Now Streaming: Paul Bettany is "Uncle Frank"

by Christopher James

Everybody wants a happy ending. Especially with gay-themed movies, we’re so used to seeing LGBTQ+ characters go through trauma, abuse or end up killed by the time the credits roll. It’s always nice when movies about the queer experience can be positive or uplifting. However, they also have to be genuine. Uncle Frank wears its heart on its sleeve, and that works for a while. Yet, as the movie goes on, it becomes so sweet and saccharine, you just wind up with a toothache.

It’s 1969, Elizabeth Bledsoe (Sophia Lillis) doesn’t fit in with her South Carolina family. Her parents (Steve Zahn and Judy Greer) fade to the background in traditional gendered roles. Meanwhile, her Grandpa, Daddy Mac (Stephen Root), spews orders and hate at every turn, while Mammaw (Margo Martindale) and Aunt Butch (Lois Smith) gab in the kitchen. She feels the greatest kinship with her Uncle Frank (Paul Bettany), who seldom comes down from New York...

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Showbiz History: Casablanca, The King's Speech, and "We Found Love"

5 random things that happened on this day in showbiz history

1937 Nothing Sacred, one of the great screwball comedies of the 30s (but there are so many of them, he said with glee) opens in theaters after its NYC premiere the previous day. It was a personal favourite of Carole Lombard so in addition to being a genius actress, she had good taste in her own work. 

1942 Casablanca premieres in NYC. It has one of the weirdest Oscar timetables ever for a Best Picture winner...

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More International Contenders including a Student Academy Award Winner!

Since the last roundup the following countries have been added to the list of contenders for this year's Best International Feature Film race bringing our total to 77 contenders.

• Argentina -The Sleepwalkers
• Armenia - Songs of Solomon
• Bolivia - Chaco
• Egypt - When We're Born (a musical!) 
• Hungary - Preparations to Be Together for an Unknown Period of Time (Hungary & Oscar)
• India - Jallikattu (streaming on Prime)
• Ireland - Arracht
• Italy - Notturno (Reviewed | Italy & Oscar) 
• Lebanon - Broken Keys (more on this one below)
• Philippines - Mindanao
• Thailand - Happy Old Year (streaming on Netflix)

You can follow the list as it grows at our Oscar charts or on our Letterboxd list.  

Jimmy Keyrouz. Photographed by Christophe Meireis.

One of fun trivia items about this new batch is that Jimmy Keyrouz, the 32 year old behind Lebanon's Broken Keys actually has Oscar history. He won a Student Academy Award for his short Nocturne in Black four years ago. That short didn't end up getting Oscar-nominated, but he made the finalist list. Now his first feature, about a pianist struggling to repair his piano in a town where terrorists have banned music, is submitted by his home country. How about that? Congratulations! 

If you want to watch the submissions, 12 of the 77 titles are streaming.

 India's Jallikattu is on Amazon Prime, Guatemala's La Llorona is on Amazon, Indonesia's Impetigore is on Shudder or Roku, Lithuania's Nova Lituania is on MUBI, South Korea's Man Standing Next is on Amazon, YouTube, or iTunes, and Chile's The Mole Agent on Hulu. Netflix has the other six currently available titles: Austria's What We Wanted, Mexico's I'm No Longer Here, Spain's The Endless Trench, Taiwan's A Sun, Turkey's Miracle in Cell No 7, and Thailand's Happy Old Year. 

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Doc Corner: 'Leap of Faith: William Friedkin on The Exorcist'

By Glenn Dunks

We’re back with another film about the making of a classic movie (after last week's Television Event), this time a title that's streaming right now on Shudder. It is Alexandre O. Phillippe doing his thing; a horror behind-the-scenes-doc majestically titled Leap of Faith: William Friedkin on The Exorcist. Artistically speaking, it is probably his best movie yet. (But from me that’s faint praise indeed.)

The problem with a director like Phillippe is that he tends to take incredible works of art and then bleeds them dry. 78/52, his most well-known feature to date, somehow turned the shower sequence of Hitchcock’s Psycho into a routine film school dissertation. He takes iconic horror and performs a very practical (to the point of strict orderliness) dissection. The intellectual passion is there, but that doesn’t necessarily always make for the most scintillating of viewing.

It would have been easy to make a more traditional making-of documentary about The Exorcist. Hell, there’s enough of them out there to prove that. (I would recommend the Exorcist episode of Shudder’s Cursed Films if you want more of the making of style).  What makes Leap of Faith interesting is that Phillippe has done something of the opposite...

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Cláudio gives thanks, 2020

by Cláudio Alves

2020 has been a rollercoaster of a year, as full of dismay as of jubilation. I started it sick, feverish, and bone-tired, a fitting first chapter to an annus horribilis fated to forever be remembered for worldwide disease. As the months unfurled, much happened, including cinematic triumphs whose wonder I couldn't believe, universal despairs I hoped would always be enclosed in my nightmares, loss, and life. 

Thanksgiving isn't a holiday we have in Portugal, but I admire the idea of celebrating gratitude, of giving thanks to what makes our existence happy or at least tolerable. With that in mind, I'd like to express my gratitude for some wonders of cinema, TV, and pop culture, that made living through 2020 just a tiny bit easier…

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