Welles beyond Kane

by Cláudio Alves

With David Fincher's Mank on Netflix, many have been talking about Citizen Kane. The writing of Orson Welles' putative first feature (technically, though unfinished, Too Much Johnson precedes it by three years) is central to the new movie, but the narrative is far more interested in the 1934 California gubernatorial election than in the shooting of Kane. We never see cameras rolling on that which has been, at one point, considered the best movie ever made. Whether you agree with that hyperbolic title or not, it's undeniable that it's one of the most written about works ever produced by Hollywood, with essays such as Pauline Kael's Raising Kane enshrining the picture in prestige and controversy.

While I admire Citizen Kane and find it a masterpiece, I must admit to being far more fascinated by Welles' later efforts. Through exiles and a myriad of unfinished experiments, Orson Welles' filmography extends well beyond Kane…

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NYFCC loves "Da 5 Bloods" and "Never Rarely Sometimes Always"

by Nathaniel R

The New York Film Critics Circle have spoken, delivering their verdict on the Best of 2020. The only films which scored multiple awards were Da 5 Bloods and Never Rarely Sometimes Always. But the top prize went to First Cow (which is the only prize it won). This year featured the most female directors they've ever honored simultaneously with female-helmed films winning Best Film, Best First Film, Best Director, and Best Screenplay (all four of them different films, too!). Their honors for 2020 go like so...

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Review: Guatemala's Oscar submission "La Llorona"

by Nick Taylor

Three cheers for the Boston Society of Film Critics, who kicked off this year’s wave of critics prizes with an amazingly idiosyncratic list of winners and runners-up. Capping their day off with their Foreign Language Film category, they honored Jayro Bustamente’s political ghost story La Llorona, with The Painted Bird in second place. La Llorona has been selected as Guatemala’s submission for International Film at the Oscars, making this the second of Bustamente’s films to be submitted after his astonishing debut Ixcanul in 2015. Three more cheers for Cláudio Alves, whose heroically long FYC thread on Twitter has informed a lot of my recent choices for which 2020 films to catch up with.

La Llorona’s opening credits are delivered over a black background with white text, while a woman’s quiet, hurried, forceful prayers can be heard. Our first real image of the film is a close-up on the speaker’s face, revealed to be an older white woman (Margarita Kenéfic), back straight and eyes unwavering as she stares directly into the lens and asks for protection for herself and her family against those who seek them harm...

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Barack Obama's Top 10 Lists

Okay top 14 and top 10. President Barack Obama, who has gifted us with his favourites lists in previous years and revealed the taste (no surprise), and is now involved in the movies as a producer has released his favourites list for this accursed year, writing:

Obama visiting with a "Crip Camp" activist

Like everyone else, we were stuck inside a lot this year, and with streaming further blurring the lines between theatrical movies and television features, I’ve expanded the list to include visual storytelling that I’ve enjoyed this year, regardless of format.

His top 10 (sorry, 14) movies and top 10 tv shows after the jump...

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Showbiz History: An epic Oscar battle + Brad Pitt

6 random things that happened on this day, December 18th, in showbiz history

1941 Thirteen year-old Shirley Temple, her contract bought out from Twentieth Century Fox after two 1940 flops, attempts her first "comeback" (though she'd only been gone from screens for a single year) with MGM in a film called Kathleen about a poor little rich girl. It also flopped. A few more hits were in her future but the writing was on the wall (she'd retire, for good, from movies by the age of 21)...

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