Oscar Volleys: Four locks, and the race for the fifth spot in Best Actor

Continuing our Oscar Volley series at The Film Experience. Tonight Gabriel Mayora and Ben Miller on Best Actor in a Leading Role

Ben Miller: My big question: is this a race only for the fifth slot? Will Smith, Benedict Cumberbatch, Andrew Garfield, and Denzel Washington all feel locked in. Is there any vulnerability in that top four?

Gabriel Mayora: I am surprised by how excited this self-professed raging actressexual™ (thank you to Nathaniel for that genius term) is to discuss this year's Best Actor category. Most years I find it hard to muster much enthusiasm for this category, but maybe after seeing the race take some surprising shifts last year, I have a renewed interest. I  agree with you that Smith, Cumberbatch, Garfield, and --to a slightly lesser extent, maybe? -- Washington are all locks, there is little room for surprise come nomination morning.

And while my first instinct is to complain about the Academy's lack of originality, I can't say I blame them. Those four are all so good...

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Oscar Volley: Is Best Animated Feature already wrapped up?

Continuing our Oscar Volley series at The Film Experience. Abe Friedtanzer and Timothy Lyons on Best Animated Feature

My Sunny Maad, Belle, and Poupelle are all hoping to interrupt the Disney party in Best Animated Feature

ABE FRIEDTANZER: Most years after the Oscar nominations come out I have to play catch up on everything I've missed. That's not the case in a second consecutive season where the Oscars are later in the calendar. I have caught most of the contenders here. The mainstream American studio options are actually all great but of course I'd love to see some international choices make the cut. Belle seems like a decent bet to crack the list, and while it's a terrific film, I want to champion another Japanese movie, Poupelle of Chimney Town. I do worry that it's too under-the-radar to get enough votes, but it was the most visually striking animation I saw all year. I was also impressed by My Sunny Maad, which, like the much buzzier Flee, is about Afghanistan but is a very different experience. Maad has only been noticed by the Golden Globes, so I'm not sure what kind of buzz it has. What have you seen that you'd love to see nominated...

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Oscar Volleys: What do voters want in Best Makeup and Hairstyling?

Continuing our Oscar Volley series at The Film Experience. This morning Glenn Dunks and Ben Miller on Makeup and Hair.

Ben Miller: Alright Glenn, let's get into one of the more fun craft categories, Best Makeup and Hairstyling. This category has sometimes gravitated towards being the MOST makeup, as opposed to the best.  Some presumed frontrunners include Dune, Cruella, and The Eyes of Tammy Faye. Do you have a personal preference and what do you look for in a potential nominee?

Glenn Dunks: I really like the make up and hairstyling category in theory. They are one of the most individual branches, often choosing lousy movies or those otherwise outside of the Oscar conversation strictly because they appreciate the technical work on display. I have to respect that...

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Sundance: In 'Utama,' home is where you die

by Cláudio Alves

Before he became a film director, Alejandro Loayza Grisi was a still photographer. Looking at his debut feature, Utama, it's easy to see the remnants of a photographer's sensibility, now transmuted into cinematic storytelling. Along with DP Barbara Alvarez, Grisi has framed the Bolivian highlands as a presence more important than any human. The cliché of the landscape being a character is not only present but transcended, to the point that the natural vistas become something of a cosmic deity. They're titan-like, cracked earth making up a wrinkled visage. The river is its mouth, once a gaping maw spewing life. Nowadays, it's just the sliver of a grimace, growing thinner, drying into oblivion.

This land is dying, and so are its people…

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Sundance: The relaxed dramedy of 'Am I OK?'

by Matt St Clair

Films like Am I Ok?, are something of a relief. The new joint directorial effort from Tig Notaro and Stephanie Allyne dispels the myth that we must have our entire life path figured out by the time 30 hits. Your chosen career, who you want to marry, etcetra. 30 may be a milestone, but you've still got plenty of time to find yourself. 

As 32-year old Lucy (Dakota Johnson) discovers, some people even figure out who they want to love later than expected...

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