically or industrially diverse set of nominees this category has ever produced...

Click to read more ...

Saturday
Mar122022

SXSW: Patton Oswalt Stars in ‘I Love My Dad’  

By Abe Friedtanzer

 

One of the best ways for an up-and-coming filmmaker to make their mark is to cast a well-known actor in their projects. I’ll admit that I’m always intrigued to find a performer I know and like taking on a role in a small independent film, since it’s evidently not the prospect of a big paycheck that drew them to it. Patton Oswalt is someone I think I would watch in anything, and it turns out he’s also the star who could make a dad catfishing his own son seem somehow endearing…

Click to read more ...

Saturday
Mar122022

Tweetweek

Kathy Bates does have a point.

 

More curated tweets after the jump including Ariana DeBose, Kodi Smit-McPhee, The Batman, Benedetta, vintage Stanley Tucci  and more...

Click to read more ...

Friday
Mar112022

It's a clean sweep for "Drive My Car" at the Japan Academy Awards

by Nathaniel R

Hidetoshi Nishijima accepting BEST ACTOR for "Drive My Car" 

The 45th annual Japan Academy Awards were held last night (aka hours ago -- time differences are confusing!) in Tokyo. 濱口 竜介's Oscar-nominated Drive My Car was honored in all of its categories. The winners are after the jump... 

Click to read more ...

Friday
Mar112022

Today's magic number is 16. Let's talk 2016

by Nathaniel R

It is 16 days until the Oscars. Since you're all being so freakishly quiet, let's talk about something we know you'll have an opinion about: 2016. Oscar was all about Emma Stone in La La Land and Moonlight in general with pockets of support for Arrival and Manchester by the Sea and Fences. And for some reason Oscar decided Mel Gibson was cool again via Hacksaw Ridge. If you could change one thing about the Oscar outcomes of 2016 what would it be? 

I have one other question for you about the Oscars after the jump...

Click to read more ...