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The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Friday
Aug172012

Ezra Miller is Queer

Ezra Miller, the devil child that could put Damien in a headlock and kick Rosemary’s Baby off a bridge a la Jack Black in Anchorman, has come out as "queer".

I'm queer. I have a lot of really wonderful friends who are of very different sexes and genders. I am very much in love with no one in particular. I've been trying to figure out relationships, you know? I don't know if it's responsible for kids of my age to be so aggressively pursuing monogamous binds, because I don't think we're ready for them. The romanticism within our culture dictates that that's what you're supposed to be looking for. Then [when] we find what we think is love – even if it is love – we do not yet have the tools. I do feel that it's possible to be at this age unintentionally hurtful, just by being irresponsible – which is fine. I'm super down with being irresponsible. I'm just trying to make sure my lack of responsibility no longer hurts people. That's where I'm at in the boyfriend/girlfriend/zefriend type of question."
-Ezra Miller to Out 

I’m not one for semantics, personally, so if there is a brouhaha abrewin’ regarding the use of the word ‘queer’ rather than ‘gay’ or ‘homosexual’ or whatever label we’ve adopted/reclaimed recently, I’m not participating in it.

I will merely say that the young actor, so good in Lynne Ramsey’s We Need To Talk About Kevin (and one of the stars of the upcoming The Perks of Being a Wallflower) has appeared, in several interviews, to be kind, generous, self-possessed and remarkably aware of each action taken and word spoken on his behalf. I’m not going to say it’s brave (redundant/extraneous) or powerful (hyperbole); I’m simply going to say congratulations to a young, talented actor from my generation for taking a step into unknown waters. Beautiful abandon. 

Thursday
Aug162012

Oscar Watch, Israeli Edition: The Ophir Nominees

[Editor's Note: I asked our sometime correspondent in Israel, Yonatan, to bring us up to date on Israel's Oscar submission possibilities. They've been scoring nominations frequently of late. Alas my single favorite Israeli movie of all time (Late Marriage) was rejected by Oscar voters in its year - Nathaniel]

Can "Filling The Void" fill one Oscar spot in Foreign Film this year? 

Ten Israeli movies have been nominated for an Oscar in the Best Foreign Language Film category, four of them in the last five years. That list includes one indisputable landmark: Waltz with Bashir (2008) which is the first and only animated film, despite frequent submissions from all around the world, to score a nomination in this category. 

Israel's Oscar History
With links to Netflix pages -- all but one of them are available for rental!
1964 Sallah
1971 The Policeman
1972 I Love You Rosa
1973 The House on Chelouche Street (instant watch!)
1977 Operation Thunderbolt
1986 Beyond The Walls
2007 Beaufort (instant watch!)
2008 Waltz With Bashir
2009 Ajami (instant watch!)
2011 Footnote 

Still, without an Oscar win, Israel is the Peter O' Toole / Deborah Kerr of the foreign film category with the most never-winning nominations (just ahead of Poland's 9/0 record and Mexico's 8/0). After so many loses, a win seems perpetually just around the corner...

Click to read more ...

Thursday
Aug162012

MIFF 3: Ruby Sparks, Or Manic Pixie Dream Girl: The Movie!

Glenn of Stale Popcorn fame continues his Melbourne International Film Festival odyssey. He previously spoke enthusiastically on behalf of "Holy Motors" and clapped mildly for future Oscar backlash sufferer "The Sessions".


I wasn’t sure what I thought when I left my sold out session of Ruby Sparks. I think I was initially taken aback by the fact that it was both written by and stars Zoe Kazan (not to mention co-directed by a woman, Valerie Faris, alongside Jonathan Dayton who both made a big splash several years back with Little Miss Sunshine). What exactly was Kazan trying to say about women? Are they all subconsciously wanting to be manipulated by men? What exactly was Kazan trying to say about men? Do they really only want a woman that they can mould into the perfect being? What exactly was Kazan trying to say about herself? Does she really consider herself the most desirable woman in American, the perfect fantasy that any man would conjure up if forced?

 It took me a while to decide that Ruby Sparks – currently screening in America, out soon in other countries – is surely Kazan’s rebuke to the (one presumes) deluge of Manic Pixie Dream Girl characters she gets asked to audition for. She has essentially written herself in the most Deschanel-esque way possible, complete with cutesy mixy-matchy fashion ensembles and frenzied flamboyance. It would be all too diabolically la-di-da – especially given that Paul Dano’s novelist works on a retro typewriter (!!!) – if it weren't littered with moments of genuine sadness. Kazan clearly wrote the film’s second half as her own cathartic piece of performance art as she fluctuates wildly from one personality type to another, before screaming and crying about free will.

It should have come so much closer to intolerable, but somehow it comes together and works. Not as well as Little Miss Sunshine, mind you, but close enough to make its disappointing American box office all the more confusing.

