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The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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"That SHORT TERM 12 shot is adorable and sad, just like so much of the movie.." - DJDeeDay

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Friday
Oct252013

Six Notes on the Six Second "X-Men" Tease

I don't want to give too much attention to a six second tease of a teaser -- I waited a whole day in fact hoping the urge to say something would pass -- but in the end my childhood hardwiring triumphed. I haven't loved or even much liked an X-Movie in 10 years but I will always love the X-Men, for better or worse. Usually worse. 

So herewith a few thoughts with screencaps from Bryan Singer's tweeting foreplay.

It's a good thing this is a period piece because Professor Xavier's helmet Cerebro is totally irrelevant today. You don't need a mutant locator anymore. The Homo Superior are impossible to miss all smeared across every movie screen and television set and website. Children of the Atom be so ubiquitous in this age of superheroes.

Unfortunately I'm not done blabbering about this yet!

Click to read more ...

Friday
Oct252013

Link He Wrote

GQ Michael Fassbender profiled
Deadline Octavia Spencer in a Murder She Wrote reboot? Maybe because I think procedurals are the most formulaic of all genres and entirely dependable on personality to be distinctive at all this sounds like a great idea to me. To others (Angela Lansbury super fans) it will surely sound like sacrilege.
MCN Late October and still no Best Picture frontrunner?
Empire Team Gattaca reuniting: Andrew Niccol and Ethan Hawke making another film together. Call me when Uma & Jude join and we'll talk.

 

Anatomy of a Scene Blue is the Warmest Color I'm bookmarking this one and waiting till I've seen the movie. Hopefully today
Antagony & Ecstasy on Dario Argento's Dracula 3D 
MNPP Jamie Dornan has been cast in 50 Shades of Grey but you need to know who appreciated him first. Besides Keira Knightley
Pajiba amputee Josh Sundquist wins Halloween again. Incredible costume! 
Coming Soon an unfortunate typecasting niche: John Ridley, who wrote a beautiful script for 12 Years a Slave has signed on to the remake of Ben-Hur which is, in case you've forgotten, also a slavery narrative.
The Advocate on the Oscar eligible LGBT documentary hopeful Bridegroom 

Off Cinema
New Yorker "the dream of keeping poor people from seeing the doctor must never die." I love this but it's also sad that political satire barely has to try these days to be accurate!
Vanity Fair "The Ronan Farrow Love & Politics Dreamboat Hour"

Todays' Watch
The sounds of Gravity... (I'm not sure if it's going to win Best Picture but it seems likely that it walks away with the most statues even if it doesn't.)

Horror Fest 2013
Though horror is not among my favorite movie genres I really had a great time viewing a few seminal movies and working on the Best Horror Pre-Exorcist / Post-Exorcist group lists that we did for this haunted month. I'm realizing, as I stated on the latest podcast (one of my favorite episodes actually!), that maybe I like horror films more than I thought but that it's actually just the slasher sub-genre that I hate. Since I came of movie age in the 80s, I now understand that I equate the entire genre with slashers, for whom I have no use. I just find those movies repulsive and politically suspect (so much sexism and conservativism) and I just need more artistry in my movies.

But anyway my point is this: two members of the team shared more at their personal blogs and you should read them: Michael's Top Ten Lists with commentary ; Jason's own Pre-Pazuzu / Post-Pazuzu  lists... and if you like horror Jason is one of THE voices on the web you should be obsessing on. I actually credit him with opening my heart up to the genre slowly over the past few years, like one rib at a time ...now that it's open, don't get stabby with it!

P.S. I ♥ Shelley Duvall in The Shining so much -- f*** everyone who thinks she's terrible in it! -- and that is my last word on these horror lists we did for this season.

Thursday
Oct242013

CIFF Report: The Foreign Film candidates

Tim here, with a report from the other major U.S. film festival of October. The Chicago International Film Festival is, with reason, regarded as minor compared to the likes of Toronto and New York – no major premieres, few celebrities, only a couple of the big upcoming awards players. The flipside is that’s it’s absolutely lousy with interesting little films that won’t ever get a significant North American release, so even if it’s rough for Oscar watching, it’s hard to complain as a Midwestern cinephile.

Having said that, let’s turn to Oscar watching. I had an opportunity to see several of the films on the 76-title deep list of submissions for the Foreign Language Film Oscar, and I’d like to share my thoughts on their respective chances at making it onto the ultimate list of nominees. Let’s go alphabetically by country.

