Streaming Roulette, August: Pray away those freaky requiems

New month. Time for another round of Streaming Roulette where we point out a handful or two of random titles that are newly streaming and just for fun, freeze frame them at totally random places in the scroll bar...

[No dialogue. Confused, looking around.]

FREAKY (2020) on HBOMax
This must be when the serial killer and the teenager find themselves in each others bodies, in this horror comedy riff on the Freaky Friday template. We didn't see this one (did you?) but are a tiny bit curious. Tangent: Do you ever wonder how actors and musicians feel when they watch movies and see their own faces as set decoration, on character's bedroom walls? (Hi Brendon Urie.)

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Emmy Analysis: Will the 'Pose' finale win Writing and stop a 'Crown' sweep?

The Film Experience Team takes a look at the episode submissions for all the major Emmy categories.

Will "Pose" win for its season finale, like "Friday Night Lights" and "The Americans" did?

By: Christopher James

Writers go on their own path at the Emmy Awards. Over the past ten years, writing has only matched up with Drama Series six out of ten times. There is plenty of room for this category to surprise and not line up with a clean sweep. With seven nominees, there is even more room for a shakeup. Our nomination leaders (The Crown, The Mandalorian, The Handmaid’s Tale) are all present, with The Mandalorian being the only show with two episodes. Meanwhile, Pose contends for its super-sized two hour series finale.

So who is ahead in this category and who could surprise? Let’s take a look at the nominees...

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Happy 25th to "Matilda"

by Camile Henriques

It's common on the internet to revisit films from childhood and realize that all many of them have going for them is nostalgia. With Matilda turning 25 today, I revisited the film. I'm happy to share that the Danny DeVito-directed adaptation of Roald Dahl's Matilda is as charming, for me, now as it was back then as a child in the 1990's, if not more, since the themes it touches on are given a whole new meaning now.

The film follows a little girl with telekinetic powers big enough to lead her through a new life whilst teaching her negligent parents a few lessons. She's portrayed by Mara Wilson, who, at that time, was one of the most prominent child stars post-Macaulay Culkin. Before Matilda, Wilson had a breakout role in Mrs. Doubtfire, a guest spot in the first season of Melrose Place, and a starring role in 1994's remake of Miracle on 34th Street, in the part that was originally Natalie Wood's...

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Review: Dev Patel captivates in the legend of "The Green Knight"

by Matt St Clair

the severed head of "The Green Knight"

Normally, Arthurian legends are sword-and-sorcery fables. The latest Arthurian tale The Green Knight, which is primarily about Arthur’s nephew Gawain (Dev Patel) keeps the sorcery, yet there’s little swordplay. Unless you count a terrifying axe that keeps waiting to be swung. The Green Knight may be less action-oriented than other such tales but it's a visually stunning, cerebral dissection of the Messiah complex and its ties to monarchy. 

Despite Gawain not being religiously devout, he’s still eager to become a knight at his uncle’s Round Table...

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Gay Best Friend: Buck (Mike White) in "Chuck & Buck" (2000)

A series by Christopher James looking at the 'Gay Best Friend' trope

Before his successful career took off, Mike White wrote and starred in the indie comic-thriller "Chuck & Buck."Mike White is an incredible talent. Currently on HBO, his miniseries The White Lotus has become a must-see weekly event. Between Enlightened, School of Rock, Beatriz at Dinner and impressive seasons on Survivor and The Amazing Race, White has been a great fixture of film and TV over the past couple decades. In honor of The White Lotus success, we thought we would travel back in time to one of his earliest performances and screenplays - Chuck and Buck.

The early digital film feels like a relic of another time, especially compared to White’s more polished HBO work as of late. The advent of digital allowed more filmmakers a chance to tell their stories as they were able to do it on the cheap. Much of Chuck and Buck looks like a painfully awkward home movie. Yet, that only heightens the discomfort one feels while watching this odd, comic thriller.

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