 

Annette Bening and Antonio Banderas show up briefly and have mad fun in the process as a couple of zen hippies, while Chris Messina (filling his niche of Eternally Supportive Boyfriend) has some moments of wide-eyed wonder that really help ground the film’s fantasy plot. I will forgive the filmmakers some lapses in judgement – that ending is troublesome – as most of Ruby Sparks manages to pull off the tricky mechanics of its story with zesty aplomb. Kazan certainly has some harsh words for Hollywood, but the industry doesn’t take too well to women who object to staying in their ill-fitting assigned boxes so maybe we actressexuals should start paying some attention to her sooner rather than later. (B)

More in Melbourne

No matter what one makes of Kazan’s writer/actor effort in the above film, however, will probably be twofold when it comes to Marina Abramovic. The Serbian-born performance artist’s own manifest reads (at least in part) that an artist should never become an idol. The fact that she agreed to a documentary about herself, filmed during a Museum of Modern Art (MoMA) retrospective of her work, whilst her newest piece involves people looking directly at her makes this particularly personal rule stand out like a sore thumb in the thoroughly engaging Marina Abramovic: The Artist is Present. No matter what one things of Abramovic and/or her work, this documentary by Matthew Akers should hopefully prove enlightening even if it never quite reaches the cinematically adventurous heights of its subject. And, hey, nudie bits! (B+ - full review)

Marina will beat you in a staring match

If The Artist Is Present proved an insightful look at the world of performance art, then This Ain’t California does the same for East Germany in the 1980s. Sounds niche, but it’s oh so fun watching Marten Persiel sift through his friends’ early years as rebellious punks. Filled with wonderfully rich super 8 video footage, This Ain’t California shines a light on how the oppressed youth of the GDR discovered American hip-hop and skate culture despite living in the shadow of the Berlin Wall. A very literal east-meets-west deal that sees these new wave teens become intertwined with the corporate world, the Stasi police, the war in Afghanistan, and too many denim jean jackets and man-perms to count. Coupled with an incredible soundtrack plus the pure athleticism of its subjects, this is one unique spin on Americana with a German twist. (B+ - full review)

Lastly, there’s a reason why a film with as big a cast of Jayne Mansfield’s Car hasn’t amassed much in the way of buzz. It’s because it’s not particularly good. Did you know that war is hell and messes with soldier’s minds? Billy Bob Thornton sure thinks you don’t! (C­+)

Thursday
Aug162012

So Many Choices...

This* is the funniest thing I saw on the internets yesterday.

*I don't know who made it but I want to have their babies.

Wednesday
Aug152012

Hit Me With Your Best Shot: "Singin' in the Rain"

I'm multi-tasking with this, the penultimate episode of Season 3 of Hit Me With Your Best Shot, the series wherein we choose the single best shot of pre-selected movies and discuss. Gene Kelly and Stanley Donen's masterpiece Singin' in the Rain (1952) is also a member of my personal canon (top ten to be exact) and we're using it to kick off our Gene Kelly Centennial Celebration. I'll be looking at a few more Kelly features next week, but we're starting with his greatest achievement. Weirdly the far inferior An American in Paris which directly preceded Singin' won Oscar's heart with ease and yet they ignored this one. 'I caaaannnnt stan' it').

"Monumental Pictures"... Yep. It sure stands tall among them!

Singin' in the Rain more than earns its reputation as 'the happiest movie ever made.'  I am reasonably certain that I could write about Singin' in the Rain every day for a year and still not run out of things to say. I'm already sad that this article will not include an ode to Lina Lamont (Jean Hagen SO deserved the Oscar and nabbed one of the film's two nominations. Only two!) or an examination of the largely unheralded  "All I Do is Dream of You" number which I love beyond all reason and would be the best number in most musicals but is just a little toss off here. 

All things considered, the film is lighter than air and swift on its feet both of which are jaw-dropping accomplishments since it's actually incredibly dense. Take the structure for a prime example: this movie about the history of movies (and, oh so casually, the DNA strands the medium borrows from the stage) starts with a premiere of a movie and then flashes back to previous (multiple) films before moving forward to become a movie about the making of new movie which too closely resembles the previous movie "if you've seen one, you've seen 'em all" which then gets rewritten as an entirely different movie with another movie embedded inside of it !!! After all of that, it ends with a poster of a movie that's yet to come... or is possibly the movie we've just watched. Whew. (It's got as many dream layers as Inception, Synecdoche New York or a David Lynch movie but way less fussiness about them.)

"and I'm ready for love ♪ " - usually my choice for "best shot" or at least the moment which I fall the hardest for Gene Kelly each time

Singin' in the Rain's killer combination of joyful buoyancy, masculine athleticism and artistic grace as it leaps from scene to scene are perfectly paralleled in the face, body, and talent of Gene Kelly himself. Kelly is one of my two all time favorite male movie stars, the other being Montgomery Clift. As I watched the movie for the umpteenth time today it suddenly occurred to me that the two of them are a perfect bipolar representation of my own very particular Gemini cinephilia; they're my beautiful big screen avatars of Joy and Despair.  

