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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Friday
Jan282022

Sundance: Aubrey Plaza shines as 'Emily the Criminal'

By Ben Miller

Comedic actors turning to serious drama is nothing new, but the sardonic stylings of Aubrey Plaza are perfectly utilized in the grim Sundance offering Emily the Criminal, the feature fiilm debut from John Patrick Ford...

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Friday
Jan282022

Interview: Edu Grau on "Passing", queer cinema, and first time filmmakers

by Nathaniel R

Black and white photography has been the hot trend this past year. Despite that, the incredibly specific and resonant visuals of Passing have been underdiscussed.  Some of that we attribute to the quiet nature of the film itself; the watchful, perpetually anxious drama focuses on Irene (a splendid Tessa Thomson) a woman in 1920s Harlem who is shocked to discover that her childhood friend Clare (brilliant Ruth Negga) is living as a white woman, and not just "passing" but boastful about her subterfuge and marriage to a proud racist (Alexander Skarsgård).

We were thrilled to meet with the cinematographer Edu Grau to discuss his fascinating movie. We broke the ice talking about his changing name in film credits. With a self-deprecating laugh he explained that he went by Eduardo at the beginnign of his career because it sounded more serious but changed his mind. "Only the police use Eduardo," he says laughing "Everyone calls me Edu". There are a lot of Edwards and Eduardos in America, he adds, reasoning "Edu is more special!" The Film Experience agrees and suggests that people should commit the name to memory...

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Friday
Jan282022

Review: "The Afterparty" Could've Been More Lit

By: Christopher James

Is Apple TV+'s new comedy "The Afterparty" worth attending? Read on to find out.

High school reunions are nightmares, but they’re nightmares that you can’t miss. Where did your high school crushes end up? What scores do you need to settle with old rivals? Will you murder the famous pop star from your graduating class? Well, hopefully the latter is not on your bucket list.

The new Apple TV+ comedy, The Afterparty, is a fun whodunnit comedy that centers around the murder of a celebrity following his high school reunion...

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Friday
Jan282022

Oscar Volley: So many stars, too little shine in the Best Original Song race

Welcome to our Oscar Volley series at The Film Experience. Each day, members of Team Experience will have a conversation about the Oscar categories. Today, Baby Clyde and Josh Bierman tackle the always controversial Best Original Song.

Ariana Grande, Van Morrison, Billie Eilish, Beyoncé

Baby Clyde: Has there ever been such a starry array of contenders with so little to offer? You’d think at least one from a list including Beyonce, U2, Carol King, Van Morrison, Jay Z, Billie Eilish and Brian Wilson would know how to write a good pop song. They’ve previously written some of the greatest of all time! Unfortunately there is an unwritten rule that even the finest tunesmiths turn in absolute garbage when an Academy Award is up for grabs. It’s got to the point where I actually feel bad for Diane Warren...

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Friday
Jan282022

'Shortbus' restored... just in time for our sexphobic era!

by Nathaniel R

Dearest readers, January kills me. I feel overwhelmed for 31 days in a row from the moment I wake up to the moment I fitfully sleep and I never even get to have sex (that's on topic, sorry!). There are always too many things: Oscar campaigns, best of lists, numerous deadlines, transcribing interviews, Sundance. Each year in January (why January?) there are also cool revivals and restorations that emerge at the same exact time everything else is happening (including the re-emergence of those "qualifying" Oscar releases). This is a long and navel-gazing way to say that one of the most singular movies of the the Aughts, John Cameron Mitchell's Shortbus (2006), has been restored and is in theaters again right where it was born in New York City. Unfortunately we haven't made it to the theater yet.

I loved it so much in 2006. It meant a lot to me for numerous reasons back then, the simplest being that I needed it, being a newish gay New Yorker who had years of sexual repression to unpack (Hello Mormonism!). So for a quick fun reminiscence, let's talk about its history right here at the site's own Film Bitch Awards...

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