 

ARGENTINAThe German Doctor
In which a German-Argentine woman and her family inadvertently give aid and comfort to one of the most notorious of all escaped Nazis.
My feelings (and review): The film keeps acting like it wants to break out and be more garish and horrifying than it ever quite manages to be, and it’s probably for the best that it doesn’t. The script probably isn’t as smart as it means to be, but the fact-based story is interesting and surprisingly tense.
Oscar prognosis: “Nazi” is a magic word for this category, and I wouldn’t be surprised in the least to see this make the nine-film longlist. It’s a little domestic and tonally off-kilter for where the category tends to live, but the subject matter is spot-on, and the Academy tends to favor Argentina more than other South American countries.

Click to read more ...

Thursday
Oct242013

Greta Gerwig on the "Frances Ha" Gotham Snub

I had the good fortune to speak with Greta Gerwig earlier today. She's had a terrific year co-writing and headlining the comedy Frances Ha, one of the year's true cinematic triumphs. But, due to the timing of our scheduled conversation, I also had the misfortune of being the bearer of bad news. I didn't realize when I clumsily brought up the Gotham snub, that she hadn't yet heard that the first awards show of the season, which previously honored her with a "breakthrough" nomination for Greenberg (2010) had passed this time around. But she was game enough to answer my questions about movie awards, anyway. She likes to watch, she quickly offered but "it's not really party of my orbit" 

But that led me to wondering if the reception of her work is important to her at all, or if she's one of those actors that's solely focused on the process.

 

I'm incredibly about how it's received but I don't -- but awards seem to be even beyond that. It has, like, its own rules. I want people I respect to like what I've done. I hope it touches people. I'm not making art in a closet because I want to have the experience of people watching it and liking it.

But awards are so kind of arbitrary. I think it's amazing to be recognized and I think good films are certainly recognized but I don't really see any connection between...

Her voice trails off then before she wraps the topic up with a funny bow.

I think if you're in the film business long enough they eventually get around to you somehow. Or at least when you die a picture of you goes up onscreen.

Um, but I don't know. I also think filmmakers who I love -- sometimes the movies they get recognized for aren't as good as some of their other movies.  'Oh, we sat on it when it was fascinating in the 80s,' or something 'so now we're going to do it!' 

That's some truth telling, right there. That's exactly how it works. This fine actress knows more about awards season than she thinks.

 

Frances Ha is currently available for pre-order from Criterion Collection and arrives on November 12th. The Film Experience's full interview with Greta Gerwig in which we talk musicals, filmmaking, and casting is coming soon.

 

Thursday
Oct242013

Kate, Barbra, and Oscar Part 2: The Diva

Anne Marie with the second half of the two-part post on the Best Actress tie for 1968. Part One is here if you missed it.

The audience of the 41st Academy Awards roared its approval when Ingrid Bergman announced that Hollywood newcomer Barbra Streisand had tied Katharine Hepburn for Best Actress in a Leading Role. But though Streisand has since achieved immense popularity and icon status, this win is still questioned by some. After all, Hepburn was a giant among giants, giving the performance of her career in The Lion in Winter alongside a stellar cast with a sizzling script. Barbra was certainly the best part of an otherwise unremarkable musical. As a highly fictionalized version of famous vaudevillian Fanny Brice, Stresiand packed a ton of charm, chatter, charisma, and chutzpah into one role. But is that enough to warrant an Academy Award?

Actually, yes it is...

Click to read more ...

Thursday
Oct242013

Gotham Award Nominees: Short Term Sad

The Gotham Awards, which are kind of the East Coast sibling of the Spirit Awards, have been announced. Unfortunately it wasn't great news for my beloved Short Term 12 (sigh). And though I don't feel as proprietary about Frances Ha, it's complete snub is just bizarre (SO I HAD TO TALK TO GRETA GERWIG ABOUT IT). 

Breathe Kaitlyn, breathe. Being in a great movie is its own reward.

The nominating committee preferred mostly films by already established lauded filmmakers like The Coen Bros, Steve McQueen, and Richard Linklater. Short Term 12, the year's most heartfelt indie miracle, managed only one nomination for Best Actress (Brie Larson, interviewed here), which is a new category for the Gothams who have previously only awarded "Breakthrough" acting. Perhaps the Spirit Awards will come through for Short Term 12 if they can tear themselves away from barely independent studio-funded Oscar bait?

THE GOTHAM  NOMINEES

Best Feature

12 Years a Slave (Fox Searchlight Pictures)
Ain’t Them Bodies Saints (IFC Films)
Before Midnight (Sony Pictures Classics)
Inside Llewyn Davis (CBS Films)
Upstream Color (erbp)

 

Their Best Feature rarely has much correlation with Oscars... and that's a good thing since indie film awards ought to be thinking independently. [MORE...]

Click to read more ...