Trivia: Name That Kiss

Hey everyone. Michael Cusumano here.  There is still time to sign up Thursday's Movie Trivia Night, sponsored by The Film Experience. 

I thought I'd give you guys one more sample round, so here's Round 5 from this past Thursday's game: Name That Kiss There was one minute per slide for teams to settle on an answer. How would you have done? (Question #3 stumped the room.)

The 10 gifs are after the break along with information on how to join this Thursday's game... 

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Horror Actressing: Glenda Farrell in "Mystery of the Wax Museum" (1933)

by Jason Adams

Once upon a time in a galaxy far far away we once went to The Movies. Otherwise known as The Picture Show, it turned out in 2020 there was indeed, as the prophet Peter Bogdanovich foretold, a Last one for us all. The subject of what was everyone's Last Big Picture before the COVID quarantine shut movie-going down has been a popular one -- personally I've kept that information close to the vest because mine (sigh) was the godawful horror twist on Fantasy Island, and let us never speak of that again. 

Let's instead focus on one of my best big-screen cinematic experiences of the so-far short-lived year in such things, which was MoMA's January screening of the drop-dead-stunning restoration of the Pre-Code two-color Technicolor fright-flick Mystery of the Wax Museum. Michael Curtiz's 1933 film, was lost for decades until a pair of prints miraculously appeared and got cobbled together beautifully. Mystery stars Fay Wray (just a few weeks before her romantic wrangle with that big monkey) playing the love-struck, shriek-prone Charlotte Duncan. But even better as far as I'm concerned there's Glenda Farrell, the subject of this here week's episode in our "Great Moments in Horror Actressing" series...

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The New Classics: Capote

Michael Cusumano here to celebrate a film that is so much more than just another "based on a true story" prestige pic. I have noticed that Bennett Miller’s Capote is often shoved into the biopic genre in a way that diminishes the film’s achievements. 

Lesser biopics bask in the glow of reflected importance coming off their subjects. Significance through osmosis. They value the flush of recognition over insight, and the accumulation of incident over meaning. Capote on the other hand is crafted with a stark, unwavering discipline. It has more in common with a portrait of artistic self-destruction like Black Swan than with Walk Hard inspirations like Ray...

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May Retrospective: "A New Leaf" (1971)

by Cláudio Alves

A master comedian of immense historical importance, a Tony Award-winning stage actress, an Oscar-nominated screenwriter, and one of the greatest American directors of the 1970s. Those are portentous descriptors, each of them difficult to earn individually during a lifetime. For someone to deserve them all is astounding, but astounding is an ever-appropriate word to categorize Elaine May.

She remains a genius through-and-through and, despite her career as a movie director having been abruptly halted in the late 80s, many are devoted to the celebration of her directorial legacy to this day. If you need any proof that Hollywood has little respect for the talent of female directors, look no further than the example of Elaine May whose filmography we are here honoring. After all, what better time to sing the praises of May than during the merry month of May?

First up, we have 1971's A New Leaf…

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Emmy Watch: Lead Actress in a TV Movie or Miniseries

by Abe Fried-Tanzer

Will "Unbelievable" score big with nominations... or will its early release in the eligibility period be a problem?

This year’s Best Actress lineup for limited series and TV movies is populated with a LOT of deserving contenders. This category is no stranger to double nominees from the same project, with four instances occurring in just the past four years. In 2017, there were two sets of nominated actresses from the same shows, and it’s pretty likely that’s going to happen again this time…

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