Showbiz History: An epic Oscar battle + Brad Pitt

6 random things that happened on this day, December 18th, in showbiz history

1941 Thirteen year-old Shirley Temple, her contract bought out from Twentieth Century Fox after two 1940 flops, attempts her first "comeback" (though she'd only been gone from screens for a single year) with MGM in a film called Kathleen about a poor little rich girl. It also flopped. A few more hits were in her future but the writing was on the wall (she'd retire, for good, from movies by the age of 21)...

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Wilford Brimley (1934-2020)

by Nathaniel R

Wilford Brimley and 80s child star Barret Oliver in Cocoon (1985)

A beloved character actor passed away this weekend. Wilford Brimley was born and died in Utah, but he became a fixture in mainstream Hollywood for a couple of decades for his earthy appeal and facility with adorable curmudgeons. Though he'd been acting since the 1960s he didn't crossover into true fame until the mid 80s...

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Smackdown '81: Elizabeth, Joan, Melinda, Maureen, and Jane Fonda

Welcome back to the Supporting Actress Smackdown, a summer festival in which we investigate Oscar vintages from years past. This time around it's 1981 in which an estranged daughter, an unhappy socialite, a guilt-ridden Catholic, a political radical, and a scandalous young beauty gather for our viewing pleasure.

1981's Supporting Actress nominations made room for a two-time winner (Jane Fonda, On Golden Pond) with a very personal project, an actor's actor in a star-driven historical epic (Maureen Stapleton, Reds),  two sturdy characters in 'issues' pictures of very different kinds (Melinda Dillon, Absence of Malice  and Joan Hackett in Only When I Laugh) and a rapidly rising starlet (Elizabeth McGovern, Ragtime) who had made a big film debut the year prior in 1980's Best Picture winner Ordinary People. 

THIS MONTH'S PANELISTS    

Here to talk about these five nominated turns and the movies and Oscars of 1981 are, in alphabetical order: writer/director Eric Blume, actor Donna Lynne Champlin (Crazy Ex Girlfriend), actor Sean Maguire (Once Upon a Time, The Magicians), festival programmer Amir Soltani, and critic Boyd Van Hoeij (The Hollywood Reporter). And, as ever, your host at The Film Experience, Nathaniel R. 

Let's begin...

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75th: Absence of Melinda

Two time Oscar nominee Melinda Dillon turns 75 today. Since we don't like any major actresses to totally fade from public consciousness when they stop working, let's look back. Though her last working year was 2007 her most recent high profile gig goes back much further to a SAG nomination as part of the ensemble of Magnolia (1999, pictured left) in which she played wife and mother to Phillip Baker Hall and Melora Walters. 

Though she'd been working for a decade before it in small parts (TV guest gigs and improvisational comedy) her first real claim-to-fame came as "Memphis Sue" Woody Guthrie's wife in the Best Picture nominated bio Bound for Glory (1976). She received a Golden Globe nomination for "Best Acting Debut" (a now long defunct category) even though it wasn't her debut. Dillon's breakout led to bigger parts and two well-regarded Oscar nominations though curiously the Globes, who had first honored her, skipped her both times when her major hits rolled around. Her first Oscar nod made actually history: as the wide-eyed young mother in Close Encounters of the Third Kind (1976) she was and will forever remain the first actor to ever receive a nomination for a Steven Spielberg film (it wasn't until The Color Purple when anyone else followed). Later she was nominated as a particularly fragile soul and key character at the heart of a war in Absence of Malice (1981) between journalist Sally Field and businessman Paul Newman (also Oscar-nominated).

Melinda Dillon as "Teresa" in Absence of Malice (1981)

Though Dillon's heyday preceded the birth of my own film/actress obessions I remember getting the sense that she was a critical darling, the kind of actress with a devout if not populist following. By the time I was watching movies regularly and passionately though the roles were all mom roles sometimes with lots of screentime as in A Christmas Story (1983) and Harry and the Hendersons (1987) and sometimes on the peripheries as in those very blonde family flashbacks in Prince of Tides (1991) or "Merna" in To Wong Foo: Thanks for Everything Julie Newmar (1995).

If you're familiar with her work what's your favorite of her performances? If she could be coaxed out of her retirement what would you have her do?