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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Tuesday
Aug042020

Mulan for $29.99

by Nathaniel R

The Mouse House is tired of waiting for movie theaters to open. They've announced that Mulan will be going direct to Disney+ for Labor Day Weekend. It will also be in movie theaters that weekend in some regions. The catch is that it won't be free on the streaming service that you already pay for. It will cost $29.99 to watch (for an undisclosed length of time). This is bad news for those of us who love to go to movies and watch epic things on big screens in dark cavernous rooms with strangers and hate the motion smoothing on modern televisions. It's good news for parents (at least at this shut-in moment in history) who would likely spend more than $30 to take their kids out to this movie in a normal year. 

Given that Mulan cost hundreds of millions to make and Disney's "event" movies normally make $1 billion plus at the theatrical box office globally they'll need a lot of $29.99 purchases to reach that number. What do you make of this news? End times (as some exhibitors think) or just a minor shifting of the sands?

Tuesday
Aug042020

Almost There: Reader’s Choice Edition

by Cláudio Alves

Over the past few months, in the Almost There series, we’ve explored many performances that were at the threshold of an Oscar nomination but, for one reason or another, ended up without that golden hosanna. The choice of subject for each episode has been up to me. In an attempt to avoid negativity, I always went with performances I greatly admire. Why not try a more reproachful assessment or, even more difficult, an ambivalent review? So, the next two performances to be dissected in the series won’t be chosen by me. That’s where you come in…

First up, a selection of performances, new to streaming, making for a timely lineup of potential study objects. Which one do you choose? 

 

Secondly, we have another field of possibility, all from the year 2005, our theme this month as we approach another Smackdown. Which will it be?

 

You can vote on each poll once a day until Saturday, August 8thIf you like this initiative, we might repeat it in the future. As always, your feedback is appreciated.

Tuesday
Aug042020

Horror Actressing: Greta Gerwig in "The House of the Devil"

by Jason Adams

When I wrote up last week's entry in our "Great Moments in Horror Actressing" series, about the latest greatest entry in what I dubbed the "Horror Movie Funny Friend Hall of Fame," I didn't intend to make a series-within-series out of it... even though I did name-check several other favorite performances that fit within this kind of role, up to and including today's entry. I didn't intend it but why fight it when today is the great Greta Gerwig's birthday, and her work in Ti West's 2009 low-key Satanic Panic shocker The House of the Devil is one of its finest examples...

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Tuesday
Aug042020

Almost There: Burl Ives in "Cat on a Hot Tin Roof"

by Cláudio Alves

In 1958, Burl Ives won the Academy Award for Best Supporting Actor. Some cinephiles would, understandably, assume that the great honor came to him as a reward for his legendary turn as Big Daddy in the silver screen adaptation of Tennessee Williams' Cat on a Hot Tin Roof. It wasn't so, however. Burl Ives did indeed win his Oscar for playing the impassioned patriarch of some portentous American clan, but it was for a story set in the arid landscapes of the Far West rather than the humid heat of Mississippi. The winning movie was William Wyler's The Big Country, a sublime epic of its genre whose taste for cruelty is only matched by the lushness of its score. It's not a well-remembered flick despite its quality, and, while great, Ives' supporting turn pales in comparison to what he did as Big Daddy in Cat on a Hot Tin Roof that same cinematic year...

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Tuesday
Aug042020

Curio: Paul Harding's Collectible Heroes

by Nathaniel R

click to embiggen

As someone who studied illustration but couldn't wrap my hands around three-dimensional work, I've always been fascinated and envious of sculptors. In fact, whenever I'm in a museum I'm much more likely to drift towards sculptures than stare at paintings. In fan culture sculptors have a special if uncelebrated place. Someone has to sculpt those action figures and collectibles you can buy and CG animation involves lots of 3 dimensional rendering. Paul Harding recently caught our eye for a jaw-dropping rendering of the principal characters of our current favourite comedy series What We Do in the Shadows (pictured above). It's brilliant caricature and the details in the expressions are joy-making -- look at Nadja's eye roll! 

More examples of his work after the jump...

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