Introducing the Smackdown Panel for '65

Are you ready for the the penultimate episode of this super-sized Supporting Actress Smackdown season? Up next 1965. The Nominees Were: Ruth Gordon (Inside Daisy Clover),  Joyce Redman AND Maggie Smith (Othello), Shelley Winters (A Patch of Blue) and Peggy Wood (The Sound of Music).  Once you've watched that quartet of films, send in your ballots with "1965" in the subject line and a 1 (poor) to 5 (perfection) rating for each of the five performances. You're the collective final vote. Let's meet your fellow panelists, shall we?

PLEASE WELCOME...   

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Mickey Rooney @ 100: "The Human Comedy"

by Cláudio Alves

While Mickey Rooney's career is famed for its longevity, the actor's professional life wasn't without its hurdles, declines, and subsequent comebacks. Transitioning from childhood stardom to adult celebrity isn't easy for anyone, much less for someone as famous as Rooney. Blessed with a boyish face and short stature, he was perfect for playing young people like the famed Andy Hardy, still acting as a teenager well into his 20s. Boundless energy typified his screen persona, often verging on manic cheer that befitted youthful roles but was out of place in grown-up parts.

In this context, World War II marked a turning point. Before it, Rooney was a performing wunderkind who gave a face and a voice to American teenagers everywhere while earning MGM big bucks at the box office. After it, the young boy shtick lost its appeal, the star quickly fading into a character actor. The Human Comedy, released in 1943, one year before Mickey Rooney was inducted into the US Army, was one of his last big hits. It also netted him a second Best Actor nomination…

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Why are so many lesbian films set in the past?

by Anna

Ammonite (2020)

With Ammonite's trailer now familiar and the film and Kate Winslet continuing on the festival and press rounds, there's been buzz aplenty for Francis Lee’s follow-up to the excellent God’s Own Country. That said, there are some who have a quibble or two. Jill Gutowitz expressed mild annoyance, asking:

Does every lesbian movie have to be two severely depressed women wearing bonnets and glancing at each other in british accents?”

(She followed up by saying she’ll be seeing Ammonite.) It is a good question. And why are so many recent WLW-themed works period pieces?

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Horror Actressing: Gwyneth Paltrow in "Se7en"

by Jason Adams

The glimmers of hope that shine through the dank squalor of David Fincher's serial-killer masterpiece Se7en, which is turning 25 today, are so few and far between that we find ourselves clinging to them like life-rafts bobbing down a turbulent sewage drain. One of the library's security guards says, "We got culture coming out of our ass," and then they do, as the gentle strings of Johann Sebastian Bach's "Air Suite No. 3 In D Major" fill the golden-hued dungeon where Detective William Somerset (Morgan Freeman) does his dark research. Similarly Brad Pitt's Detective Mills finds some peace at home playing with his beautiful lively puppies, all locked into a small room lined with newspapers where the dogs do their own important business. Happiness looks like it smells bad!

This nameless city is torrential rain and moldy wallpaper most of the time -- when it's not simply carved-up bodies rising to the surface -- and so Gwyneth Paltrow, ever-chic and resolutely blonde as sunshine, she stands out the first second we see her, coming as she does nuzzled up against Brad Pitt's wall of themselves golden abs. Now this, this right here...

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Almost There: Reese Witherspoon in "Election"

by Cláudio Alves

A few weeks ago, we asked you to vote on what performances should be analyzed on the Almost There series. While Myrna Loy in Test Pilot won the poll of 1938 specific titles, John Cazale's supporting turn in Dog Day Afternoon was your pick from a selection of new to streaming titles. But your runner-up choices will also get their chance to shine. Cazale won, but Reese Witherspoon's iconic performance as Tracy Flick in Election was close behind…

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