Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
DON'T MISS THIS

Conjuring Last Rites - Review 

Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe
Friday
Jul162021

1998: Patricia Clarkson in "High Art"

We're revisiting the 1998 film year in the lead up to the next Supporting Actress Smackdown. As always Nick Taylor will suggest a few alternates to Oscar's ballot.

Unlike my last two companion pieces for 1998, which opened with well-deserved grousing about the meager recognition Velvet Goldmine and Beloved received from audiences and industry professionals alike, I actually feel pretty good about how High Art was received on the indie circuit. No, it didn’t get any notices from Oscar, but five nominations at the Independent Spirit Awards, with Ally Sheedy deservedly winning their Lead Actress prize, is a damn good run for any film, to say nothing of how well its reputation has grown since it debuted. But surely the best thing to come from High Art’s success is giving us Patricia Clarkson, Character Actress Extraordinaire™. Her highwire turn as the perpetually soused, washed-up German actress Greta earned Clarkson a handful of runner-up citations from critics groups who would go on to throw prizes at her for the first half of the ‘00s. The remarkable career that High Art made possible for Clarkson gives her performance a wonderful afterglow, and the fact that it still holds up as one of her best turns makes it even more glorious . . . .

Click to read more ...

Friday
Jul162021

Cannes Wins: Tilda's pups win the Palm Dog. Plus Critics Week kudos.

by Nathaniel R

Tilda in dog collar

With Cannes wrapping up this weekend, the awards are now rolling out. Trust Tilda Swinton to bring inhuman glamour to the kick-off by accepting the Palm Dog award and wearing the coveted red collar herself!  Her three spaniels Rosie, Dora and Snowbear won for their roles in The Souvenir Part Two...

Click to read more ...

Friday
Jul162021

Team Experience Emmy Reactions

Hope y'all aren't done talking about the Emmy nods yet. Abe, Cláudio, Juan Carlos, Chris and myself got together to share our reactions to Tuesday's Emmy nominations. From our disappointments about the snubs (sorry about Small Axe, Cláudio) to our individual joys (Carlos remains the world's biggest Handmaid's Tale fan) and our suggestions about how to improve the system (I explain why ranked ballots are the only way to go in the conversation).

Have a watch and share your own reactions, now that the dust has settled.

  • Which snubs are still irritating you? 
  • Which shows will you know be watching to see what the big deal is? 
  • Who do you think will win the hot-hot-hot miniseries category?
  • Who are you rooting for? 

Friday
Jul162021

Cannes at Home: Day 10

by Cláudio Alves

The 2021 Cannes Film Festival is on its last days, and almost all Competition titles have premiered. The latest were new films by Apichatpong Weerasethakul Bruno Dumont and Nabil Ayouch. The Thai director's Memoria has already been met with raves by fans, though, as ever, his work continues to be unfit for all tastes. Some audiences aren't into slow-cinema. Dumont's France, however, got full-on boos, while Ayouch's Casablanca Beats was deemed a possible contender for the Palme d'Or. We'll know the jury's choices on Saturday. For now, let's indulge in cinematic reminiscence as we look back at these artist's previous triumphs. They include a poetic reverie complete with an interspecies sex scene, a funny serial killer movie, and a film that drove irate people to attack its cast…

Click to read more ...

Thursday
Jul152021

Cannes Diary #09: Some unexpected fireworks in Cannes

TFE has been proud to bring you double-sized Cannes coverage this year for the first time, direct from Cannes itself, as well as companion screening suggestions at home

by Elisa Giudici

July, 14th: Bastille Day! Let me be honest with you, I totally forgot the holiday was today (time becomes an endless flow/blur during Festivals) but in the morning every hotel, resturant and administrative building was covered by a lot (a lot) of French flags. Happy to report that inbetween two screenings, I was able to see the magnificent fireworks exhibition on the sea with a spectacular view from the press room.

Even happier to report that there were fireworks in the Competition screenings, too...

Click to read more ...