Review: "The Prom" on Netflix

by Nathaniel R

I first saw The Prom on Broadway during its sort of sleeper success run (I believe it broke even? but for a Broadway original without stars, that's a success!) and I loved it as much as Principle Hawkins (Keegan Michael-Key) reveals that he loves going to the theater. I relate to Hawkins, okay? And I know what that says about me. Consider if you will, these potentially cringe lyrics about seeking escape through art in  "We Look To You"... 

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Showbiz History: Sam Cooke, Jean Marais, and William Shakespeare (in love)

7 random things that happened on this day, December 11th, in showbiz history

1936 King Edward VIII abdicates the throne to marry American divorcee Wallis Simpson. Many years later Madonna will make a movie about it by the name of  W.E. but the royal scandal is covered and/or referenced in multiple other movies too.

1964 Singer Sam Cooke is shot and killed at a hotel where he was staying. Leslie Odom Jr plays Cooke in the Oscar-bound One Night in Miami, which is a fictional story about four real life black icons, which takes place earlier that same year...

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Michael O'Connor and the costumes of “Ammonite”

by Cláudio Alves

As L. P. Hartley famously wrote, "The past is a foreign country; they do things differently there." When looking back at times gone by, filmmakers often find themselves as the intermediates between the audience and that strange land. Most try, in some regard, to be interpreters, translating foreign tongues to recognizable idioms, adapting what came before to contemporary sensibilities.

Others, like Michael O'Connor are more pedagogue than translator. In his work the oddities of the past are shown naked, and it's the audience that learns how to comprehend a new language. The British costume designer has made a name for himself with great feats of period couture. While purposefully austere, the Victorian wardrobe of Francis Lee's Ammonite is one of O'Connor's best creations yet…

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Frances McDormand, Vogue Cover Girl!

by Nathaniel R

Whoa. Frances McDormand is the cover star of Vogue's January issue (the profile is up now). It's not every day you see a 60something woman on the cover of a legendary fashion magazine! But Frances McDormand is hardly an every day kind of woman. She's more of the 'only a few times a generation' sort. The only other 60something woman to make Vogue's cover in the past twenties year was Meryl Streep...

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Doc Corner: Queer x3 to Japan, NYC and Manchester

By Glenn Dunks

LGBTIA people of colour are seen far less on our screens so I wanted to use this week’s column to focus on a few films that give them a spotlight which are now accessible to audiences. Of the three titles, the one that feels the most urgent is Graham Kolbeins’ exuberant Queer Japan that traverses the (often quite interconnected) underground scene of Japan’s queer population. If Kolbein’s film is vibrant and busy, then Gustávo Sanchez’s transgender narrative of I Hate New York manages to somehow find the grit and the dirt in NYC long after it seemingly vanished. Lastly, while that city’s Harlem ball scene has been well memorialized on screen, Deep in Vogue by Dennis Keighron-Foster and Amy Watson finds a different angle across the pond in England’s scene...

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