My "Best Shot" choice last night

I bring this up because, curiously, for the first time while watching Singin' in the Rain I felt a wave of sudden sadness hit me. I was grinning from ear to ear as "Good Morning" began (the only sane response knowing the bliss to come from the scene's inventive choreography, perfect tripled performance and fluid feeling) when suddenly my eyes welled up and stayed that way for the entire number. This had never happened to me before! As Cosmo, Kathy and Don collapsed on the couch in a big heap of giggling, I felt as simultaneously elated and exhausted as the characters were meant to and as the actors might have been after multiple takes (so few cuts, so much dancing!). But I was laughing through tears because they don't make 'em like this anymore.

BEST SHOT PARTICIPANTS


What a glorious feeling, they're blogging again...
The Family Berzurcher "It’s impossible to ignore the ecstasy of Singin’, but it takes movies very seriously."
Dial P For Popcorn "it makes me shiver... it makes me swoon"
Serious Film "continually reframing the dancers, moving them in and out of shadow" 
Antagony & Ecstasy "the lies movies tell are part of what makes them work as movies
Coco Hits NYC "a playfulness that is just magnetic"
Okinawa Assault "a sequence where gray and black dominate, is just as happy as the scenes with brighter colours in them."
Film Actually "the suggestion of sex is never this overt"
Being Norma Jeane "Cosmo and Lina are just beautiful in this movie. So funny, so brilliant." 
Sorta That Guy "It made me laugh, made me want to learn tap dancing, and most obviously made me fall in love with Kelly." 
Encore's World "Lina, unable to discern the difference between real life and fantasy" 
Pussy Goes Grrr  "Show biz is not sophisticated. In fact, it’s crude. It’s stupid. But per Singin’ in the Rain, it’s a glorious, outrageous, beautiful kind of stupidity"

And welcome these 'best shot' first timers!
Arf She Said "I love how the whole film opens up as Don's heart expands." 
Kelli Marshall "the one shot of Singin’ in the Rain that gets me every time"
Allison Tooey "looking utterly at ease despite flimsy support"
Lerblacompo "Don and Gene believed in their fantasies so much that it's impossible for us not to believe them, too.

If you didn't participate, tell us about your favorite shot in the film!
Do your feelings line up with any of these joyful to read articles?

[P.S. Next week is the Season 3 finale of "best shot" as we watch "Dog Day Afternoon" together. Best Shot will return in 2013 for a fourth season! Every episode thus far]

Wednesday
Aug152012

Complete the Sentence. Last night...

Last night I watched __________________ and it left me feeling _____________________________ . If you must know I ate  ______________ while watching it.

Wednesday
Aug152012

Link Out Your Dead

My New Plaid Pants a funny exchange between David Cronenberg and Robert Pattinson regarding Cosmopolis' prostrate exam scene
Pajiba 7 performances that changed our minds about actors this year
Movie|Line hey girl, it's the Ryan Gosling coloring book 
Serious Film chooses his Oscar ballot for Best Actor if the awards were only once an... ever. 

Hollywood Robert Pattinson will play TE Lawrence (of Arabia) in a new movie about Gertrud Bell which will star Naomi Watts. She's really, suddenly, fighting for that Oscar again what with all these biopic roles.
Movies Now A Mary Pickford revival is on the way
Arts Beat Raiders of the Lost Ark gets a week on IMAX screens in September. Yay! That'll be fun.

Sad News About Dead Projects
/Film says that Eastern Promises 2 is probably dead. Ugh. I so needed more Viggo as Nicolai in my life. I really did. 
Empire Henry Selick, who did such an excellent job shepherding Coraline to the screen had been working on another stop motion film for Disney. They've pulled the plug. God, hadn't they seen Coraline or The Nightmare Before X-Mas? This man is an amazing talent.

Happy News About Dead Projects
Finally Fox has turned the rights to Daredevil back over to Marvel (who'd like all their characters back, thank you) after not getting it together for a reboot (Joe Carnahan had been mapping one out). Daredevil was obviously Fox's sacrificial lamb because they didn't want to give anything Fantastic Four related back and (contractual) time was running out on both properties. It's really too bad that Marvel can't get all their characters back because they're better at the superhero movie making than the other studios are. Plus, imagine the crossover possibilities. This might be shortsighted on Fox's behalf though because Daredevil is not a bad franchise concept at all. It was just that Fox did a T-E-R-R-I-B-L-E job translating it to screens, with horrible casting, horrible movie making, horrible visualization of Daredevil's radar (he's a blind superhero, remember) and horrible everything. Worse yet they sullied the property by pissing away its best story arc on a subpar movie. The Daredevil vs. Bullseye vs. Elektra arc was nothing short of classic scary exciting unnerving in Frank Miller's hands in the comic books. On screen not so much... or rather not at all. If I were in charge (lol. I'm *so* not!) I'd give up trying to reboot Daredevil as a movie but relaunch him with a TV series, part legal procedural, part organized crime drama, part superheroics.  You'd only get to Bullseye and Elektra once the series had found its voice and sure footing because you don't wanna be fucking that storyline up; it's gold.